In Sophocles’ Oedipus the King, the topic of admiration towards Oedipus remains controversial, contemplating his character as more respectable in the end of the play. Oedipus begins the tragedy with honorable qualities and is able to regain lost praise, attained through various events, after his downfall. However, Oedipus can be characterized as more admirable in the play’s ending through glorification from citizens, in the beginning, actions indicating this adoration is false, and true respect being granted to Oedipus after his degradation.
Oedipus is assumed to be an honest and trustworthy king, governing commendatory citizens who believe he could do nothing less than heroic. From his first days in Thebes, Oedipus was seen as ideal
…show more content…
Oedipus’ contradicting faith in the gods signifies deceit of his people. He uses the God of Truth to convince civilians of his chivalry, yet belittles the God’s prophet as a “sightless, witless, senseless, mad old man”(Sophocles 20). This hypocrisy displays Oedipus as nothing more than a measure of infatuation. Proceeding to show his lack of admiring qualities, Oedipus manifests his short temper and rash impulses. When blamed for the murder of Laïos—without hesitation—Oedipus attempts to defend himself in his frantic rage, demanding Creon is the reason for this outrageous accusation: “Do you think I do not know that you plotted to kill me, plotted to steal my throne?”(Sophocles 28). Oedipus ignores Creon’s rationality, blinded to any feelings other than his own. He is incapable of even listening to the pleas of his own wife, as she tries to salvage the dignity of Oedipus after learning she is also his mother, imploring him, “Listen to me, I beg you: do not do this thing!”(Sophocles 57). Oedipus’ disregard for the people dearest to him demonstrates he should not hold such high honor he is given in the beginning of the play. Through the tragic flaws of Oedipus, false admiration is
Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
As the truth is getting revealed: "… You, Oedipus, are the desecrator, the polluter of this land." Oedipus does not believe (his choice). He (Oedipus) start to accuse Creon of truing to take his powers away (king). And still want to reveal whole truth. After talking to Jocasta Oedipus faces that he in fact might killed the king Laius. " There was s herald leading a carriage drawn by horses and the man riding in the carriage … The driver pushed.
Oedipus is a ‘good king,’ a father of his people, an honest and great ruler, while at the same time an outstanding intellect. . . . He even shares the thro...
Oedipus is shown to be a well-liked and trusted king among all his townspeople. Solving the riddle of the Sphinx and saving Thebes brought him great fame and popularity. When time came to save the town from Laios’ killer, Oedipus relied much on his intellect. He searched for information about the night of the murder from Creon and Teiresias, but as he learned more details, Oedipus realized not only that he was the killer but also that he married his mother. Throughout his inquiry he believed he was doing good for his people as well as himself, but eventually it brought him shame. Oedipus was humiliated and disgusted and stated, “…kill me; or hurl me into the sea, away from men’s eyes for ever(p882, 183).'; Oedipus’ wanted to be isolated from the people of Thebes because all his respect and fame was destroyed by his fate.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
As tragic hero Oedipus displays all of the usual canon; power, arrogance, and pride. Oedipus manifests himself in a position of confidence, which he derives from his success at solving the riddle of the Sphinx and marrying a queen.“It was you who came / and released Cadmus’ Town from the tribute / we paid to the cruel songstress…” (Sophocles, 33-35) , “CREON: Then tell me this - / are you not married to my sister?” (Sophocles, 696-697). In turn, it also enabled him to make rash decisions, such as slaying his father, without personal recompense. “I was to slay my father. And he dies, / And the grave hide...
Oedipus’ anger causes him to kill the father he never knew and all the men in the entourage. Oedipus’ cannot control his temper and this personality flaw leads him to his fate. Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438).
When Creon, brother in law of Oedipus accuses him of being a murder, Oedipus was really mad. He accuses Creon of betrayal and hypocrisy. In another speech, Oedipus accuses Creon for pointing him as guilty for the murder of Laius. We can see that when Oedipus says:
The second example of when Oedipus is shown having a great deal of pride is when he goes against Creon. Oedipus calls Creon a traitor. He says that Creon persuaded him to send for the prophet, Tiresias, to find out who murdered King Laius. He thinks that Creon and Tiresias plotted against him, saying that he was the one who murdered the king. Oedipus believes that Creon did this so he could become king.
