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analysis of king oedipus by sophocles
analysis of king oedipus by sophocles
The Tragedy of Sophocles Oedipus Rex Story
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Oedipus Rex – The Characterization
Sophocles’ tragic drama, Oedipus Rex, presents to the reader a full range of characters: static and dynamic, flat and round; they are protrayed mostly through the showing technique.
Thomas Van Nortwick in Oedipus: The Meaning of a Masculine Life describes Oedipus as he is seen at the opening of the drama, as a father to his Theban citizens:
In his opening words to the pathetic crowd of suppliants, Oedipus invokes images meant to reassure. As ruler, he is a father to Thebes and its citizens, and like a father he will take care of his “children.” We see already the supreme self-confidence and ease of command in Oedipus, who can address not only other people’s children as his own, but also be a father to men older than he is (21-22).
As protagonist, Oedipus is at the center of the story. The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). Werner Jaeger in “Sophocles’ Mastery of Character Development” pays the dramatist Sophocles the very highest compliment with regard to character development:
The ineffaceable impression which Sophocles makes on us today and his imperishable position in the literature of the world are both due to his character-drawing. If we ask which of the men and women ofGreek tragedy have an independent life in the imagination apart from the stage and from the actual plot in which they appear, we must answer, ‘those created by Sophocles, above all others’ (36).
Surely it can be said of Sophocles’ main characters that they grow beyond the two dimensional aspect into really rounded physical presences. This is done through mostly the showing technique, though the chorus...
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...ublishers, 1999.
Benardete, Seth. “Sophocles’ Oedipus Tyrannus.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Ehrenberg, Victor. “Sophoclean Rulers: Oedipus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Jaeger, Werner. “Sophocles’ Mastery of Character Development.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Sophocles. Oedipus Rex. Transl. by F. Storr. no pag.
http://etext.lib.virginia.edu/etcbin/browse-mixed new?tag=public&images=images/modeng&data=/texts/english/modeng/parsed&part=0&id=SopOedi
Van Nortwick, Thomas. Oedipus: The Meaning of a Masculine Life. Norman, OK: University of Oklahoma Press, 1998.
As tragic hero Oedipus displays all of the usual canon; power, arrogance, and pride. Oedipus manifests himself in a position of confidence, which he derives from his success at solving the riddle of the Sphinx and marrying a queen.“It was you who came / and released Cadmus’ Town from the tribute / we paid to the cruel songstress…” (Sophocles, 33-35) , “CREON: Then tell me this - / are you not married to my sister?” (Sophocles, 696-697). In turn, it also enabled him to make rash decisions, such as slaying his father, without personal recompense. “I was to slay my father. And he dies, / And the grave hide...
Her son was one of the first computer hackers and worked for the military until his tragic death abroad. His death took such a toll on his parents but they both had drastically different way to grieve with this pain. Her husband, Solomon, internalizes all of his pain, and becomes this shell of a person. He mistreats everyone around him, from his wife to those being persecuted from up on the bench. The way in which Solomon disrespects people is directly related to how he has been able to grieve. He is isolated in his job which also leads him to be narcissistic and arrogant, fully believing that he is not only always right, but also coming across as this person who thinks that his answer is the only right one. Solomon sought out comfort while grieving through his work, trying to return to the idea of normalcy, the life he was living before
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Roche, Paul. The Oedipus Plays of Sophocles. The New English Library Limited, London. New York and Scarborough, Ontario. 1958.
Méndez (2014) has somewhat summarized the dilemma in that formal consent does not help researchers deal with the feelings of guilt and the effect of others trust being degraded by disclosure (Miller & Bell, 2002). The tradeoff is such that, by using the third person, a sense of distance from the events and the people being referred to can occur, whereas using the first person is more explicit about the events being analyzed. Wyatt (2006) states that a key ethical principle is found in the writing in how close to position the reader is to the self-disclosure. Ellis (2007) offers a dimension of relational ethics when dealing with intimate issues which is subject to the vague and generic “do no harm.” The researcher will be following Megford’s (2006) proposed ‘ethic of accountability’ in which the writer should write his or her truth as if all the people involved in those events were listening to him or
Ehrenberg, Victor. “Sophoclean Rulers: Oedipus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J.
Little, Jennifer. "ClassicNote on Oedipus Rex" GradeSaver Free Online Study Guides. 19 July 2000 http://www.gradesaver.com/classnotes/titles/oedipus/wwwboard/forum 9.html
Sophocles. Oedipus the King. Trans. Robert Bagg. The Norton Anthology of Western Literature. Ed Peter Simon. 9th ed. New York: Norton, 2014. 666-706
The myth of Oedipus is one of a man brought down by forces aligning against him. Over the years, different playwrights have interpreted his character in various fashions. In Sophocles’ Oedipus the King, Oedipus is a man who is blind to the path on which his questions take him and exemplifies the typical tyrannical leader in ancient times; in Senaca’s Oedipus, it is the fear of his questions that give Oedipus a greater depth of character, a depth he must overcome if he is to survive his ordeal.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Surely it can be said of Sophocles’ main characters that they grow beyond the two dimensional aspect into really rounded physical presences. This is done through mostly the showing technique, though the chorus at times is involved in telling the audience various pieces of information. At the outset of Oedipus Rex the reader sees a king who comes to the door full of curiosity: “Explain your mood and purport. Is it dread /Of ill that moves you or a boon ye crave?” When the priest has responded that the people are despairing from the effects of the plague, the king shows another dimension to his character with his deep sympathy for his subjects: “Ye sicken all, well wot I, yet my pain, /How great soever yours, outtops it all.
E. T. Owen in “Drama in Sophocles’ Oedipus Tyrannus.” In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O’Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
After my husband consumed the last bite of his fully stacked grilled chicken breast sandwich and deep-fried onion rings, he regained my attention when he continued to vocally reflect upon the horror of his day at work...
Owen, E. T. "Drama in Sophocles' Oedipus Tyrannus." 20th Centruy Interpretations of Oedipus Rex. Ed. Micheal O'Brien. Englewood Cliffs, N. J.: Prentice-Hall, 1968. 33-35. Print.
Fortunately, I wake every morning to the most beautiful sun lit house. I sit on my porch sipping coffee, while I drink in an atmosphere that steals my breath away. Rolling hills lay before me that undulate until they crash into golden purple mountains. Oh how they are covered in spectacular fauna, ever blooming foliage, and trees that are heavy with pungent fruit. Green it is always so green here at my house. Here where the air lays heavy and cool on my skin as does the striking rays of the sun upon my cheeks. I know in my soul why I choose to be here every day. Pocketed in all the nooks and crannies of these valleys and hills are stately homes, rich with architecture resplendent. Diversity is the palate here; ...