In today‘s civilization, we find many menacing emotions that keep us humans from doing good deeds. We have different states of mind, and consciousness. There are levels that allow us to openly express what we are thinking. But there are also levels we know exist, but we refuse to allow others to know. Also, there are even states of mind we can’t even comprehend on our own. In Joseph Conrad’s The Heart of Darkness, the 3 states of the conscious mind are connected, displayed and ignored as the Europeans conform to what everyone else is doing and disregard their own true thoughts. The consciousness of the mind is easily overpowered by menacing forces, such as conformity, savagery and ignorance. These menacing forces encircle all forms of civilization, and have an effect on the human brain whether it’s realized or not.
The conscious mind is expressed to other people. It is what we communicate about our thoughts. In the novel, the conscious mind is degrading those who are believed to be beneath the Europeans. On this journey, Marlow joins with the rest of his people to mistreat the Negros. However, even though he is conforming to society to say these people are evil, he expresses how he truly feels about them subconsciously. “They were not enemies, they were not criminals, they were nothing earthly now-nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom.” (Conrad, page 20). It could be said that in the heart of darkness, the menacing force of conformity completely takes over the human conscious mind. Subconsciously, Marlow is re-thinking everything the Europeans are doing, wondering in awe if it truly is the right thing to do. However, because Marlow has learned that it is moral ...
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... the Europeans, pushing them to act as the savages, instead of the natives.
The mind is a wonderful thing. It allows us to think on three very different levels. One we choose to express, one we don’t choose to express, and one we do not even know exists. All these stages of thinking are clouded over in Joseph Conrad’s The Heart of Darkness. Three menacing forces occur that completely take over the white man to act inappropriately. They accuse others of acting savage, when they violently act against people of other cultures. They conform to specific beliefs, and push aside their subconscious thoughts. These men also have an abundance of ignorance that makes them feel false superiority. The Heart of Darkness reaches into the minds of readers, to prove that all of civilization is surrounded by an abundance of forces that can fog our mind, and darken our hearts.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Asking the right questions is indeed an art form . It is however an even bigger burden to try to answer from an analytical presepective these subjective questions which inspire answers and explanations to the ultimate “why” and “how” . As readers we are obligated to carry with us an open mind, an analytical eye and room for suggestive arguments when trying to dissect a piece of writing. Joseph Conrad's novella Heart of Darkness offers the perfect platform for interpretation. With a dozen shades of foggy gray's, the short story is begging for a set of eyes that can see it through. Without proceeding too far into the novella, one can draw out a great deal of analytical suggestions as to what the title itself implies. The word Darkness seems to be a consistent theme throughout the book. So much so, that the amount of weight it carries has given it a special place on the cover. Many critics have found common ground on deciphering the interpretation of the word .The concept of darkness could be respresenting evil. However, some significant subjective questions remain unaswered: Exaclty which character in the novella has fallen victim to this evil? Is it Conrad himself, Marlow, Kurtz or the natives? All of them? Are there different forms in which this evil can manifest itself? Is it talking about darkness in the literal or figurative sense? Would we be considered naïve if we thought evil could be contained or is darkness a necessary evil we all posses and an undeniable part of our reality?
Heart of Darkness ?gHeart of Darkness?h, written by Joseph Conrad, holds thematically a wide range of references to problems of politics, morality and social order. It was written in a period when European exploitation of Africa was at a gruesome height. Conrad uses double oblique narration. A flame narrator reports the story as told by Marlow, assigned to the command of a river steamboat scheduled to transport an exploring expedition. Kurtz is a first-agent at an important trading post of ivory, located in the interior of the Congo. Both Marlow and Kertz found the reality through their work in Africa. Marlow felt great indignation with people in the sepulchral city after his journey to the Congo region because he discovered, through his work, the reality of the universe, such as the great virtue of efficiency, the darkness in society and individuals and the surface reality. When Kurtz found himself on his deathbed and he said ?gThe horror, The horror referring to his life in inner Africa, which caused him disintegration. Marlow emphasized the virtue of ?gefficiency?h throughout the story because he thought of it as the only way to survive in the wilderness. After seeing the dying natives in the forest of the outer station, Marlow described them as ?ginefficient.?h Under ?gthe devotion to efficiency,?h incompetent people were excluded from society. Only efficient people can survive. For example, since Kurtz was the most efficient agent, with regards to producing ivory, his employers respected his achievement and regarded him as an essential person.
