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According to Charles Darwin, the father of the modern theory of evolution, “it is not the strongest or the most intelligent who will survive but those who can best manage change.” Based on the example set forth in Tennessee Williams’ A Streetcar Named Desire, the principle that adaptability is the key to survival holds true in modern society. Streetcar chronicles the bitter struggle for survival between Blanche Dubois, a sophisticated but fading southern beauty, and Stanley Kowalski, her brutish brother-in-law. In A Streetcar Named Desire, Tennessee Williams uses Stanley to represent an organism perfect adapted to life in the French Quarter. By showing that a person with primitive and animalistic traits can triumph over a more refined, intelligent individual, Williams demonstrates the idea of environment-specific adaptations being more important to survival than one’s place in the evolutionary line.
Before any discussion of survival of the fittest or natural selection in the context of Streetcar, it is important to lay a defining framework for these two terms. In the strictest definition, survival of the fittest states that organisms with traits that fit their environments will be more likely to survive than organisms without similar traits. While accurate, the strictest definition is incomplete; survival of the fittest also implies that the organisms which can most readily change and adapt to their present situation will be the most able to survive in any environment. In addition, environment-specific adaptations can prove superior to overall advancements in the evolutionary chain. For example, humans are widely considered to be further along in the evolutionary chain than most other organisms; they are poorly suited to life o...
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...f the fittest in the Quarter to show an exaggerated microcosm of the prevalence of the principle in life around the world. The Quarter, like anywhere else in the world, is an environment that demands certain traits to survive. The importance of these traits varies from environment to environment, but in any environment, an organism that has optimal traits will win out over one that does not. In Streetcar, the environment dictates that sexual and animalistic traits are the most desirable forms of adaptation. Thanks to his adaptations, Stanley survives and prospers in the Quarter, despite having direct competition from Blanche, who is more evolved than him. Tennessee Williams uses Stanley’s survival in contrast with Blanche’s downfall to show that environment-specific adaptations can be more important than one’s overall level of advancement in the evolutionary chain.
In a capitalist society, social darwinism is key aspect and in Streetcar, Blanche is not able to succeed because just like Darwin's theory, only the strongest survive. From the beginning of the play, one sees that Blanche is a big outsider to Elysian Fields. As soon as Blanche arrives she begins to criticize the Kowalski household saying: “what kind of bed’s this-one of those collapsible things?” (Williams 16). Blanche has not been used to this new standard of living and doesn’t know how to understand that in the Kowalski household they don’t have maids, a lot of of rooms, or much privacy. It is said that, “Blanche is doomed by her inability to adapt, whereas Stanley seems bent on adapting the environment to himself” (Winchell 6). Even though
Each and every individual develops some sort of perspective and opinion on many different subjects, objects, and people throughout life. However, these perspectives are prone to change. The play, A Streetcar Named Desire, by Tennessee Williams is a great example of new outlooks on life making an effect on personal beliefs. It shows the denouement of two opposing perspectives and how they can eventually damage or even destroy an individual. Some ideas established by Tennessee Williams are shown by incidents such as Blanche's gay husband committing suicide, Stanley and his perspective of reality revealing the fantasy in which Blanche confides herself in, and Mitch's aspect that every individual is to be given an equal opportunity in life.
In the game of life man is given the options to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link of past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof."
There are numerous moments in Tennessee Williams’ play that describe many moments in the characters lives that required being resilient. Two of them seem to stand out more than the rest. The first of which takes place at the end of Scene Three and beginning of Scene 4 (pgs.62-75), during and after the first poker game occurred. In this scene, Stanley is playing poker with his friends while Blanche and Stella are in the next room chatting. After a series of events, a drunk Stanley ends up barging into Stella and Blanche’s room, throwing the radio out the window, and proceeds to hit Stella. The
Tennessee Williams has poignantly depicted nature doing her bidding for the synchronization of, “unity of mental life,” (Freud, Reich, Lawrence, 499). The author appears to be like a naughty little boy running wild in the theater of universal consciousness. The projection of his inner life through his play A Streetcar Named Desire is his Picasso to the art gallery of replicas. He uses sublimation as an avenue to satisfy basic motives in a manner acceptable to society. In his attempt to escape social purgatory he constructed the characters Stanley and Blanche to give him wings unselfishly and put his ...
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
Not judging someone on their outward appearance, Lying ultimately gets you nowhere, Abusing people is never good, Treating people how you would like to be treated, and Staying true to yourself are just some of the moral and ethical lessons that I gathered from A Streetcar Named Desire. Published in 1946, this play shed light on the middle and lower classes around the time of the Great Depression. Some of these lessons arise because the nation was ready to embrace the “old fashioned values” of the home and families after World War II took place.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
After two world wars, the balance of power between the genders in America had completely shifted. Tennessee Williams’ A Streetcar Named Desire is a harsh, yet powerful play that exposes the reality of the gender struggle. Williams illustrates society’s changing attitudes towards masculinity and femininity through his eloquent use of dramatic devices such as characterization, dialogue, setting, symbolism, and foreshadowing.
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
The ideology of male dominance has existed since the beginning of mankind. In the play A Streetcar Named Desire, by Tennessee Williams, it is especially apparent that Stanley, who is a working class man, feels the need to assert and reassert this principle of power constantly. Williams makes clear, through the character of Stanley, that the yearning for others’ recognition of their power and capability is the motive behind men’s masculine inclinations.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
Tennessee Williams in A Streetcar Named Desire creates one of the most profound accounts of desire versus death; in doing so he designs Blanche Dubois whose only wish is to be desired. Unfortunately in this tragedy death prevails over desire. The two elements of death and desire as binaries are not able to to exist without each other, and this idea is manifested throughout the main character, Blanche Dubois.