In the Chrysanthemus, Othello, and Aunt Jennifer’s Tigers, the prominent theme of the plight of women is society becomes heavily evident. It can be noted in all the three works that women are in a constant struggle to rise above the partrochial nature of society where men are highly exalted over women. Male chauvinism has it that women’s desires, wishes, hopes and dreams are suppressed for the sake of men, mostly in the marriage bond. Through unconventional means, the women in the three works succeed or fail in attempting to rise above their femininity.
In John Steinbeck’s “the chrysanthemums”, Elisa hides her explosive feminine desires in gardening. Elisa comes across as a witty, independent and enterprising woman who can pretty much do what a man can do. She is however caught up in a defeating marriage to Henry Allen. This is so in the manner that Allen reduces her to a housewife despite her demonstrated desires to participate in running the ranch and other activities that society considers suited only for males. She is frustrated and thus resorts to releasing her pressure in gardening, an activity she is good at, but not talented in. Momentarily she succeeds in defeating her plight through her engagement with the Tinker. However even in this, her femininity is still her defeating point as the Tinker discards the chrysanthemum roots she gives him in; a show of despise.
In Adrienne Rich’s “Aunt Jennifer, Aunt Jennifer fights the deadening weight of her marriage through sewing. The short poem revels that Jennifer is a seamstress, and a good one at that. This is however not by choice but by force. She is married to a chauvinistic man, who denies her the pleasure of pursuing her dreams. In her frustration, she resorts to sewing. It ...
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...n as absolute. This was the case for Zimmer who had a hard and firm belief in God so that he could not miss church. And when he does, he expects Jesus to come down and punish him vehemently. This expectation is however in vain as no deity comes down. Zimmer has now grown up and realizes that his religious beliefs as a child were just that; childish. He however manages to use this disappointment and anger to escape this plight. He realizes that he understands Jesus and religion much better now and thanks to his childhood experience of the same, he can now coin his own mature faith in God.
In the three works then, it can be noted that the characters make great efforts to escape their prevailing circumstances. While Sammy and Oedipus realize that they have made grave mistakes in their efforts, Zimmer manages to take advantage of his escape to find a new path in life.
Initially, John Steinbeck’s short story, “The Chrysanthemums” illustrates the internal conflict a sorrowful housewife faces. The day-to-day life of character, Elisa, seems like a boring one and Steinbeck attempts to remind the reader to not give into temptation and cherish loved ones. During the dialogue, Elisa’s husband, Henry, offers an idea to go out to dinner and the less than enthusiastic response of, “I’ll have plenty of time to transplant some of these sets” (Steinbeck 435) proves that Elisa cares more about her garden than spending time with her husband. Rather than make an effort to bond with her spouse, she appears to be reluctant when asked to go out and enjoy a simple night on the town. Additionally, the failure of a connection between the couple gives the Tinker an opening to make an impact on Elisa’s mental state. Once the Tinker gives her the least bit of attention, Elisa’s entire demeanor starts to change. When Elisa is first described to us, she is unwomanly: “her figure looked blocked and heavy, and she wore a “man’s black hat pulled low down over her eyes” (Steinbeck 438). Although, she is not portrayed as a strong symbol of femininity, the Tinker has spiked an interest in her taboo ways. In the web article “Symbolism in ‘The Chrysanthemums’,” Elizabeth Kassim classifies the tinker as the “catalyst in Elisa’s life”(http://www.lonestar.edu). The admiration of the flowers leads the tinker to admire Elisa. Her sexuality is defined by the chrysanthemums and she “tears off the battered hat and shakes out her dark pretty hair” (Steinbeck 441). With a few kind and well-placed remarks by the Tinker, Elisa thinks there could be a new beginning all aspects of her life. Elisa’s marriage and the way she feels about herself ...
In the short story “The Chrysanthemums” John Steinbeck uses symbolism to reflect the characteristics of his main character Elisa Allen. Elisa, a married woman uncovers her deeply smothered femininity in an inconspicuous sense. Her life in the valley had become limited to housewife duties and the only sustenance that seemed to exist could merely be found in her chrysanthemum garden. Not until she becomes encountered with a remote tinker-man out and about seeking for work, does she begin to reach many of the internal emotions that had long inhibited her femininity. The tinker subtlety engages an interest in Elisa’s chrysanthemum garden that encourages Elisa to react radically. When Elisa realizes that there are other ways to live she attempts to lift the lid off of the Salinas Valley, but unfortunately the tinker’s insincere actions resort Elisa back to her old self and leaves Elisa without any optimism for her hollow breakthrough. Steinbeck’s somber details of the setting, strong description of the chrysanthemums and meaningful illustration of the red flower-pot reveal the distant, natural, ambitions Elisa Allen desired to attain.
