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shakespeare and madness
Theme of madness in Shakespeare
family relationship in hamlet
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First introduced through conversation with her brother, Ophelia is asserted as a love interest of Hamlets. Within the conversation, Laertes proposes hypocritical advice which she quickly replies to with witty retort: "Do not, as some ungracious pastors do,/ Show me the steep and thorny way to heaven;/ Whiles, like a puff 'd and reckless libertine,/ Himself the primrose path of dalliance treads,/ And recks not his own rede." (I. iii.). Her introduction instills both her friendly relationship with her brother, as well as her comical, original nature. It asserts her neither passive nor aggressive. Within the same setting shortly after, her father asserts a protective command over Ophelia. "I would not, in plain terms, from this time forth,/ Have you so slander any moment leisure,/ As to give words or talk with the Lord Hamlet./ Look to 't, I charge you: come your ways." (I. iii.). Being told to stay away from Hamlet to protect her honor as a woman, Ophelia accepts and complies; it is somewhat foolish yet primarily protective of her father, but also displays Ophelia 's attachment to family in respect and care. Further, Ophelia 's commitment to family is
While Hamlet pursues his revenge and continues to use his mind with efficiency, Ophelia is crippled and left in madness, only to sing for expression. Shweta Bali comments on her state in an analysis of all possibly insane characters of Shakespeare 's, stating, "Ophelia 's confused and chaotic state of mind manifests itself in the form of madness. Music and song which are often associated with insanity become her tools of expression." Hamlet 's condition is more relatable to hatred than craziness, as he is compared to Ophelia and her brother in close proximity; Ophelia acts as a denial of Hamlet 's fake insanity, while Laertes is introduced as another comparison more closely fit. Laertes, just like Hamlet, work for
Shakespeare’s play “Hamlet” is full of intrigue. Is there really a ghost? Does Hamlet truly go mad? And where in the world did the pirates come from? Yet, even with all these questions, the most compelling is whether Hamlet truly loves Ophelia. One of the most iconic romantic relationship ever to be penned, and the love is still questionable. Does he really love her? Before the argument can be continued, the definition of romantic love which is used throughout must first be defined. It is a simple beauty— Love is caring for someone more than yourself. If held to this standard, Hamlet does not truly love Ophelia by the end of the play, though he may have loved her a some point. By the end of the play, where once existed some form of love for
The play Hamlet is known for its eccentric plot and warped sense of reality as well as its fanatical characters. Hamlet himself created all the drama in the play with his pretend “madness” and his emotional outbursts, which lead to the destruction of almost all of the characters in the play. The most notable self destruction came from Ophelia, Hamlet’s object of affection. During the play, Ophelia had undergone a lot of stress which lead her character to metamorphous.
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable, Shakespeare uses the character Ophelia to demonstrate how women during this time were unable to break away from social norms. While it is evident that Ophelia is grieving over the death of her father, Polonius, as Horatio says of her “She speaks much of her father, says she hears / There’s tricks in the world, and hems, and beats her heart” (4.5.4-5), as lines from one of her many “songs” points towards grieving over an aged relative, “His beard as white as snow / All flaxen was his poll” with flaxen indicating a white or grayed head of hair (4.5.190-191).
Hamlet and Laertes share a different but deep love and concern for Ophelia. Laertes advises her to retain from seeing and being involved with Hamlet because of his social status. He didn’t want her to get her heart broken by Hamlet, since he believed that his marriage would be arranged to someone of his social status, and that he would only use and hurt Ophelia. Hamlet on the other hand, was madly in love with Ophelia but it languishes after she rejects him. Ophelia’s death caused distress in both Hamlet and Laertes and it also made Laertes more hostile towards Hamlet.
Children are usually the ones hiding their romantic feelings for one another through foul play and “cooties”. In Hamlet, there is a rather unclear message of whether Hamlet is in love with Ophelia or not. A love note to Ophelia presented to the King and Queen just so happened to be signed with Hamlet’s name, however. Hamlet is also very fond of speaking about how beautiful Ophelia is as well. Yet, when actually speaking to her, he says otherwise. Perhaps this is to disguise his true feelings, just as a child would. Hamlet, for whatever reason, does not want to reveal his feelings for Ophelia to anyone, but knows he cannot hide them from himself.
Throughout Hamlet, Shakespeare makes it evident that Ophelia is very unstable. She continuously changes her mind about the way she feels. Laertes and Polonius command her to do things that she does not agree with, but she does them with no argument. Afraid to stand up for herself, she stands back and watches everyone else control her life. In Shakespeare's Hamlet, Ophelia is treated as a marionette with her strings in the hands of the people around her; however, Kenneth Branagh portrays her as independent and innocent, ignoring Shakespeare's representation of her as feeble-minded through complete male dominance in her thoughts and actions, her indecisiveness, and digression into madness.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
Hamlet's relationship and actions towards Ophelia are not exempt from his dual personalities. In private, he is deeply devoted to her; but in public, he humiliates and belittles her...
In the play Hamlet Ophelia is portrayed as an innocent young woman who does not have a say in anything. All the men control Hamlet, her father Polonius, and her brother Laertes. She is portrayed as inferior to all of them and lets herself be pushed around by them. She is unable to convey her opinions or emotions throughout the play. The men dominate her thoughts and behaviors. In Hamlet, Ophelia’s obedience to her father and brother, along with her dismissal by Hamlet, reveals that women were not allowed to assert their opinions, emotions, or desires in a courtly setting.
Ophelia trusts the advise given and her obedience is very evident in this matter as she avoids contact with Hamlet until she is told by her father, with the King and Queens approval, to meet up with him by 'accident' in the lobby. Deceit not being in her nature, believing that her father, the king and queen are right and true; that Hamlet is mad; and probably curious to know if Hamlet is "mad in love" with her the young, obedient, powerless Ophelia does her part to search out the truth. But tragically this one forced step outside of her true character begins her downfall. In a precarious predicament, loyalty to her father compelled Ophelia to lie to Hamlet when he asked about her father?s location at that moment saying he was at home instead of behind a tapestry right the...
Hamlet is without any reservations, one of Shakespeare's most mystifying plays. Although the play has a concise story, it is filled with many uncertainties relating to different issues behind the plot. The reader is left with many uncertainties about the true feelings of prince Hamlet. One question in particular is, did Hamlet really love Ophelia? This dispute can be reinforced either way, however I believe Hamlet was truly in love with Ophelia. Support for my decision comes from Hamlet's treatment towards Ophelia as shown throughout the play, but especially in Act 3, Scene 2, and at Ophelia?s grave in Scene 1 of Act 5.
In the play Hamlet, the character Ophelia appears to play multiple roles. Ophelia is represented as an obedient fragile character, who appears to be an emotional medium to the audience in the play. Ophelia is significant in for many other reasons as well, as she is used throughout the play as a sort of tool by both the characters as well as Shakespeare himself.