Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
oliver twist literary analysis
the portrayal of women in 19th century literature
oliver twist literary analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: oliver twist literary analysis
Oliver Twist Characterization of the Criminal Mind In Charles Dickens novel, Oliver Twist, Dickens portrays the hardships of people in poverty during the Victorian era through Oliver and various characters throughout the novel. Oliver is born into a workhouse with no name where he is starved, beaten, and treated like a prisoner during the first ten years of his life. Dickens makes all his characters in the novel “…either a jailor or a prisoner, like Dickens himself both, the author and his turn key” (Lepore). Two characters that are both exemplified as prisoners throughout the novel are Oliver and Nancy. During Oliver’s younger years, he is under both the Parochial and Fagin’s reign. As for Nancy, she is depicted in certain ways as a prisoner to Bill Sikes. While Oliver is under the Parachial’s control, he is lacking food and being mistreated. Due to this exploitation, he builds up the courage to ask “…the cook at the workhouse for more gruel’’ (Dickens 12). During this era, it was rare for people of his social class to speak out and ask such demanding questions. Questions of this stature during this era is very comparable to someone breaking the law, due to the Poor Laws which set the quota of how much a person needs to eat. The Parochial were corrupt because they would short the amount of gruel per person and keep the money. Oliver is soon put up for sale, due to his unruliness, and sold to Sowerberry. Sowerberry lacking the available funds, is supported by his corrupt friend Mr. Bumble, who pockets the money for himself. With the help from Mr. Bumble, Sowerberry frees Oliver from the maltreatment of the parochial. Throughout the novel, Dickens uses many characters to challenge the Victorian idea that paupers and criminals ar... ... middle of paper ... ...ghout Oliver Twist there exists an underlying criminal code of honor among the thieves in Fagin's circle. The code, the unspoken rule that requires a criminal who is apprehended to remain silent about ongoing criminal activity, not only creates the illusion of the proverbial honor among thieves, but more important, it ensures the continued accumulation of stolen goods by those criminals who remain free. Fagin is the code's most ardent supporter; he holds those who adhere to the code in high regard and severely punishes those who breach it. Most significantly, he also abides by it as he refuses to defend himself at his trial. In doing so, he unknowingly implicates himself in Nancy's murder. (Thompson) Dickens portrays Fagin to be very complex that he is willing to give Oliver up for 100 pounds but he will not give up a fellow thieve and damn himself to the gallows.
Fagin is the mastermind among the criminals; he is described as an “Old Jew” he has an ugly appearance although he is described as “shrivelled” he is selfish and has been corrupted by poverty yet unknowingly shows sympathy towards Oliver, as it has shown in the novel when Oliver is told to make a robbery in Mr. Brownlow’s house, until Oliver gets shot and then Fagin shows his love towards him, this makes the reader feel that even criminals may do the unlawful work they still have some emotions and love for other humans, also in this scene Fagin reveals himself t...
In the passage,”Oliver Twist”, by Charles Dickens, two of the characters, Bumble the Cook and Mr. Limbkins created dialouge that showed the reader what these people are like. When Oliver Twist asked for more gruel, Bumble was shocked, then he rushed over to Mr. Limbkins to tell him what Oliver Twist had said. Mr. Limbkins had almost the same reaction. He stated, “Do I understand that he asked for more, after he had eaten all the supper allotted by the dietary.” Even though Mr. Limbkins makes it seem like the portions were reasonable, they were much smaller than what most people should be eating. They did not care that the children were not eating enough. They were careless, and sarcastic. These are not traits and actions that should be taken
Combining entertainment with a deep critique of the contemporary socioeconomic system and philosophy, Charles Dickens' Oliver Twist explores the reality that in Victorian London, crime was neither heroic nor romantic. A setting of debauchery, thievery, prostitution, and murder, Fagin's underworld didactically illustrates the "unattractive and repulsive truth (36)," that one's environment--not birth--influences character. Attempting to introduce society to the evil it had created, Dickens penned "Fagin's Last Night Alive," manipulating both his literal and figurative audience, capitalizing on the current sentiments and issues. By typifying Fagin as the absolute evil, Dickens uses contemporary religious temperaments and society's apathy and ignorance, to reveal a reality about the underworld lifestyle that society was not willing to acknowledge--society is somewhat guilty for the underworld's corruption.
