In this reading of Oryx and Crake, there is a dominant theme of growing up as a young adult and dealing with the sexual, violent, and uncontrollable impulses which comes with it. Due to the timeline shifts within this section many times we are able to see Jimmy (Snowman) reflect back many times on his own childhood. The author, Margaret Attwood uses these timeline shifts so that we may see the creation (Jimmy with his parents), development (Jimmy with Oryx and Crake), and end product (Snowman) of the novel’s central character. Those who read this section would want to look back on their own lives, and think about what things they have done in the past to mould them into the person that they are today.
We can first see the development of Jimmy’s personality though the contrast between Jimmy and Crake. During their first encounters they had very similar traits and personalities, but
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Though Snowman has the children of Crake to keep him company, they are just as useful to him as the Volleyball was to the stranded survivor, “…And he couldn’t stand to be nothing, to know himself to be nothing. He needs to be listened to, he needs to be heard. He needs at least the illusion of being understood…” (Page 104). This quotation shows us the desperation of Snowman’s need for human’s companionship, or at least the illusion of it. It is what compels him to stay alive, and is his only form of social interaction.
A passage I found to be very vivid was the scene where Uncle En had died. “His stomach was puffed up like a pillow, his face was bloated, but it was Uncle En all right. He had no clothes on - someone must have taken them” (Page 134). Reflecting on this passage I picture a dead body, listing down the canal, all wrinkled, bloated, with a stomach “puffed up like a pillow”. The sounds of a bustling city would be in the background, accompanied by the rancid smell of soaked, exposed rotting
It seems that throughout the novel there is an extended metaphor of Snowman as various figures from the Christian bible. The first figure that Snowman can be said to represent is that of Adam, the first man, though the similarities between the two characters do not follow the same chronology. Just as Adam is given the animals as companions to look over, similarly Crake has ensured that the Crakers and Jimmy are both left in the newly re-created world as companions.
Hiding from those who would find him and carry out the wrath of vengeance upon him, the protagonist plans his escape. About to dive in the rancid water and swim for it, a body in the shallows abruptly stops him. The bloated and decomposing corpse pulls the narrator back from his adrenaline-induced frenzy. After a few moments, he settles and reflects, “I thought about him, fog on the lake, insects chirring eerily, and felt the tug of fear, felt the darkness opening up inside me like a set of jaws. Who was he, I wondered, this victim of time and circumstance bobbing sorrowfully in the lake at my back” (193). The narrator can almost envision himself as the man whose corpse is before him. Both deceased from mysterious causes, involved in shady activities, and left to rot in the stagnant lake water, and never to be discovered by the outside world. This marks the point where the main character is the closest he has ever been to death. Although he makes it out alive, the protagonist and his outlook on life are forever changed.
There are many ideas, experiences, values and beliefs in the play Blackrock by Nick Enright. The play is based on a true story and is set in late November to early January in an Industrial city and its beachside suburb of Blackrock. It is about a girl called Tracy aged 15 who was raped and murdered at a teenage party and the effects of it on the locals and community. Three main ideas explored in the play that challenged and confirmed my own beliefs include “Disrespect toward women”, “Victim blaming” and “Double standards”.
Continuing the journey, John Reed goes through a horrid of corpse. In “The Valley of Corpses,” he travels through the country and sees the Serbian and Austrian dead in the trenches. “We walked on the dead, so thick were they—sometimes our feet sank through into rotting flesh, crunching bones.” For around six miles, thousands of dead bodies laid on the floor with their skins rotting away and the air reeking of the dead. Due to the war,
To sum up, the use of imagery by Edgar Allan Poe in his stories results in his stories being very poignant. In “The Cask of Amontillado,” Poe describes the catacombs
William Faulkner’s novel As I Lay Dying takes place in the fictional town of Yaknapatawpha, Mississippi in the 1920’s. It is set in the summertime in the ‘deep south’, which had continual dry and hot conditions. The novel tells of the quest of the Bundren family to bury Addie Bundren in Jefferson, where her family was buried. The Bundren family goes through many unexpected trials on this journey, but still manages to bury Addie where she requested. Among her children, were two of her four sons, Darl and Vardaman. They both had different perspectives and ways of understanding people and Addie’s death. Darl and Vardaman’s perspectives differed widely because of the age difference and maturity levels.