As with many plays from the same time period as Oedipus the King, there seems to be more to the story than the tragic story of a simple man. One way that Oedipus the King can be interpreted is as a political commentary about the str...
With this in mind, many believe that King Oedipus in Sophocles’ play, Oedipus the King, is the perfect example of Aristotle’s tragic hero. Does he, however, truly fulfill all the “requirements” described in Poetics or is there something we miss in the depths of his fascinating and multi-faceted character that does not fit into Aristotle’s template? Without a doubt, Oe...
Oedipus is a hero, as defined by Johnston. According to Johnston, ‘a hero is someone who confronts fate in a very personal manner and whose reaction to that encounter serves to illuminate for us our own particular condition’ (Johnston, Part 2). Oedipus definitely confronts fate in a personal manner. Among other things, he challenges the mysterious qualities of fate by pursuing the Shepherd despite warnings from Jocasta (Sophocles, 71). Oedipus follows through on confronting fate with his individual approach of uncompromising persistence and integrity (Johnston, Part 3). Even at the end of his downfall, Oedipus maintains that Kreon should banish him and that he must obey the curses he himself ordered for the murderer of King Laios (Sophocles, 89-90). Despite being so broken and publicly shamed, Oedipus still persists with his former way of interacting with fate : noble defiance (Johnston, Part 3). Although this quality itself is admirable, Oedipus takes uncompromising to the extreme, losing insight on everything else. Oedipus becomes ignorant to his surroundings, leading to his downfall (Johnston, Part 3). Oedipus’ story also challenges the fundamental belief that life should be rational and just. (Johnston, Part 3) His story illuminates that fate is arbitrarily cruel and will sometimes pick the gre...
For Oedipus, prophecy is not the main source of his fall towards society; rather, his hubris blinds himself from recognizing his personal sin in the world, thus leading to his demise. Sophocles even skillfully uses a metaphor through the words “ as led by a guide” to further explain the “supernatural being” that ultimately decides the tragic fate of the family of Oedipus. In addition, through the death of Jocasta, the reader is immediately attuned of Oedipus’ raging moment of violence and will be petrified by the overwhelming power of the gods, thus realizing the importance of being cautious before making a final choice. Indeed, after an individual settles on a decision, the gods take control of the person’s fate, hurling numerous consequences to him if he makes the wrong decision. Moreover, as Oedipus suddenly becomes the unintended victim of the gods through his sinful decision to execute Laius, he is forced to relinquish his predominate impetus for pridefulness in exchange for a heart of deep realization and forgiveness. At the end of the play, Oedipus sacrifices everything in order to remove his guilt through the consequences of his atrocious actions witnessed by the gods. After Oedipus realizes the astringent fate he was destined to encounter through his sinful murder of Laius, he immediately attempts to take responsibility for his
The impetus for the downfall of Oedipus, "Known far and wide by name" (Sophocles, 1), is his anger. Enraged he slew King Laius and in anger he hastily pursued his own ruination. From the aforementioned recriminations of Tiresias to the conflict with his brother-in-law Creon (his ill temper again displayed - "Tempers such as yours most grievous to their own selves to bear,... .(Sophocles, 25); through the revealing exchanges with his wife/mother Jocasta and her slave (whose pity saved the infant Oedipus), damming insight grows in a logical sequence, all the while fueled by the Oedipal rage. Realizing the heinous nature of his actions, Oedipus blinds himself in a fit of anger and remorse - now, as Tiresias, he can see.
Oedipus had good intentions for his people and tries to save the city when death is at its doorstep even admitting that they mean more to him that is own life “I grieve for these, my people far more that I fear for my own life”(106-106). His determination to seek the truth and care for his people not only makes him an admirable man but respectable king. His quest for truth no matter