Published in 1838, this fictional tale highlights the abuse and violence in 1800 Britain, venturing into the social and economical divide and focussing on the underclass, which at this time lived in harsh, squalor and awful conditions. Chapter 47 reveals the themes of criminality and scheming behaviour which runs throughout the novel. Brutality erupts when Bill is manipulated by Fagin. At this time in the story Nancy has risked her life to inform Mr Brownlow of Oliver’s whereabouts. Charles Dickens creates a dark, mysterious setting when he describes the scene of Fagin’s lair ‘the dead of night’ – already ‘death’ is in the reader’s thoughts and minds. Animal imagery is applied to depict Fagin, and is used numerous times within the first two paragraphs of chapter 47 ‘less like a man’, ‘old lair’. The reader can immediately image this monster- like man with a ‘distorted face’ who is up two hours before day-break feeling troubled and thinking up schemes to save himself.
Throughout Oliver Twist (1838) Charles Dickens depicts Fagin as a cunning and occasionally depraved man. Fagin does not show fear or remorse as he manipulates the Artful Dodger, Oliver, and Nancy to thieve for him. When Fagin is shown as the respectable Old Gentleman on page 62 or when he is conspiring with Noah Claypole in “The Jew and Morris Bolter Begin to Understand Each Other” (Dickens 343) he appears confidant and completely in control. However, Fagin finds himself brought to justice for his misdeeds in chapter LII, he shows fear for the first time. George Cruikshank’s penultimate illustration “Fagin in the Condemned Cell” (431) accompanying Dickens’s text, presents a different Fagin, one who shows dismay and dread for the first time as he awaits hanging.
Character Study of Nancy from Oliver Twist. The novel Oliver Twist was written by Charles Dickens in 1837-39, it. published in a serial form. That era was known as the Victorian.
Our Mutual Friend, Dickens' last novel, exposes the reality Dickens is surrounded by in his life in Victorian England. The novel heavily displays the corruption of society through multiple examples. These examples, that are planted within the novel, relate to both the society in Dickens' writing and his reality. In order to properly portray the fraud taking place within his novels, Dickens' uses morality in his universe to compare to the reality of society. He repetitively references to the change of mind and soul for both the better and the worst. He speaks of the change of heart when poisoned by wealth, and he connects this disease to the balance of the rich and the poor. This is another major factor to novel, where the plot is surrounded by a social hierarchy that condemns the poor to a life of misery, and yet, condones any action that would normally be seen as immoral when it occurs in the aristocracy. It expands on the idea that only an education and inheritance will bring success in society, with few exceptions. Lastly, Dickens expands his opinions of society through his mockery of ...
In Oliver Twist and Great Expectations by Charles Dickens, both main characters refuse to except the poor hand the world has dealt them. Pip and Oliver reach a great epiphany in regards to social injustice, and in turn rebel against the system that oppresses them. They are tired of being mistreated and neglected, and therefore decide to make a stand. Charles Dickens exhibits through Oliver and Pip that the revolt of the weak against the strong results from the oppression of the poor. As a result of their revolt against the system, Pip and Oliver are ostracized for their non-conformist ideals. Thus change in an oppressing and conformist society can only be achieved through change in moral, social, and political instincts.