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare. The story is about Othello, who is a general in the Venetian army and is convinced by his trusted ensign, Iago that his wife is cheating on him. Eventually Othello kills his wife and when he finds out the truth he then kills himself. Most of the conflict in the play stems from Othello’s value assumption that women are not equal to men, which leads to dramatic and value irony. Othello’s relationship with Desdemona, his trust in Iago and Othello’s jealousy indicates Othello’s belief that women are not equal to men.
In the play Othello by William Shakespeare, the character Othello is portrayed as a fairly good man. By some, he may be known as a bad person but he has become greatly beneficial to the growth of Venice and the state of Cyprus. Othello is a good man even if he committed murder to his wife because he is a great war general and contributed to Cyprus in time of need.
Elisa’s character undergoes a complete transformation of femininity, due to her conversation with the tinker. The story initially describes Elisa’s appearance using words associated with manliness, as Steinbeck states, her face is “strong, eager, and handsome,” and her figure is “blocked and heavy” (228). Furthermore, she wears a man's hat, heavy leather gloves, and a big apron that hides her printed dress (228). As a result, she is depicted as a woman with greater masculine qualities than feminine qualities. However, as soon as she encounters the tinker and notices his interest in Chrysanthemums, “the irritation melted from Elisa’s face” (232), and eventually reveals her womanly side. After the tinker left, she “scrubbed herself with a little block of pumice, legs and thighs, loins and chest and arms, until her skin was scratched and red” (236). She then bathes and puts on a dress to make herself look more feminine (237). For the first time, Elisa feels valued and special by the tinker. As a result, she puts more effort into beautifying herself than the house or garden. Therefore, one can see that although Elisa is i...
The play Othello by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Grolier). In Othello we encounter Iago, one of Shakespeare's most evil characters. Iago is an officer in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded many lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a major role as a motive for his various schemes and lies.
Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills, are the survival traits she's adopted in order to survive, and keep her femininity and vulnerability in a man's world.
In Shakespeare’s “Othello”, the role of women is deeply emphasized; the significant characters of the play Othello, Iago, and Casio, each have a lady that stands behind him. These women each have commitment to remain faithful and respect their husband's needs, especially Desdemona and Emilia.
Desdemona is one of the protagonists of the play contributes to the play and also fleshes out certain aspects of characterisation mainly where Othello and Iago are concerned. Thus her relevance is highlighted consistently throughout Othello, since without her ppresence, Iago would not have succeeded in manipulating Othello, and Othello's drastic transformation would not have been made evident.
After reading Othello by Shakespeare over about 3 times, I came to feel sorry for a man that I can easily say was gulled into tragedy by his own purity. I can see Othello as a man that could sit at the ‘Round Table” with King Arthur and rank among those wonderous knights of chivalry. At his end, he had nothing. The Duke calls Othello ‘Valiant Othello’ (1057) Othello also stands ready to face Brabantio, Iago tells him to run. Othello - ‘Not I; I must be found. My parts, my title and my perfect soul Shall manifest me rightly. (1054) As grand as his internal characteristics are, he also stumbles with his own susceptibility to become betrayed.
In the Shakespear’s play “Othello” it is clear to see that the relationship between him and Desdemona is a complicated one wrought with passion and confusion which leads to emotional trauma and physical abuse. At point and times in the story of “Othello” love was transmuted different. Othello was not as gentle and kind as Desdemona when it came to his lover he a times exhibited symptoms of insanity. He also at times exhibited lack of confidence that is found in the perceived unity of marriage. This was apparent that the two lover on loves battlefield were on two opposing sides, Desdemona was honest and faithful to Othello until their tragic end.
Othello is one of Shakespeare’s four pillars of great tragedies. Othello is unique in comparison to the others in that it focuses on the private lives of its primary characters. When researching the subject of Othello being an Aristotelian tragedy, there is debate among some critics and readers. Some claim that Shakespeare did not hold true to Aristotle’s model of tragedy, according to his definition in “Poetics,” which categorized Othello as a classic tragedy as opposed to traditional tragedy. Readers in the twenty-first century would regard Othello a psychological thriller; it definitely keeps you on the edge of your seat creating the emotions of terror, heart break, and sympathy. This paper will focus on what Shakespeare actually intended regarding “Othello” and its Aristotelian influences.
The play, Othello was written by William Shakespeare in the later years of his career. Giraldi Cinthios, Tale of a Moor, based Othello on a story that was a mellow Drama, about a moor and his doubts about his wife’s fidelity. In Shakespeare’s play the Moor (Othello) convinced by his jealous aid (Iago) that his wife (Desdemona) is not Being faithful. Iago’s jealousy is motivated by his anger when he learns that Cassio of Florentine has been appointed Governor of Cyprus. He felt that he deserved this promotion and vowed to seek revenge against Othello.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
In William Shaspeare play Othello, Iago make Othello believe that Desdemona is having an affair with Cassio. He does by taking advantage of any situation to make of Othello doubt. Iago make Othello thing a lot of crazy thing on his head, Othello got so jelous leading him to kill his own wife, Desdemona, satisfying iago obseccion for revenge.