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What is some imagery of once by the pacific by robert frost
What is some imagery of once by the pacific by robert frost
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All over the world there are storms of varying lengths and strengths occurring, and many writers try to capture what it feels like to face them. Storms have destroyed towns and cities, caused death, and uprooted lives and homes. There have been many artistic ways of showing these storms—how they rose, came, and conquered. Writers have taken that and tried to portray those actions on paper, but not many have succeeded in showing the storm. Robert Frost’s “Once by the Pacific” has portrayed the central message and image of how nature is an unstoppable force and should be feared. Frost describes a storm that could be along the lines of a tsunami or a hurricane, both being tragic forces that would destroy anything that’s in its path. He writes in his poem, “Great waves looked over others coming in, and thought of doing something to the shore that water never did to land before” (2-4). The ocean becomes a personified threat and it forewarns utter destruction. It’s almost villainous in nature. Every word threaded with tension, since it’s foreshadowing that what is about to happen will mo...
Didion paints uneasy and somber images when describing the Santa Ana winds. “There is something uneasy in the Los Angeles air… some unnatural stillness, some tension,” starts the essay off with the image of Los Angeles people in a sense of stillness or tense. She further adds, “Blowing up sandstorms out along Route 66… we will see smoke back in the canyons, and hear sirens in the night,” propagating the uneasy and stark image of Los Angeles. “The baby frets. The maid sulks,” she adds, giving a depressing view into the effects of the Santa Ana winds on people. Didion, in an attempt to show the craziness associated with the Santa Ana winds, points out the Indians who throw themselves into the sea when bad winds came. At any rate, Didion attempts to show the negative effects of the Santa Ana winds through images of stillness, uneasiness, and sobriety.
The last poem “Fire and Ice” by Robert Frost is about the end of the world. The use of the word “I” in the poem makes it appear to be Frost himself who is narrating this poem. This poem is more sing song in nature than the other poems because of its use of rhyme words like “fire”, “desire”, “twice”, “ice”, and “suffice” (cite poem p. 369). There is alliteration with the phrase “favor fire” (cite poem p 369). There is an implied reference to hell being the “fire” that would be brought on by “desire” or sin. The picture of the atomic bomb certainly adds to the word
Distinct visuals have been created in the minds of the responders through ‘Henry Lawson’s’ two well known short stories, ‘The Drover’s Wife’ and ‘In A Dry Season’; these visuals of isolation, stoicism and the struggle to survive in the harsh rural Australian outback through Lawson’s use of sibilance, misjudgement, symbolism, third person narration and also complex word choice. In contrast John Constable of the visual The ‘Flatford Mill’ has used bright colours, brushstrokes, positioning and also symbolism to create the distinct visuals of tranquillity, serenity and freedom in this text.
Frost uses quite a bit of personification throughout the poem to give the sky and ocean human like traits. The use of this literary device helps embody the meaning of the poem. The first use of personification is seen in the second and third line “Great waves looked over others coming in/ and thought of doing something to the shore”. This illustrates how the waves were smashing upon each other and getting larger and larger than the ones before. The personification of the waves in line three, suggest that the waves have an actual mind of their and shall do what they wish.
William Faulkner overwhelms his audience with the visual perceptions that the characters experience, making the reader feel utterly attached to nature and using imagery how a human out of despair can make accusations. "If I jump off the porch I will be where the fish was, and it all cut up into a not-fish now. I can hear the bed and her face and them and I can...
Once there was, as never before, a hurricane of great might and strength. As never before, there once was a hurricane of many names: storm, cyclone, tempest, typhoon, and flood. Yet it has lived on in history as the Great Galveston Hurricane of 1900. Humanity has glorified and immortalized the hurricane. The Great Galveston Hurricane has been the subject of numerous articles, novels, plays, and poems, as well as four major nonfiction studies (Longshore). It is truly one of hurricane lore’s greatest of storms.
