Introduction
Orientalism as termed by Edward Said is meant to create awareness of a constellation of assumptions that are flawed and underlying Western attitudes towards the Muslim societies. Evidence from his 1978 book “Orientalism”, states that the culture has been of influence and marred with controversy in post colonial studies and other fields of study. Moreover, the scholarship is surrounded by somehow persistent and otherwise subtle prejudice of Eurocentric nature, which is against Islam religion and culture (Windschuttle, 1999). In his book, Said illustrates through arguments, that the long tradition in existence containing romanticized images of Islamic stronghold regions i.e. Middle East, and the Western culture have for a long time served as implicit justifications for the European and American Imperial ambitions. In light of this, Said denounced the practice of influential Arabs who contributed to the internalization of Arabic culture ideas by US and British orientalists. Thus, his hypothesis that Western scholarship on Muslim was historically flawed and essentially continues to misrepresent the reality of Muslim people. In lieu to this, Said quotes that, “So far as the United States seems to be concerned, it is only a slight overstatement to say that Muslims and Arabs are essentially seen as either oil suppliers or potential terrorists. Therefore, very few details such as human density, the passion of Arab-Muslim life has entered the awareness of even the people whose profession revolve around reporting of the Arab world. Due to this, we have instead a series of crude, essentialized caricatures of the Islamic world presented in such a way as to make that world vulnerable to military aggression” (Said, 1980).
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... assertions that no European or American scholar could know the orient are criticized largely by Landow, however, in his view, whatever the European and American have done have resulted to acts of oppression. Moreover, Said is considered as a person who never took tie to welcome other scholars’ views which he would use to feature in his analysis. According to Landow, he considers this as the greatest single sin committed by a scholar in orientalism (Landow, N.d).
Using judicious satirical criticism by Daniel M. Varisco to defuse what has become an acrimonious debate, he surveys the extensive criticism of Said's methodology and his extensive use of Foucault and Gramsci criticisms, he argues that the politics of polemics needs to be superseded to move academic discussion of real cultures in the region once imagined as an "Orient" beyond the binary blame game.
Orientalism is the way that the Middle East is depicted by its’ friendly acquaintances over in the West. In other terms, it is a “racist discourse which constructs the orient for Western aggrandizement.” The way that the Afghans are depicted in the film alongside Rambo makes the audience sympathize with them. The little boy also looks up to Rambo. He looks up to him a masculine father-figure. Using th...
Thomas W. Lippman gives an introduction to the Muslim world in the book Understanding Islam. He has traveled throughout the Islamic world as Washington Post bureau chief for the Middle East, and as a correspondent in Indochina. This gave him, in his own words, "sharp insight into the complexities of that turbulent region." However, the purpose of the book is not to produce a critical or controversial interpretation of Islamic scripture. It is instead to give the American layman an broad understanding of a religion that is highly misunderstood by many Americans. In this way he dispels many myths about "Muslim militants," and the otherwise untrue perception of Islamic violence. In this way the American reader will become more knowledgeable about an otherwise unfamiliar topic. However, the most significant element of Lippman’s book is that it presents Islam in a simple way that makes the reader feels his awareness rise after each chapter. This encourages him to continue learning about the world’s youngest major religion. Understanding Islam dispels many misconceptions about the Muslim world, and presents the subject in a way that urges his reader to further his understanding of Islam through continued study.
The Western ideology of the Eastern exoticism and docility originates from the long historical context of imperialism and political tensions between the West and the East. Domestic struggles caused by political strife and war in the East, such as the Philippines during the American-Spanish War and China during the Opium Wars, created an opportunity for the West to infiltrate the destabilized Eastern countries. This access allowed the West to exercise a form of supremacy over Asia, as the East was seen as powerless and incapable of self-governance. Thus, considering themselves as racially and politically superior, the West adopted a “White Man’s Burden” mentality described as the duty of the masculine Western men to dominate the East and civilize the “uneducated” and “feminine” Orientals. This racial supremacy mentality characterized the Eastern natives as feminine and the Western imperialists as masculine because the Eastern natives were obedient and docile to those of the West. This historical framework would eventually co...
Orientalism, which became famous as a term after Edward Said’s book written in 1978, explains a power relation between the Orient and the Occident inspiring from the Foucault’s The Archeology of Knowledge and
Representation, according to Said, can be characterized by exteriority and imaginativeness. Said affirms that “Orientalism is premised upon exteriority, that is, on the fact that the Orientalist, poet or scholar, makes the Orient speak, describes the Orient, renders its mysteries plain for and to the West” (21). In other words, Orientalism assumes that the Orient cannot represent itself: as not being allowed the subject position, the Orient needs both political and linguistic representation by the West. This leads to the second point, the idea that the Orient has little to do with “real” Orient. The Orient, conceived as representation in written texts, is “a presence to the reader by virtue of its having excluded, displaced, made supererogatory any such real thing as ‘the Orient’” (21). Said is not arguing that the true Orient is different from what Orientalists believe to be, but that the Orient is a dubious entity supported by the notion that there are geographica...
Winter, T. (2011), America as a Jihad State: Middle Eastern Perceptions of Modern American Theopolitics. The Muslim World, pp. 101: 394–411.
The continuous military defeats of the Arab countries against Israel (1948, 1967, and 1973) have caused a heavy burden in the psychology of the Arab Muslims. These defeats confirmed the loss of Muslim power. This led to abandoning the idea of secularism and going back towards the commitment to Islam to regain the former ...
