In the play Othello by William Shakespeare Iago is the one seen as the puppet master, the orchestrator, which is mostly true. Although Iago does essentially get the ball rolling, Othello and Desdemona aren’t exactly innocent either. Both of them are prime examples of just how easily the human psyche/mind can be manipulated to hating, betraying, and even killing the people they love (Othello mainly). Other characters, like Roderigo, Cassio, and Emilia, are also blameworthy. They didn’t try to stop Iago, or refrain from their relationship with Desdemona (Cassio), they were so easily manipulated that it’s hard not to see their fault in the events that transpired. All of these characters, not just Iago, are at fault for what happened. Everyone
She fell in love with him because of his stories, and the hardships that he went through. Saw him as this mature older man that has experienced what life has to offer, and thought that he’s handled it well. “She loved me for the dangers I had past/ And I loved her that she did pity them” (1.3.166-167). Othello sees her as this innocent, inexperienced woman that shows compassion towards him, when he believes that he doesn’t deserve it. Desdemona’s perception of herself is that she’s a loving and faithful wife, and she even wonders how any wife could cheat on her husband, reaffirming her naiveté. “It is Desdemona’s absent sense of strangeness that gives Iago his destructive opportunity” (Hollindale). By not seeing anything strange between her and Cassio or seeing that Othello was acting strangely she let herself be open to manipulation. She also never questions why Othello accuses her of infidelity, his accusations hurt her, but because of her perception of him (honest and respectable), she doesn’t really stand up for herself. Not seeing/understanding that her relationship with Cassio also harms her marriage with Othello demonstrates that she has barely any experience in life and its hardships (jealousy). “When Iago insults Desdemona with his blunt honesty, Cassio is
Even before Iago exerts his influence over Othello, we can observe the inklings of Othello’s insecurity and the doubt he has regarding his relationship with Desdemona. During his audience with the Duke, Othello describes the circumstances by which he became acquainted with Desdemona. He says on the occasions that he told Brabantio of his life stories, he would also tell Desdemona the same stories. Then, Othello self-consciously proposes that the sole reason why Desdemona loves him is because she pitied his misfortunes: “She loved me for the dangers I had passed, / And I loved her that she did pity them” (I.iii.193-194). Othello feels way because as
Actions and events that are happening around a character often contribute to the decisions that they make. Desdemona tries to talk to Othello about giving Cassio his lieutenant position back but she keeps asking " But shall ’t be shortly?" (Shakespeare 3.3.56) and badgering Othello. This causes Othello to become exasperated with her and need some time alone. Desdemona is increasing Othello's suspicion that she is cheating on him by talking to Cassio and only talking about Cassio. Othello is most certainly not going to give Cassio his position back because he think Cassio is untrustworthy and a cheater. In The Other Wes Moore, Tony's actions contributed to many of the other Wes Moore's actions and decisions. One of the first actions Tony had
While Castiglione would put Iago at fault for his misogynistic words and actions, Vives would say that Brabantio is the one to blame for his lack of control over his daughter Desdemona, and Whately would argue that Othello could have avoided this whole ordeal through forgiveness. While these different writers have good arguments for their side, Vives has the strongest argument. The tragedy carried out in Othello would have never occurred if Brabantio played his role as a father and stopped Desdemona from doing whatever she wanted. Iago knows that Desdemona was not cheating on Othello, and Iago is to be blamed for the whole tragedy due to his lack of care for the wellbeing of other people. Iago shows a little of his lack of care for women when he quotes, “You are pictures out of doors, bells in your parlors, wildcats in your kitchens, saints in your injuries, devils being offended, players in your housewifery, and husbands in your beds” (2.1.111-14).
Throughout the play Othello is convinced by Iago that Desdemona has had an affair with Cassio, when really Iago is trying to bring as much misery into Othello’s life as he possibly can. At one point Othello, Desdemona, and a few others are talking with Desdemona’s cousin and everything that Desdemona says helps to convince Othello that she is in love with Cassio. Eventually Othello gets mad enough and slaps her in which she reacts in a much different manner than most women of that time period would have. “Othello: I am glad to see you mad. Desdemona: Why, sweet Othello - Othello:Devil! [Strikes her.] Desdemona: I have not deserved this (4,1,217-220).” This is not the only time we see Desdemona tell Othello that he is wrong in his actions. Later, in act four, he calls her a “whore” and accuses her of sleeping around and rather than taking the heat and dealing with the verbal abuse Desdemona speaks out. “Othello:...Impudent strumpet! Desdemona: By heaven, you do me wrong! (4,2,81-82).” Desdemona tries throughout the rest of the play to convince Othello that she is faithful to him and loves him, but as hard much as she tries Othello does not believes any of it and ends up killing her. Shakespeare has made this very vocal female character to show women that even if they were to speak their mind and try to defend themselves no man would ever believe
When Iago first sets out to deceive Othello, he tells him, "look at your wife; observe her well with Cassio" (3.3.196). He knows that if he can plant enough doubt and jealousy in Othello's mind, Othello only needs to look at Desdemona being friendly with Cassio to suspect infidelity. After this, when Desdemona asks for Cassio's reinstatement, it looks as though she is trying to get something better for her lover, as opposed to just helping a friend.
