What would it feel like to be in love? It would be the most euphoric feeling one could possibly feel. Affection so powerful that one would feel disoriented and alone if the other half is missing. Yet, this feeling is not always sustained and that euphoric feeling slowly disappears, eventually absent. Sarah Brouillette and Auden W.H, the authors of “On Love” and “As I Walked Out One Evening” flawlessly capture these feelings throughout metaphors, similes, and personification. Throughout these techniques, it is portrayed that to have abiding love, all the simple things need to fill one’s heart.
“On Love” by Sarah Brouillette, demonstrates that in this world, the word love tends to be so “trite”. It is like the only way to have love, is finding
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The love is interpreted that it will last forever “until China and Africa meet and the salmon sing in the streets”. This love connection will stay forever until unrealistic events occur. Much like “On Love” similes and personification tells us “years shall run like rabbits, for in my arms I hold the flowers of the ages and the first love of the world”. It demonstrates that this time in years will last in continues flow and that nothing will slow this pace of love. However, in opposition to Brouillette, Auden W.H takes a turn, with “headache and in worry, vaguely life leaks away” and in the “burrows of the Nightmare” “time watches from the shadows and coughs when you would kiss”. When reality comes out of this love-struck point of view, not always will “love have no ending”. As for when a “crack in the tea-cup opens” it continues to fall apart as something’s are unfixable. In life there may come a point in time where the “lovers they [are] gone” “and the deep river [will] run on” as a metaphor for love stopping, but life will carry one because even the rivers may come to an end. Sarah Brouillette focuses on a joyful free verse that allows for a beautiful sound. However, Auden W.H uses a ballad (ABCB) form, which switches to a harsh tone of voice that allows for demanding imagery. Both poems establish different point of views and experiences with love, so imperfectly
Love. Love is generous, boundless and is one of the greatest gifts one can obtain from God, however when in love anything can transpire. And that is exactly how the poets Mariam Waddington’s, “Thou Didst Say Me” and Alfred Tennyson’s, “Now Sleeps the Crimson Petal” navigate their poems. Both offering conflicting sentiments toward love relations to the table and ultimately delivering a unique testimony about the subject of, love.
Both poems inspire their reader to look at their own life. In addition, they treat the reader to a full serving of historic literature that not only entertains, but also teaches valuable lesson in the form of morals and principles.
Both poets want to be loved in the poems in their own way. While both poem’s present a theme of love, it is obvious that the poet’s view on love changes from how they view love at the beginning of the poem from how they see it at the end.
A great writer once wrote: “The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them -- words shrink things that seemed limitless when they were in your head to no more than living size when they 're brought out.” Boundless things -- ideas, concepts, memories -- are all torn apart when we speak about them. They get cut up into little pieces, so that we may chew on them and digest them without choking. We end up turning these immeasurable things into literary defecation. Love, for instance, has been constant subject among writers and philosophers for eons. Everyone from E.L James to Plato has written on love and attempted to explore it with language. In Plato’s Symposium, love is discussed
The meaning of love cannot be defined in one sentence or even in 16 pages. Every human has his or her own definition of what love is. People define love by their own experiences whether as true love or ending in heartaches. In Raymond Carver’s short story, What We Talk About When We Talk About Love, he describes what love is, by depicting what it is not. He executes this by portraying the experiences of four people, while using their dialogue and setting in the story to describe how something so beautiful as love can easily become an awkward and repelling subject to discuss.
This passage marks the first of several types of love, and gives us an intuitive
There exists no power as inexplicable as that of love. Love cannot be described in a traditional fashion; it is something that must be experienced in order for one to truly grasp its full enormity. It is the one emotion that can lead human beings to perform acts they are not usually capable of and to make sacrifices with no thought of the outcome or repercussions. Though love is full of unanswered questions and indescribable emotions, one of the most mystifying aspects of love is its timeless nature. Love is the one emotion, unlike superficial sentiments such as lust or jealousy, which can survive for years, or even generations. In the novel The Gargoyle, the author, Andrew Davidson, explores the idea of eternal love between two people, a union that spans over centuries spent both together and apart. Davidson, through the use of flashbacks, intricate plot development and foreshadowing, and dynamic characterization, creates a story that challenges the reader’s preconceived notions regarding whether eternal love can survive even when time’s inevitable grasp separates the individuals in question.