"One day he caught a fish, a beautiful big big fish, and the man in the hotel boiled it for their dinner" (p.191). Little did Mrs. Malins know that those words issued from her feeble old lips so poignantly described the insensibility of the characters in James Joyce's The Dead toward their barren lives. The people portrayed in this novelette represented a wealthy Irish class in the early twentieth century, gathered at the house of the Morkan sisters for an annual tradition of feast and dance. Although all of the personages had, at one point, a potential for a beautiful life, sad memories of the past and the despair that invaded Ireland had eventually boiled all true senses and desires into a dull stew, destined to rot. Of particular interest is Gabriel Conroy, whom Joyce singularly bestowed a gift of introspection, though that did not save him from becoming yet another of the living dead.
A transformation took place during the story and it is evident through the narrator?s character. In the beginning he was lacking in compassion, he was narrow minded, he was detached, he was jealous, and he was bitter. Carver used carefully chosen words to illustrate the narrator?s character and the change. Throughout the story his character undergoes a transformation into a more emotionally aware human being.
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
In Margaret Atwood’s novel, Oryx and Crake, she constantly places the reader in an uncomfortable environment. The story takes place in a not so distant future where today’s world no longer exists due to an unknown catastrophe. The only human is a man who calls himself the Abominable Snowman or Snowman for short, but in his childhood days his name was Jimmy. If the thought of being all alone in the world is not uneasy enough, Atwood takes this opportunity to point out the flaws of the modern world through Snowman’s reminiscing about Jimmy’s childhood. The truths exposed are events that people do not want to acknowledge: animal abuse for human advancement, elimination of human interaction due to technology, and at the core of the novel is the disturbing imagery that slavery is still present. Modern day servitude is an unsettling topic that has remained undercover for far too long. However, the veracity is exposed in the traumatic story of Oryx. In order to understand the troubled societies of today, Atwood unmasks the dark world of childhood bondage through the character Oryx, but she gives subtle insights on how to change the world for the better before it is too late.
“Oryx and Crake” is a novel by Margaret Atwood that demonstrates how certain intriguing, distinctive characters develop themselves. Her novel demonstrates how there is no simple way of discovering oneself, but rather a combined method. Margaret Atwood’s book Oryx and Crake demonstrates that both the constituted and atomistic methods of self-discovery must be practiced to fully understand oneself. The captivating characters and people in her book Oryx and Crake demonstrate this.
"A man wading lost fields breaks the pane of flood" which starts the second section gives the effect of pain and hurt. The man survives by going along with nature and resisting it, but it also gives the effect of danger at the same time. " Like a cut swaying" carries on the effect of being deliberate, sharp and precise and "it's red spots" and "his hands grub" continues with the theme of the animal sort of.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
The world has changed since The Handmaid’s Tale was written in 1986. Oryx and Crake is a continuation of and a development of many of the ideas first brought up in The Handmaid’s Tale. Although the details are different, the terrifying possibility of either future is enough to make anyone question the morals of the world today and stay vigilant against these warnings offered by the author.
In the poem “The Love Song of J. Alfred Prufrock” T.S Eliot uses a man named Prufrock to describe the uncertainties in life and how they affect a person views. Prufrock does not have the confidence to give or receive love. There is an equally amount of unhappiness to the concept of time and space. He is unsatisfied with life and with the decisions to think rather than act. He claims that there will be much time to do things in the social world. Prufrock is more of an anti-hero that is controlled by fear. T.S Eliot uses tone, allusions, and imagery to explain a man’s inability to make decisions and his own self confidence in life in which he is afraid of the outlook of his future by being misunderstood.