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Orpheus and eurydice archetypes
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Visual connection in both Inception and Metamorphoses signals trauma. Cobb’s primary look through the window reflects Orpheus’s glance backwards which causes Eurydice to die a second time. In the flashback scene, Mal closes her eyes when Cobb shouts to her, “Look at me!” The closing of her eyes reverses the Orpheus and Eurydice myth. Here, Mal’s refusal to look toward Cobb causes her death. We see the action through reverse shots between the point of view of Cobb and Mal, heightening the scene’s traumatic nature. However, the camera stays with Cobb’s point of view for longer in scenes where both character interact, especially true when Mal falls from the window ledge as the camera tracks her progress down, mimicking Cobb’s line of sight. Just
The battle of fact versus coincidence has been around since long before any of us were born. Believers argue that everything in life has brought them to their present situation while skeptics may be more reluctant to give into the notion of a predetermined fate. However, everyone questions whether or not fate might actually be true at least once in their life. At the beginning of Oedipus the King, Oedipus did not believe in fate. He thought he could escape his destiny by running away from Corinth after he discovered it was his fate to kill his father and marry his mother. Mike Church, the private detective in the movie Dead Again, is called to a catholic orphanage to assist in finding an amnesiac's family. Unknown to Oedipus and Mike, this would be the start of what both men were destined to do. Stories like Oedipus the King and Dead Again both illustrate the irony of mans struggle with predetermined fate through the eyes of a skeptic.
During the Ancient Grecian time periods, tragedy meant death because one defied against an outer prophecy. Modern day tragedy was simply realism, the unspoken way of life. In Sophocles' Oedipus the King and Ibsen's A Doll's House, the main characters - Nora and Oedipus, are both constructed to illustrate flaws in society and how naive people are. Ibsen and Sophocles both developed tragedy into a central idea that all people surreptitiously understand. Nora and Oedipus make incompetent decisions that assist in discovering their fundamental nature as tragic heroes and provoke sorrow and pity among the audience.
The play that I went and saw was Midsummer Night’s Dream at the University Theatre. This play was set in a proscenium venue because the audience was in front of the stage facing the actors. The playwright of this play is William Shakespeare and it was directed by Kirsten Brandt. This play centered around a bunch of lovers who get trapped in an absurd love triangle that is caused by the use of a love potion.
In the play, Othello by William Shakespeare throughout the entire play it had portrayed symbolism and foreshadowing. These had influenced the most of the characters to act in a foolish ways. This leads us to a suspense ending that caused loved ones to go against each other. By not realizing what is going on between the characters can cause confusing in the plans of the play. Likewise, by connecting each of the following character made it seem we might have knew something was going to happen at the end. Throughout the play we are able to recognize that the handkerchief is played as an important part with all the characters. This is done by showing how each one of the characters is acting with it being loss. Due to it being misplaced some of the characters will do something they normally wouldn’t have done.
The play "Oedipus the king" was written by Greece writer of tragedies Sophocles. The play tells us about the King of Thebes Oedipus, who was trying to help the citizen to find the killer of previous King Laius, to stop plague. During this investigation Oedipus found out the truth about himself: who is he and where he came from. This play shows us that you cannot ran away from your fate and if something is meant to be it will appear any moment in your life even if you are trying to prevent
The discussion of play-within-a-play makes us think; what counts as good theatre? What does it take for us to act on a play? Can anyone watch and understand the art of theatre, with elements of parody in it? These questions provide very sparse answers, but through the parody of Pyramus and Thisbe and also Romeo and Juliet in A Midsummer Night’s Dream, Shakespeare has shown us a parody of what a bad theatre is itself. These parodies show that the play requires deep understanding of the art of theatre in order for it to be enjoyed fully.
Oedipus, in the ‘Oedipus the King’ and the Emily in ‘A Rose for Emily’ are both dynamic characters whose lives depend on life experiences and the environment. Oedipus is motivated by the need to move out of Corinth to avoid killing his father. His conscience is clear and he leaves the luxury in Corinth for Thebes unaware of what the fate holds for him. Various other events shape his life in different ways within the play. Emily, on the other hand, is a character with a complicated personality. She is introverted and she is usually out of sync with the reality. She does not seem to associate herself with the community members. She holds on to the past and has a false sense of entitlement that breeds arguments with the leadership of Jefferson
Tragedy has been apart of human history since the dawning of civilization. Man has been plunged into terrible tragedies for ages. But not until the Greeks and prominent playwrights such as Sophocles did tragedy take on into its own on the stage. Out of this rebirth of tragedy came what has been considered, even by Aristotle himself, the greatest tragedy ever written, Oedipus the King. He delves into the human psyche: bringing forth the notion of predestination, a supposition desperately believed in by humans, betraying the fatal flaws of his hero and manifesting the suffering brought upon the hero by his tragic downfall. Though it was written more than a millennium ago, its basis and structure for tragedy has held strong, showing true in the modern tragedy of A Doll’s House. Written by Henrik Ibsen, it is a more down to earth tragedy on a level and situation that almost anyone can relate to. Though the heroine of the tragedy is almost no different than Oedipus, she has a form of personal nobility and pride that leads her to actions that eventually bring about her downfall. She suffers, she feels emotion. Both Oedipus the King and A Doll’s House set forth a range of human emotions that allows the audience to connect and feel for the tragedy, given to one to reflect upon human nature.