Marlow, the main character in Heart of Darkness, often recognizes the Europeans' dehumanization of the Africans. As Marlow approaches the company offices at the Outer Station he sees "a scene of inhabited devastation" (Conrad 24). He catches sight of a chain gang of half starved, animal-like Africans. Trying to rationalize the situation, Marlow tells himself that these Africans are criminals, and somehow deserve their ...
Throughout its entirety, Joseph Conrad’s Heart of Darkness utilizes many contrasts and paradoxes in an attempt to teach readers about the complexities of both human nature and the world. Some are more easily distinguishable, such as the comparison between civilized and uncivilized people, and some are more difficult to identify, like the usage of vagueness and clarity to contrast each other. One of the most prominent inversions contradicts the typical views of light and dark. While typically light is imagined to expose the truth and darkness to conceal it, Conrad creates a paradox in which darkness displays the truth and light blinds us from it.
Conrad, J. (2006). Heart of darkness. In P. B. Armstrong (Ed.), Heart of darkness (4th ed., p. 50). New York London: Norton Critical Editions.
Civilization is not as advanced as first assumed. Joseph Conrad asserts this disheartening message in his novel, Heart of Darkness. The novel follows a European man reliving his journey to the Congo through story telling to his shipmates. Through Marlow’s journey, Conrad reveals the stark contrasts between European civilization and African savagery. Heart of Darkness explores the struggles of different societies with an intention to expose the weaknesses of a complicated imperialistic ideal.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
This Universal Human Condition is a very broad topic which can be analyzed from many perspectives. The human condition composes the essentials of human existence, such as birth, growth, emotionality, aspiration, conflict, and mortality. In the Heart of Darkness, “darkness” displays the inability to see any description of the human condition and its has profound implications. The racism in the Heart of Darkness is the result of the failure to see others. Failing to see another human being, failing to understand different religions, philosophy, history, art, literature, sociology, psychology, and biology, means failing to understand that individual and failing to establish any sort of sympathetic communion with him or her. Joseph Conrad illustrates
Every story has a plot, but not every story has a deeper meaning. When viewed superficially, Joseph Conrad's Heart of Darkness is a tragic tale of the white man's journey into the African jungle. When we peel away the layers, however, a different journey is revealed - we venture into the soul of man, complete with the warts as well as the wonderful. Conrad uses this theme of light and darkness to contrast the civilized European world with the savage African world in Heart of Darkness.
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
Heart of Darkness by Joseph Conrad may be a narrative about colonisation, revealing its drawbacks and corruption, but it may also be understood as a journey into the depths of one’s psyche, if taken at a symbolic level.
One interpretation of Marlow's relationship to colonialism is that he does not support it. Conrad writes, "They were not enemies, they were not criminals, they were nothing earthly now,-nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom" (p. 27-28). Marlow says this and is stressing that the so-called "savages", or Africans, are being treated and punished like they are criminals or enemies when in fact they never did anything. He observes the slow torture of these people and is disgusted with it. Marlow feels sympathy for the black people being slaved around by the Europeans but doesn't do anything to change it because that is the way things are. One can see the sympathy by the way that he gives a starving black man one of his biscuits. "To tear treasure out of the bowels of the land was their desire, with no moral purpose at the back of it than there is in burglars breaking into a safe" (p. 54). This statement by Marlow conveys that he doesn't believe that the Europeans have a right to be stripping Africa of its riches. He views the Jungles of Africa as almost it's own living, breathing monster.
While Heart of Darkness offers a powerful view into the hypocrisy of imperialism, it also delves into the morality of men. Darkness becomes a symbol of hatred, fear and symbol of the power of evil. Marlow begins his story believing that these elements exists within the jungle, then with the natives and finally makes the realization that darkness lives within the heart of each man, even himself. People must learn to restrain themselves from giving into the "darkness." Marlow discusses at one point how even suffering from starvation can lead a man to have "black" thoughts and restraining oneself from these thoughts would be almost impossible in such hardship.
Heart of Darkness is a story in which racism presents itself so deliberately that, for many, the dilemma of race must be tackled before anything else in the book may be dealt with. Conrad used derogatory, outdated and offensive terminology for devaluation of people’s color as savages. This use of language disturbs many readers who read this book.