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The character of ophelia in hamlet
Feminist perspectives the character of ophelia in hamlet
Feminist perspectives the character of ophelia in hamlet
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Ophelia’s role in William Shakespeare’s The Tragedy of Hamlet is quite confusing. Throughout the play, Ophelia is portrayed as gentle, loyal and obedient, but hides in the background like a supporting actress. She is intended to be Hamlet’s love interest, yet he doesn’t include her in any of his life-changing plans. Ophelia has no major qualities, yet her life and death have an incredible influence on most characters, especially Hamlet.
Throughout the entirety of the play, Ophelia is reluctant to defend herself. This is typical for a female character in Shakespeare’s time. During Shakespeare’s time, a woman is to be completely dependent and obedient to her father, and further on to her husband. Ophelia fits this script perfectly. She is the perfect daughter who, without argument, obeys her father entirely. In the quote, “I shall obey, my Lord” (I.III.136) Ophelia is referring to her father as her Lord when asked to reject Hamlet. As ironic as it seems, Ophelia’s perfection is her biggest downfall. Ophelia is used by the man she respects most, her father or her “Lord,” to spy on haml...
In the playwright Hamlet by William Shakespeare, there are many characters that change throughout the play. For example, Hamlet is one of the characters who changed a lot throughout the play. Hamlet changes a lot because at first, Hamlet was depressed then became suicidal and in the end, Hamlet wanted revenge. However, Ophelia is also a character that changes throughout the play. In my opinion, I believe that Ophelia’s change throughout the play is the most important because Ophelia was obedient at first, then she became depressed and lastly, she became insane.
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
Ophelia was driven mad by the death of her father Polonius and how Hamlet betrayed her love with his own wave of madness which was just an act. In her madness, Ophelia talks about her father and his death and about the “Tricks in the world” (terrible things that happen to people). Ophelia’s madness was also the extent of her being used by her father so he could spy on Hamlet to see if he was truly crazy and then by Hamlet when he claimed he no longer loved her and that he didn’t send her any letters (remembrances). Ophelia’s speech and her fragments of songs are unsensible. Her song was about her father’s death “He is gone, He is gone” (4.5.220), and a maiden who is tricked into losing her virginity with a false promise of love and the possibility of marriage. “To be your valentine, then up he rose and donned his clothes and duped the chamber door” (4.5.56-58)
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
The story of Hamlet, written by William Shakespeare, is considered to be a perplexing play as the many subplots twist, turn, and unfold. The relationship between Hamlet and Ophelia is conceivably the most widely discussed topic as countless theories are developed throughout the story. It is a tragedy, of many sorts, that Hamlet and Ophelia are not able to display their love for each other,
Ophelia and Hamlet are greatly juxtaposed against each other in Hamlet. Ophelias role in the play is the foil to both Hamlet and to her brother Laetres. In the play Ophelia is the catalyst, the means of Laertes and Hamlets actions and she acts like a mirror and enables the audience to view them though a more heroic perspective. Throughout the play, Ophelia sparks events and although she isnt a well developed nor a main character her part in the play is crucial. As the catalyst she causes the battle at the end of the play, as she did persuade revenge on Hamlet by Laertes.
...at accuse her of being a harlot. In fact he recommends her to enroll in a nunnery, which would imply that she was no better then a common tart. Hamlet constantly creates situations where Ophelia is torn between different obligations and therefore is always at fault according to him.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
... she had nothing to say to try to defend herself. Ophelia is misled by Hamlet’s affection; this shows that she was easily manipulated.
Ophelia’s madness is because of what she encounters throughout the play by everyone around her. Her character is often looked past, people really don’t give her a second thought, and her emotions and wellbeing are almost entirely forgotten about. When her father and brother are telling her to stay away from Hamlet, she tries to speak up and tell them that she knows that Hamlet truly loves her. She tells them her feelings, but they say no, she is not to speak to Hamlet again and must obey. They didn’t take a second to try and look things over from her perspective. After Polonius and Claudius plan for Ophelia and Hamlet to meet and talk while they hid to listened, Ophelia is verbally abused by Hamlet and her father is too caught up with Hamlet’s
William Shakespeare's character of Ophelia in Hamlet, suffers greatly, from the time she learns of her father Polonius' death, until her own mysterious death. In Hamlet, Gertrude, Horatio and Claudius refer to her state, and conclude that she is crazy1[1]. Though there is some truth to their claim, Shakespeare created Ophelia as an overly- dramatic character, who is somewhat exaggerating her emotions to give an impression of madness. Although their impression of Ophelia can be supported, evidence is not shown as much in her words, as it is shown in her actions. Ophelia's songs seem like riddles and nonsense2[2], yet they are similar to the patterns of speech by Hamlet, revealing truths and true emotions, and at times sarcasm. However, Ophelia's whimsical, and child-like behavior is quite different than the prim, reserved Ophelia at the beginning of the play. Still, this behavior is not consistent with the sad words in her grief-laden songs, nor is it consistent with a woman in grief rather Ophelia's physical behavior is the strongest evidence that Ophelia may exhibit signs of madness. Hamlet's act to convince his insanity to all that knew him influenced Ophelia to perform following Hamlet's lead with his feigned madness, eventually leading to the girl's suicide, thus implicating Hamlet in her death.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
Ophelia's insanity is driven by the fact that she has basically been cut out of Hamlet's life. " Like sweet bells jangled, out of time and harsh,/ That unmatched form and feature of blown youth/ Blasted with ecstasy" (III.i. 158-160).Her role as an "innocent lady" is to complete the picture of faithfulness and obedience. Without Hamlet, it is difficult for Ophelia to fulfill her role. Ophelia is completely pushed over the edge whe...