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dracula theme of good vs evil essay
dracula and its supernatural element
gothic literature in dracula
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This essay aims to look at the relationship between Gothic and religion and/or occultism in the two texts The Picture of Dorian Grey by Oscar Wilde and Dracula by Bram Stoker. Firstly, it is important to highlight the definition of occultism. The word occult means the study of the supernatural. In the Picture of Dorian Grey, the occult and religion are key factors in the novel. The novel highlights the occult because of the supernatural powers that are given to the painting and the unusual properties the painting has. Dorian Grey himself does not get older, but the painting ages. A key element of the gothic genre is aesthetics which is mentioned in the novel throughout which is another factor to mention. In the novel Dracula, the occult and religion are also key factors. The novel’s main focus is the existence of vampires which is significant to occultism as it is the element of the supernatural. Throughout the novel there are also references to religion from the beginning because the first few chapters of the novel explains that there are religious symbols such as a crucifix and the church and graveyards are also mentioned several times. The setting of Count Dracula’s house is described as a mansion which is a typical scene for a gothic novel.
The Picture of Dorian Grey highlights the key element of aesthetics. Aesthetics is beauty or the appreciation of beauty . In the beginning of the novel, Oscar Wilde talks about the philosophy of aesthetics and he praises beauty. As this is in the beginning, it shows that aesthetics is a key factor in the novel. The novel is very closely linked to aesthetics because Dorian is concerned with youth and a majority of his life is devoted to beauty and this may be potentially why his life ends ...
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... the occult and religion are also key factors. The existence of vampires is significant to occultism as it is the element of the supernatural. There are also references to religion from the start as the first few chapters of the text explains that there are religious symbols such as crucifixes and the church are also mentioned numerous times. The setting of Dracula’s home is described as a mansion which is an archetypal scene for a gothic novel. In both of the novels, it appears that the want to be young and immortal is always linked with evil, for example with Dorian Grey he starts with being a good character and once he becomes obsessed with his youth, he turns evil. With Dracula he is a vampire and is immortal and seeks other people to also become vampires, which shows that the people are being controlled against their own will and shows Dracula to also be evil.
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
Dracula by Bram Stoker is an authentic Gothic novel that manages to hit on every Gothic literature aspect. Gothic literature is usually set in an isolated setting and has a dark, mysterious, and evil tone. In this type of literature, there are usually dark castles, palaces, presences of supernatural beings, and religion. The book Dracula is about a Count from Transylvania that goes to London in search of new victims and a group of Victorian citizens who end up defeating him and his evil ways. The use of setting and atmosphere in Dracula is filled with a world full of mystery and fear. Bram Stoker manages to capture the Gothic element with his use of castles, symbols, and isolated setting.
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
The novels were written in the 19th century, ‘Frankenstein’ was first published in 1818 and ‘Dracula’ was first published in 1897. In this century there was a fanaticism with Gothic horror stories and these novels reflect this. In the last century, a wide audience would have appreciated these novels, although they are not great literary accomplishments, people of that period enjoyed reading this type of story, filled with horror, suspense and intrigue. The very idea that such an evil and frightening creature could exist shocked and aroused the curiosity of many people at this time. Society in the last century was extremely corrupt and immoral, the novel ‘Frankenstein’ reflects this, in which an innocent creature is shunned by society because of it’s abnormal and somewhat shocking appearance.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
It was in the early Middle Ages that the first encounter with English Imperialism could be found in Ireland. England and Ireland would come to share a common culture and language with island Gaelic. James Anderson wrote in his article Imperialism and nationalism: The Home Rule struggle and border creating in Ireland, 1885-1925 that “ignoring imperialism has bolstered conventional mainstream accounts of partition and conflict based on ‘internal’ or purely local causes which produce over-simplified stories . . . . ”(page939) What this means is that Historians are not looking at an event from every angle. Suggesting an approach like this is saying that Ireland is responsible for the decisions the English made. Yet neither can it be said the English occupied Ireland just because they could. In Anderson’s interpretation, it was both English imperialism and Ireland’s own internal stimuli that manipulated history. For Anderson this superficial encounter leaves no variables that could determine good or ill intent on the part of the English.
Spencer, Kathleen L. Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis. 1st ed. Vol. 59. N.p.: Johns Hopkins UP, 1992. JSTOR. Web. 6 Jan. 2014. .
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
...y others to be a devoted aesthetic due to his concerns to consumerism and fashion, but not a feminist (Mintler 139). Thus, the neglect of women in Dorian Gray is evident and Oscar Wilde had more pursuit over aesthetics than the feminist movement, which is reflected by Dorian’s means of aesthetic pursue over the care of women.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.