Inception (2010), directed by Christopher Nolan, is an action and adventure film shot in a world where fantasy is as real as reality. The main character Cobb is on a journey to get reacquainted with his children after being falsely accused of murdering his wife. In order to see his children again, he must forsake a task that is seemingly impossible and dangerous, all the while protecting his partners from the truth that lies ahead. In the end, this film leaves a twist on what is reality and what is fantasy and will keep you guessing if things are as real as they seem to be. Up until the very end, you will be guessing if Cobb will ever get to see his children again and will end with a “spin” you didn't see coming, pun intended.
The movie, “Romeo Must Die”, is an action packed drama that adapts William Shakespeare’s “Romeo and Juliet” into a more modern perspective with a twist that deviates from the original plot. Han Sing, played by the actor Jet Li, resembles Romeo, where as Trish O’Day, played by the actress Aaliyah, resembles Juliet. Fate causes them to meet when Trish jumps into the taxi Han hi-jacks. As Han is in search of the person that killed his brother, he learns that Trish may have a connection and begins to pursue her.
In the initial two acts, crucial judgments are made to dispense the just nature of certain events. The justice represented in Act 1 is very similar to that in Act 2, as they both follow the judgmental likings of Othello. Within Brabantio's attempt to prove Othello’s actions unjust, Othello is victimized as the criminal of the case. Just like Othello, Cassio is victimized in Act 2, when Iago illustrates that he and the others “entreats his pause”, as Cassio was in “rage strike” (2.3.210) (2.3.224). In both cases, some dishonesty occurs, as Brabantio says that Othello “corrupted [Desdemona] / By spells and medicines bought of mountebanks”, and Iago fails to say that he was the one who got Cassio drunk and sent Roderigo to provoke him (1.3.60-61). Through these lies and intentional omissions, Brabantio and Iago are attempting to sway the “judge” into believing that their view is just. The difference is, however, that one succeeds at doing this while the other fails.
Theater was an important part of Ancient Greek Civilization. History of Greek theatre began with religious festivals which aim to honor Dionysus, a god. During the festivals some citizens sing songs and perform improvisation plays and other participants of festivals judges this performances to decide which one of them was the best. These plays form the foundation of the Greek Theatre. Because of the competition between performers to create best performances, plays gained an aesthetic perspective and became a form of art. So, theatre as a part of religious rituals took attention of people and gained an importance in Ancient Greek Society.
Throughout the entire film, the idea of the subconscious is present. The entire idea of inception is based on the subconscious, as it is where the dreams take place and it is also where inception takes place. The idea is first presented when Cobb is explaining the plan to the team’s new recruit, Ariadne. He says that the subject does not know their subconscious and that they cannot control it. He also says that the subconscious affects people’s actions and beliefs, even though they do not know it. Another scene similar to this one is when Ariadne is learning to manipulate the dreamworld. This caused Cobb’s projections to become angry, as his subconscious is gearing up to fight the invader of his dreamworld. Cobb warns Ariadne that the more she messes with the dreamworld, the more hostile his projections will become. Even though Cobb’s projections are part of his own brain, they are part of his subconscious, so he cannot stop them as they swarm in and kill Ariadne, ejecting her from the dream. This theme then resurfaces many times in the movie as the entire team’s plan is based on
In the movie when Cobb starts to believe that everything that is happing to him is, coming true he starts to think there could be a reason he his having these thoughts and that there may be a main point behind his wife’s suicide. Because, they are in a dream realm/world everything to them actually seems real even though they know it’s not true. Because, before they even entered the dream realm they were told that everything they hear and see would not be real, it would be a figment of their imaginations. Basically is everything that has happened in Inception just a dream within a dream because, at the end if the movie Cobb, is reunited with his family but, when he returns home dreidel that he has always kept with him is still spinning and it doesn’t stop. So you have to wonder if Cobb is still in dream realm limbo and if his wife is actually alive next to him. Or that Cobb is actually still in a dream like state, that he doesn’t care about waking up, all he cares about is getting back home to his family. So when he walks away from the dreidel that is still spinning, now you start to realize that Cobb has accepted his fate and the reality he is in if its real or not real he
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.