"The Victorians were avowedly, unashamedly, incorrigibly moralists. They . . . engaged in philanthropic enterprises in part to satisfy their own moral needs. And they were moralists in behalf of the poor, whom they sought not only to assist materially but also to elevate morally, spiritually, culturally, and intellectually . . . ." (Himmelfarb 48(8)). Charles Dickens used characterization as the basis of his pursuit of this moral goal in the serialized Oliver Twist. His satyr was meant to draw parallels to the dark side of an era of British progress. One side of progress is wealth, the other side of the same coin is poverty, despair, misery and crime. Dickens allegorized evil in contrast to good through characterization and melodrama. "Most of the moral judgments of the reader are pre-made for him or her. As a result, the reader objectively absorbs the moral lessons Dickens has set forth" (Stoddard).
Great Expectations criticises the Victorian judicial and penal system. Through the novel, Charles Dickens displays his point of view of criminality and punishment. This is shown in his portraits of all pieces of such system: the lawyer, the clerk, the judge, the prison authorities and the convicts. In treating the theme of the Victorian system of punishment, Dickens shows his position against prisons, transportation and death penalty. The main character, a little child who has expectations of becoming a gentleman to be of the same social position of the girls he loves, passes from having no interest on criminality and its penalties to be very concerned on the issue. By means of other characters, for instance Mrs. Joe Gargery, Dickens tries to define the people’s common view about convicts, transportation and capital punishment. In portraying the character of the convict, Dickens sets out the case in hand of two people sentenced to transportation for forgery of banknotes and analyses their psychology. By reading the novel, the reader becomes aware of the Victorian unfair justice regarding poor and illiterate people, but advantageous towards the rich and educated middle-class.
...ip, who turns his back against those who loved and cared for him most. First, he turns his back against Joe and Biddy out of shame for their poverty. Then he turns against Magwitch when he finds out that he's Pip's benefactor. Although his repulsion towards Magwitch is somewhat justifiable, Dickens' point still comes through clearly, which is that a person should not be not be judged for the clothes one wear, or even always for the crimes one commits. This epitomizes the dichotomy Dickens felt towards both the treatment and perception of criminals.
Dickens’s foundation for his battle with society began at a very young age. As a child, Dickens became immersed in the harassment that accomp...
Fagin has been sentenced to death, but before he is hanged, Oliver and Brownlow visit him to discover where he hid the papers verifying Oliver's heritage.
Throughout the novel, the use of satire increases the readability of the text, intriguing readers’ thoughts, and, ultimately, emphasizing the adverse social condition; thus making the novel appealing. When Oliver was born, Dickens wrote, “Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time” (Dickens Chapter I). Dickens is connoting the fact that those who are in adversities would fight for living, while those who are not don’t even need to fight, highlighting the social inequality that exists at that time. Other than that, Dickens described that authorities’ reaction to “let the paupers go to sleep” as “a novel illustration of the tender laws of England”, using a sarcastic tone to make the point that paupers were not expected to sleep in that time, underscoring the ruthlessness that those who are in lower class were suffering not only in the novel but also in the corrupted society during Victorian Era (Dickens Chapter II). Dickens successfully illustrated a brutal society that once existed. Other than the innuendos, the way that the author delivers the story also makes the novel remarkable. Throughout the narration, Dickens constantly “tells” the story in the first person. For example, Dickens writes: “As I purpose to show in the sequel whether the white waistcoated gentleman was right or not, I should perhaps mar the interest of this narrative (supposing it to possess any at all), if I ventured to hint just yet, whether the life of Oliver Twist had this violent termination or no” (Dickens Chapter II). Using “I”, Dickens provides a sense of reality to the reader by “telling” the story with his personal interpretation, instead of just having the reader to “read”
can be seen in Oliver Twist, a novel about an orphan, brought up in a workhouse and poverty to demonstrate the hypocrisy of the upper class people. Oliver Twist shows Dickens' perspective of society in a realistic, original manner, which hope to change society's views by "combining a survey of the actual social scene with a metaphoric fiction designed to reveal the nature of such a society when exposed to a moral overview" (Gold 26). Dickens uses satire, humorous and biting, through pathos, and stock characters in Oliver Twist to pr...