Charles Yale Harrison’s “in the trenches” and mark twain's” two ways of seeing a river” are both autobiographical narratives that use descriptive language. In Harrison’s “in the trenches,” his brilliant use of sensory imagery lets the readers mind experience the treacherous and horrendous reality of war, with just the use of words. On the other hand, in twains “two ways of seeing a river,” the use of sensory imagery is carefully used to help the reader visualize the change in twains perception of the once “majestic river.” Both authors effortlessly utilize imagery to illustrate the realities of their topics. Harrison uses all the aspects of sensory imagery to display the life men are living in the trenches; meanwhile, in twains essay, he partially
Linda Hogan’s Solar Storms and Cheryll Glotfelty’s criticism come together to depicts two very different cultural views through an unavoidable clash that occurs when their lives literally depend on it. There is the western culture that sees the earth as nothing more than a never ending resource without realizing that by their activities, they are at risk of creating their own demise. Then there is the indigenous culture that personifies the land. They see the earth as an entity that they have made a bond with; a bond that now lay broken. The book also utilizes silence not only as a symbol for something much bigger but also as a way to craft identity through the views of culture on a forged path of oppression, pain, and inner strength.
In May of 1931, black clouds the size of the Rockie Mountains pondered over our farm house. We have had storms before, but nothing like this. I began getting worried, so I asked Mother, “Do you think this will pass over?”
There are several symbols in the story that help to emphasize that point. One powerful one is the boat. It is small and alone on the ocean, with only the occasional patch of seaweed or a seagull or two to keep it company. The waves themselves are the ups and downs of life. At any moment, a ‘wave’ can come and swamp you, leaving you stranded without a clue what to do, and more just keep coming. Just as in life, “…after successfully surmounting one wave you discover that there is another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats.” Line 9.
The repetition of sound causes different feelings of uncertainty and fear as the reader delves deeper into the poem. “Moss of bryozoans/blurred, obscured her/metal...” (Hayden 3). The r’s that are repeated in blurred and obscured create a sense of fogginess of the darkness of the water that the speaker is experiencing. The fogginess is a sense of repression, which is attempting its way out of the mind to the conscious. Hayden continues the use of alliteration with F and S sounds. Although they are different letters they produce the same sound that causes confusion, but an acceptance of death. “Yet in languid/frenzy strove, as/one freezing fights off/sleep desiring sleep;/strove against/ the canceling arms that/suddenly surrounded/me...” (Hayden 4). The use of sound at the last six lines of the poem causes the reader to feel the need for air and the fear of death. “Reflex of life-wish?/Respirators brittle/belling? Swam from/the ship somehow; /somehow began the/measured rise” (Hayden 4). The R sounds that begin is the swimming through the water. The B sound that continues right after in “brittle belling” is the gasp of air, and finally, the S sounds that finish the line by creating a soft feeling. As if the reader might not get out in time, even though the lines are saying that the speaker does escape the ship. The fear the alliteration evokes from the reader is the unconscious. The deep inner thoughts that no one wants to tap into. The speaker is accepting the idea of death in the ocean through his unconscious, but his conscious mind is trying to push back and begin the “measured rise” (Hayden 4) back to the
As I read John Muir’s “A Wind Storm in The Forest”, I come to realize how passionate the author is pertaining to wind and nature. He uses descriptive language to bring out the full beauty of the winds. For example John Muir states in his narrative “A Wind Storm in The Forest” that “After one has seen pines six feet in diameter bending like grasses before a mountain gale, and ever and anon some giant falling” (526). The author gives winds the quality which no human could ever possibly obtain, and that is sheer power. However the author also describes the winds as always not beastly, but rather sometimes gentle and calm. John Muir wants the readers to understand that wind is has its many beauty’s and miracles; you just have to be willing to look
Laukaitis, Algis J. "The Blizzard of 1888 -- the Force of a White Hurricane -- Hit 125 Years Ago." JournalStar.com. JournalStar, 11 Jan. 2013. Web. 04 Mar. 2014.
Baym, Nina, Arnold Krupat, Robert S. Levine, and Jeanne Campbell Reesman. "The Storm." The Norton Anthology of American Literature. 8th ed. Vol. C. New York, NY: Norton, 2012. 557-61. Print.
Most readers are familiar with the poetry of Robert Frost, but they may not be familiar with his poem "Once by the Pacific." This poem stands out from most of his popular poems, which frequently relate to rural New England life. Many critics have thus commented that his works are too simple. "Once by the Pacific," however, seems to challenge this opinion, as it is one of Frost's more "difficult" poems to interpret.