Love has the power to do anything. Love can heal and love can hurt. Love is something that is indescribable and difficult to understand. Love is a feeling that cannot be accurately expressed by a word. In the poem “The Rain” by Robert Creeley, the experience of love is painted and explored through a metaphor. The speaker in the poem compares love to rain and he explains how he wants love to be like rain. Love is a beautiful concept and through the abstract comparison to rain a person is assisted in developing a concrete understanding of what love is. True beauty is illuminated by true love and vice versa. In other words, the beauty of love and all that it entails is something true.
Love is a concept that has puzzled humanity for centuries. This attachment of one human being to another, not seen as intensely in other organisms, is something people just cannot wrap their heads around easily. So, in an effort to understand, people write their thoughts down. Stories of love, theories of love, memories of love; they all help us come closer to better knowing this emotional bond. One writer in particular, Sei Shōnagon, explains two types of lovers in her essay "A Lover’s Departure": the good and the bad.
Today, there are many different interpretations of the word love. Love could be as simple as a four-letter word, or as infinitude of caring and emotions. There is a difference between being in love with someone and loving someone; and a difference in the people you share that with. Love shared between two best friends or a husband and wife is the type of love you want to last for a lifetime, however, there is never a guarantee that it always will. But the love between a parent and child, or between any family members is the type of love that is infinite. In the poem, “After Making Love We Hear Footsteps”, written by Galway Kinnell, Kinnell creates a story about the love between two parents and their child. The author writes about this recognizable
Love is one of the main sources that move the world, and poetry is not an exception, this shows completely the feelings of someone. In “Litany” written by Billy Collins, “Love Poem” by John Frederick Nims, “Song” by John Donne, “Love” by Matthew Dickman and “Last Night” by Sharon Olds navigate around the same theme. Nevertheless, they differ in formats and figurative language that would be compared. For this reason, the rhetoric figures used in the poems will conduct us to understand the insights thought of the authors and the arguments they want to support.
Relationships between two people can have a strong bond and through poetry can have an everlasting life. The relationship can be between a mother and a child, a man and a woman, or of one person reaching out to their love. No matter what kind of relationship there is, the bond between the two people is shown through literary devices to enhance the romantic impression upon the reader. Through Dudley Randall’s “Ballad of Birmingham,” Ben Jonson’s “To Celia,” and William Shakespeare’s “Shall I Compare Thee to a Summer’s Day?” relationships are viewed as a powerful bond, an everlasting love, and even a romantic hymn.
The Symposium, The Aeneid, and Confessions help demonstrate how the nature of love can be found in several places, whether it is in the mind, the body or the soul. These texts also provide with eye-opening views of love as they adjust our understanding of what love really is. By giving us reformed spectrum of love, one is able to engage in introspective thinking and determine if the things we love are truly worthy of our sentiment.
The word “love” has always caught attention with its meanings. There have been many definitions used for this word throughout history, beginning with its start during the ninth century. With the examples of current use(from Urban Dictionary, Twitter, a student survey, a song, and a film) it is obvious that the definition of this word has been lost in translation in many different ways. Looking closely at the synonyms, along with the history and current use, the true definition is clearly seen through a usual worldly haze.
...he sweat and painstaking talent artists put into a piece of art. Likewise, when an onlooker sees a couple in love, how are they to distinguish whether it is true love or merely youthful, immature love? For this reason, only experienced lovers are capable of detecting true love in others. The potential beauty of love is held at the mercy of the two lovers. Thus the extent to which the love will mature depends on the unpredictable course the journey of love takes throughout its progressive stages. As with a painting, at it’s beginning, love has the potential to be something powerful and immortal. Easy love is happy, immature love. For love to be deep and meaningful, it must face challenges and overcome adversity. Love is the artwork of nature. Like the beautiful and serene calm after a vicious storm, love is often dangerous and uncomfortable before it can be lovely.