Iago’s persistence and villainous intentions made Othello become jealous of Cassio and break down his emotions towards Desdemona and want to kill her with fierce rage. Othello would not do such a crime if he knew it was a lie because Othello loves Desdemona and would die for her. Othello was madly in love with Desdemona and they were compassionate for each other, but he was misguided and confused with jealousy and hatred which steered him off course to his sinister fate. Othello cannot be justified as a bad person because of one incident, especially after all the great things he’s done and achieved for the city. Iago is the real antagonist and has become the bad man of the play as his roles are to protect the crown in which was Othello and stay loyal to fellow soldiers but throughout the play he was the complete opposite with characteristics such as being a liar, un loyal to every character in the play.
Othello is noble, tender, and confiding; but he has blood of the most inflammable kind. Unfortunately, Othello was naïve enough to be swayed by Iagos misplaced trustworthiness and the accusations cause the entire play to unfold. Once someone brings up a sense of all his wrong doings, he cannot be stopped by considerations of remorse of pity until Othello has extinguished all that fuels his rage and despair. Othello is described as a “Moor” by his critics (Brabantio, Iago). A “Moor” is a slang word used for the dark skinned appearance of the Muslim people from the northwest part of Africa.
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
As the details of her recent marriage to Othello unfold, Desdemona appears to be a woman driven by emotions. She marries a man because he has shared his stories of grand adventure. In order to do so, she elopes from her loving father’s house in the middle of the night. These seem like actions of emotion stemming from her love – or possibly infatuation – for Othello. Contradictory to this, when asked to speak about her willingness to enter the marriage, she responds with a very clear and sensible reason for staying with Othello:
Being unfaithful to the one that she loves is something Desdemona cannot get into her head and would never understand. While singing the ‘Willow’ song that her mother’s maid sung before her death,a very concerned Desdemona wonders about infidelity by asking, “That there be women do abuse their husbands/ In such gross kind?” (IV, iii. 115). Desdemona grew up in a good family, never being exposed to certain realities which would explain why always sees the best in people and fails to acknowledge the real world, along. Irony makes presence when Desdemona is unaware that at that same moment her dear husband believes that she has been having an affair with Cassio for a while due to the fact of Iago’s lies getting through
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Othello being very easily manipulated led him to make choices that would later on kill his wife and even kill himself. Othello having poor judgment lead him to trust the wrong people and this tied to him making the wrong decisions. His jealousy and obsession with Desdemona was what lead him to kill her. If Othello did not possess these traits the drama would have ended completely different. Othello let himself believe everything Iago told him, if he chose to trust his wife the whole conflict would have been averted. His obsession with his wife was so strong that he could not help think about what she did with Cassio and the only way out was to kill her.
the one who makes him kill Desdemona. Othello is not without blame as he has many weaknesses which Iago seizes and plays on them. Othello is a victim of racism. Iago’s plan to destroy Othello is motivated by his racist attitude. Although Othello is open to manipulation as a result of Othello’s insecurities.
Desdemona demonstrates weakness in her love for Othello and by taking his abuse. At the beginning of the play, Desdemona feels she must accompany Othello to Cyprus in war. This can be looked at as her being a strong woman, but she truly is not since the real reason she wants to go is because she can not be seperated from Othello. "If I be left behind A moth of peace and he go to the war, The rites for which I love him are bereft me,And I a heavy interim shall support by his dear absence. Let me go with him." (Act 1, scene 3, line 250) She feels that she loves him so much, she can not be alone or without him. This is a trait of the stereotypical damsel. When Othello hits her in public, she does not get angry with him but begins to cry. " 'Tis very much.Make her amends, she
Shakespeare uses Iago and Othello as the main characters of the play, showing how Iago manipulates Othello into believing his wife is cheating on him. Iago, or “honest Iago”, the villain of the play, a perfectionist at manipulation, that manages to influence people into thinking his deceitfulness is an act of honesty. He spends all of his time plotting against Othello and Desdemona, eventually convincing Othello that his wife has been cheating, despite the fact that Desdemona has been completely faithful. Othello, Venice’s most competent general, and the protagonist of the play. He was a noble and respected war hero, and a loving husband, however he was the target of Iago’s atrocities, which lead him to become an irrational, violent, and insanely jealous husband who murders his own wife at the end of the play.