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feminism in awakening kate chopin
feminism in awakening kate chopin
The treatment of women in The Awakening by Kate Chopin thesis statement
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Edna Pontellier of Kate Chopin’s work The Awakening as well as the nameless female narrator of Charlotte Perkin Gilman’s The Yellow Wallpaper both experienced similar forms of gendered oppression, who have become frustrated with their conventional womanly roles. In having like experiences, these literary works prove effective in relaying the issue of gender inequalities among men and women in the late 1800s to early 1900s. Although both Chopin and Gilman’s portrayal of their character’s dissatisfaction with women’s societal roles resemble one another in more than one way and they both fight for their autonomy, they do differ in the types of independence from a patriarchal society they strive to separate from. The nameless narrator of Gilman’s story fights against the mental suppression that she experiences because of her illness—namely from her husband and doctor, John. Edna from Chopin’s The Awakening fights for a physical independence from her husband and children. In this essay I will explain the ways in which both of these characters are oppressed in a male-dominant society, as well as their attempts to convey their frustration, and the different kinds of independence strove they achieve.
The nameless narrator of Gilman’s The Yellow Wallpaper suffers from a mental illness that she refers to as “Hysteria.” This type of hysteria that she experiences is a nervous exhaustion that can only be cured by the removal of oneself from all types of stimulation—essentially, bed rest. Needing a little more insight into this “Hysteria” that the narrator was diagnosed with, I read a chapter entitled “Escaping the Sentence: Diagnosis and Discourse in ‘The Yellow Wallpaper’” from a book by Paula Treichler. According to Treichler,...
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...s that the Narrator has, is her attempt at trying to gain control of her mental state in which she has been trapped for so long.
While the Narrator of The Yellow Wallpaper strove for independence from the mental suppression she was placed under, Edna Pontellier of Kate Chopin’s story The Awakening fought for physical autonomy from her husband and children. The belief that women of the late 1800s were expected to remain in the domestic sphere and care for their families first before themselves was expected. In doing so they were unable to think of their own wants or desires before that of their families’. The Awakening highlights the physical aspects of feminine roles in this patriarchal society.
Works Cited
Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
Consequently, her mental state had begun to deteriorate and she lost all control in fighting her illness and became delusional. She honestly believes she has become the woman in the wallpaper who must be set free.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
For many centuries, literature has been used to communicated various ideas and wisdom gained from experiences. The idea of masculinity and male superiority can be best portrayed in Kate Chopin’s The Awakening. The novel takes place at a luxurious resort known as the Grand Isle, located in New Orleans, during the mid-1800s. Edna Pontellier, one of the main characters in the novel, struggles to find happiness, love, and freedom. Her attitude towards many aspects of life are much different than other married women around her. This novel is very unique mainly because of the time period it was written in. During this era, strict gender roles were enforced and women had many restrictions. The duties of women were strictly fixated on cooking, cleaning, and nurturing. Edna Pontellier craved for independence. She became depressed due to the monotonous and cookie cutter society that she was forced to conform in. The plot of the novel focuses on Edna’s journey to progress into an independent women in this male driven soc...
Critics of Kate Chopin's The Awakening tend to read the novel as the dramatization of a woman's struggle to achieve selfhood--a struggle doomed failure either because the patriarchal conventions of her society restrict freedom, or because the ideal of selfhood that she pursue is a masculine defined one that allows for none of the physical and undeniable claims which maternity makes upon women. Ultimately. in both views, Edna Pontellier ends her life because she cannot have it both ways: given her time, place, and notion of self, she cannot be a mother and have a self. (Simons)
The Awakening by Kate Chopin contradicts the popular nineteenth century image of the ideal southern woman as the main character, Edna Pontellier, gradually realizes her dissatisfaction with her life and discovers she was meant to live for something more. This kind of thinking was unheard of during this time period, and the novel soon raised significant controversy and was “banned from the [libraries’] shelves in response to negative and damning reviews” (Dyer 19). The novel redefines femininity by showing that women do not have to be limited by domesticity or submission.