In his book Orientalism, Dr. Edward Said wrote about the influence of material culture – journalism, literature, art – on how people perceive the “Other”. Specifically, he focused on the way that people from the “West” view the “Orient.” He wrote, “The phenomenon of Orientalism as I study it here deals… with the internal consistency of Orientalism and its ideas about the Orient… despite or beyond any correspondence, or lack thereof, with a real “Orient” (Said 71). Dr. Said wrote about how Orientalism, through material culture, encouraged, legitimized and even enabled the British domination of great portions of the East by emphasizing, exaggerating and distorting differences between Arab peoples and the cultures of the North America and Europe (Said 69). Orientalism often portrays Arab culture as mysterious, exotic, backward, uncivilized, or dangerous, creating stereotypes that have been reinforced throughout recorded history.
He stated, "Orientalism is more particularly valuable as a sign of European Atlantic power over the Orient than it is a veridic (truthful) discourse about the Orient.” The nexus of authority with knowledge empowered the West to generalise and misrepresent the orient, consequently subjugating and controlling it. By exaggerating and distorting the difference between the familiar occident (West) and the alien orient (East), they are constructing the East as the extremely inferior, backward and foreign counterpart of the West, in need of Western ‘rescue’. It is therefore this colonialist podium, which the Orientalist artist stands on that, in part, generates Roger Benjamin’s notion of the ‘Oriental mirage’. The concept that a “travelling artists always has an unstable view of its subjects” is concrete, imitative painting of any kind is an estimation. However the Imperialist and Colonialist credentials of the orientalist artists inevitably skews this image further. The mirage becomes additionally distorted as they are faced with the obstacles of cultural misunderstanding and ethnocentrism. Jean-Léon Gérôme and Henri Matisse alike both ‘suffered’ from this colonialist cultural curtain, which was drawn across and
To answer the question posed it necessary to first consider the development of, and what constitutes the West. Once this is achieved, we are than able to discuss occidentalism. However, the concept of orientalism, and what constitutes the orient, will first be considered as, arguably, orientalism provoked occidentalism. Thereafter, the four key features of occidentalism, identified by Buruma and Margalit (2004) will be discussed. Contemporary notions of ociddentalism, more specifically Islamic extremism will also be studied; of must importance here is if, or how, Buruma’s and Margalit’s (2004) theory of occidentalism aids our understanding of the perspective of those in resistance to the west.
We live in an age and time where media influence is at its highest. The media has an impact on us as an audience through every possible medium including both television and print media. As scientists find and cure diseases, as America finds a new country to invade, as the European markets fluctuate, there has been one constant subject prevalent in the Western media- Islam. 1.6 billion people in the world are of the Muslim religion (Desilver 2013), making it the world’s second largest religion, second to Christianity. Even prior to the events of 9/11, the religion of Islam has been under scrutiny by the media. Edward Said, infamous for his works on Orientalism has greatly contributed to our understanding of the Western misunderstanding of the Eastern based religion. Said has defined Orientalism as the Western’s style of domination, reconstruction, and authority over the Orient (Said 1978: 3). Orientalism has observable effects in the most forms of media. As a result, and irrational fear of Islam and those that practice the religion began-Islamophobia. As defined by the International Civil Liberties Alliance, Islamophobia is “a term which is widely used by NGOs and frequently appears in the media, tends to denote fear, hatred or prejudice against Islam and Muslim” (ICLA 2013). This project will attempt to understand what the audience perception is about Islamophobia in the media. It will aim to uncover the ways in which television channels amplify common misperceptions about Islam. As a Muslim myself, this is an area that has always been of interest to me, and like many audiences I have been able to witness the dimensions of Islamophobia s depicted by the western media. After the events of September 2001, the fears of Islam and ...
Western civilization, generally speaking, is extremely egotistical and has the view that Western culture is superior to all others. They believe they are more civilized and more educated than the rest of the world and because of this, stems the idea that it is the duty of Western civilization to take other, less developed societies under their wing. These concepts of supremacy and domination are closely related to Said's ideas of Orientalism. In his book, Orientalism, Edward Said explains in detail exactly what he believes the word Orientalism means. He tries to prove his concepts through the words of statesmen, including Britain's Evelyn Baring Cromer. Cromer's words reflect the concepts introduced by Said.
In addition, Orientalism also explained in the book “Orientalism” written by Edward Said, a Palestinian post-colonialism scholar. In this book Edward Said explain about history and culture of Asia, Africa, and Middle East, also he explained Orientalism in this book more briefly. Said believe that orientalism has an explicit and implicit sides. Said wrote that connotatively, Orientalism is a tool for the west to get a political influences in the east which means, “It connotes the high-handed executive attitude of nineteenth-century and early- twentieth-century European colonialism.”(Said, 2). Which is the whole point of the book “Orientalism”. Moreover, Said also wrote “Orientalism is a style of thought based upon an ontological and epistemological distinction made between ‘the Orient’ and (most of the time) ‘the Occident.’ Thus a very large mass of writers, among whom are poets, n...
Mohanty is drawing upon theoretical perspectives of postmodernism to understand difference and by that uncover essentialist and Universalist interpretations (Uduyagiri 1995:159). In particular she is drawing upon approaches familiar to Edward Said’s Orientalism and Focault’s approach to discourse, power and knowledge. Foucault’s theories are especially useful in a postmodernist argument since he acknowledge that there are several structures of power, and that the there is a diversity of localized resistances ( Udayagiri 1995: 161). Mohanty uses Foucault’s conception of power to uncover Universalist categories and how feminist writers define power as a binary structure – to be in possession of power versus being powerless (Mohanty 1991:71). This limited way of theorizing power fails to recognize counteroffensives and the varied forms of power. Mohanty uses Said’s Orientalism to show how the way Western cultural perceptions of the Orient “became a means of controlling the regio...
The orient has been fundamental in defining the West as its contrasting image, idea, personality, experience. The West comes to know itself by proclaiming via orientalism everything it believes it is not. European culture gained its strength and identity by setting itself off against the orient as a sort of surrogate and even underground self (Said 3).