The narrator, already suffering from a "nervous condition," is forced to stay in her bedroom for most of the story. Her husband does not let her do anything that may take the least bit of energy because she needs to concentrate her energy on getting well. Her mental condition quickly deteriorates from the original "nervous condition" to complete insanity due to this isolation. As the narrator begins to see figures behind the wallpaper, the reader realizes that the wallpaper is a manifestation of her condition.
Society of the 19th century gave a heightened meaning to what it meant to be a women. According to the commonly known “code of true womanhood” women are supposed to be docile, domestic creations whose main concerns in life were to be raising children and submissiveness to their husbands. In the book The Awakening written by Kate Chopin; introduces the protagonist, Edna Pontellier a rebellious twenty-eight year old woman who is dissatisfied with the role of being a wife and mother, a woman who desires independence and sexual freedom. She soon discovers she doesn’t quite fit into the role that has been given to her. Through the use of symbolism, imagery, and irony. Chopin exposes expectations for women in order to be accepted during the Victorian
In Kate Chopin’s The Awakening and Charlotte Brontë’s Jane Eyre, one of the most prevalent and recurring themes and ideas relates to human freedom. The main characters in the two novels, Edna Pontellier and Jane Eyre, both long for social, religious, and sexual emancipation among other things – freedom from the constraints of Victorian society, which have rendered them dependent and inferior to men. While it is true that both protagonists of their respective novels wanted emancipation, their living conditions and qualities of life varied widely. Even though both women, Edna and Jane, wanted “emancipation” from their respective societies, the conditions that each woman was subject to were quite dissimilar. Jane had a very malnourished upbringing and was an orphan, surround by treacherous and tormenting families. Edna, on the other hand, grew up in an affluent and aristocratic home, with little financial troubles. Edna is of a more “modern” generation than Jane, which must be taken into account when comparing the two, however. Jane Eyre was written in 1847 while The Awakening was written in 1899. Even so, both of these women, as was the case with women almost everywhere, had to succumb to what society deemed socially acceptable – very little. Women were generally no more than mere faces whose responsibilities fell into the categories of household affairs, and entertaining. Edna has money, a husband who loves her, children, friends, a large house, and everything else that comes from being wealthy at the time - but it’s not enough for her. She wants to be able to get what she wants when she wants. In this sense, Edna is slightly more “radical” than Jane because of her at times, open disregard for societal customs and traditions. Ult...
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Women have been mistreated, enchained and dominated by men for most part of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education). One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the element of barter from her marriage and love with her husband. This relationship status was very common between nineteenth-century women and their husbands.
In contrast, syntax provides a new perspective to the narrator s behavior as sentence structure draws attention to her erratic behavior. By her last entry, the narrator s sentences have become short and simple. Paragraphs 227 through 238 contain few adjectives resulting in limited descriptions yet her short sentences emphasize her actions providing plenty of imagery. The syntax quickly pulls the reader through the end as the narrator reaches an end to her madness.
Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
In “Tradition and the Female Talent: The Awakening as a Solitary Book,” Elaine Showalter makes a compelling argument that “Edna Pontellier’s ‘unfocused yearning’ for an autonomous life is akin to Kate Chopin’s yearning to write works that go beyond female plots and feminine endings” (204). Urging her reader to read The Awakening “in the context of literary tradition,” Showalter demonstrates the ways in which Chopin’s novel both builds upon and departs from the tradition of American women’s writing up to that point. Showalter begins with the antebellum novelists’ themes of women’s roles as mothers—especially the importance of the mother-daughter relationship—and women’s attachments with one another and then moves to the local colorists of the post-Civil War who claimed male and female models but who wrote that motherhood was not a suitable partner for the true artist. According to these women writers, a woman had to choose to be either an artist or a wife and mother; one negatively affected the other. The literary history then delves...