Obsessed
Death is the end of the road. However, just as important as death is what comes after it. Almost every culture or religion features some kind of afterlife, whether it be the Valhalla and Hel of Norse religion, the Underworld of the Greeks, or the Heaven and Hell of Christianity. In Shakespeare’s Hamlet, the titular character obsesses with what happens after death, driving much of his action (and inaction) throughout the play; however, by the end, his struggles teach him a key life lesson that is still preached today.
Hamlet’s desire for revenge indirectly starts with his obsession with death. When he finds out from Horatio that a ghost who looks like his father has been haunting the castle, he makes the decision to go and speak to the apparition. In the Shakespearian era, this decision would have likely been seen as irrational due to the various fears and superstitions regarding ghosts. When he sees the ghost with his own eyes, Hamlet is so obsessed with the deathly figure that he decides that “be [it’s] intents wicked or charitable, / [it] comest in such a questionable shape / that [he] will speak to [it]” (I, iv, 21). The ghost informs Prince Hamlet that Claudius killed King Hamlet.
After Hamlet finds this out, he sets out to avenge his father and kill his uncle. It’s not easy to kill a king, given the various protections typically afforded to one, and given an opportune chance, one would assume that he would take it. However when Hamlet discovers Claudius kneeling, appearing to be praying, in perhaps the most ideal time of the entire play, Hamlet passes on the opportunity, claiming that he will wait till
“he is drunk asleep, or in his rage / or in the incestuous pleasure of his bed, / at game, a-swearing or abo...
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... all” (V, ii, 116). He is prepared to face the onset of his death.
Hamlet’s obsession with death entirely influences the outcome of the tragedy. His actions and inactions are initially driven by the fear of mortality and the uncertainty of the afterlife. However, near the end of the play, he no longer fears death, instead embracing it in the readiness that he preaches and accepting it when it comes. Though still fixated upon his own mortality, he finally takes advantage of the obsession to achieve his own goals; the lesson Hamlet learns is one that many try to follow today. “Carpe diem,” we say - live every day as if it were your last, do what you truly believe in, because you’re wasting your time otherwise. This lesson, one of many taught through Hamlet, is one that could be well learned by the multitudes of people who hate their own lives and live in misery.
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
In William shakespeare’s book Hamlet, Hamlet himself was acting strange because of his obsession for revenge for his father’s death. At the beginning of Hamlet, Hamlet’s father made an appearance after his unfortunate death. Horatio and the two watchmen, Francisco and Bernardo, they were frightened of what they have witnessed that night. Next day, they went to the chamber of Prince Hamlet to tell him that they have witnessed of appearance of a ghost whom they identified as the prince’s father. Then Hamlet went watch with them on that night. The ghost appeared quickly, Hamlet was surprised and confused on why his father was there. Hamlet followed his father’s ghost until there’s nowhere to go for him.The ghost talked to him And told him that his death wasn’t an accident but it was a murder. Just when he learned who murdered his father, it was the someone he suspected and it was Claudius, his Uncle. Despite all of the hatred toward his uncle, this made him even want more revenge for his father than before. That night, Hamlet made Horatio and the two watchmen pledge under his sword
In Hamlets mind, it is now his duty to avenge his father's murder. This is where the real problem of inaction enters the play. Later that night, Hamlet has a perfect opportunity to kill Claudius, when he sees the King kneeling in prayer. He wonders if this is the time to kill him and get it over with, but decides not to. He claims that he does not want Claudius to go to heaven, so he would rather kill him when he is committing a sin. If this is the case, then why doesn't he simply wait till Claudius has completed his prayer, accuse him of the murder and kill him in his sin of denial. Instead, Hamlet goes to the chamber of his mother and passes up his best opportunity at revenge. The argument can be made, however, that it is not a fear of killing that causes this inaction. He does not display an inability to end someone's life when killing Polonius. He neither hesitates nor capitulates in sending Rosencrantz and Guildenstern to their executions. Why then would the prince of Denmark hesitate to kill the one man he most justly could? Many literary believe that his inaction is the result of a vicarious Oedipus complex. Those who concur with this theory say that Hamlet, in his subconscious mind, has a desire to do exactly what his uncle has done; that is, get rid of the king so that he can have Gertrude for himself.
Death threads its way through the entirety of Hamlet, from the opening scene’s confrontation with a dead man’s ghost to the blood bath of the final scene, which occurs as a result of the disruption of the natural order of Denmark. Hamlet is a man with suicidal tendencies which goes against his Christian beliefs as he is focused on the past rather than the future, which causes him to fall into the trap of inaction on his path of revenge. Hamlet’s moral dilemma stems from the ghost’s appearance as “a spirit of health or a goblin damned”, making Hamlet decide whether it brings with...
Hamlet should have acted decisively and killed Claudius as soon as possible after the Ghost told him to avenge his murder. But then comes the indecisive character in him that thinks it though. he debates that if he does not kill Claudius, he may forever be locked in the stressful mental state in which his obsession puts him, but then again if he attempts or succeeds in killing Claudius he is released from all the responsibility he feels for represtenting his father. Whether he does or doesn't kill Claudius, he faces enormous psychological pain. This allows him to mope about the castle for months on end. He's convinced a few people that he's mad. Hamlet could have killed Claudius and gotten away with it. Hamlet was incredibly popular with the people, and Claudius wasn't.Instead he wiles away the time, playing mad and deceiving people, but accomplishing nothing.
Shakespeare uses metaphors to express Hamlet’s view of life, death, and the afterlife. Hamlet first introduces the idea of suicide as a way to end the sufferings of life: “and by a sleep to say we end/ The heartache and the thousand natural shocks/ That flesh is heir to” (III. i. 69-71). Here, Shakespeare uses the word sleep to refer to death and the heartaches and shocks as the struggles of life. There is also a peace in sleeping that Hamlet wants to obtain in death. By using these metaphors, Shakespeare shows the simplicity of death compared to the hardships of life. This is especially evident with Hamlet because the revenge he is seeking is much more difficult than giving up and taking his own life out of grief. Hamlet then continues to express his fear in thoughts of suicide: “To die, to sleep---/ To sleep, perchance to dream. Ay, there’s the rub,/ For in that sleep of death what dreams may come,/ When we have shuffled off this mortal coil,/ Must give us pause. There’s the respect/ That makes calamity of so long life” (III. i. 72-77). The dream that Shakespeare is referring to is the afterlife, continuing with the metaphor of sleeping as dying. The question of the dreams that will come is Shakespeare’s way of expressing the unknown state of a soul after deat...
King Hamlet was beyond annoyed that Hamlet had done what every child does when their parent asks them to do something, and did the exact opposite. Not only had Hamlet spoken to his mother about her poor choices, but he also had yet to kill Claudius. In Hamlet’s defense he had a good reason for why he hadn’t killed his uncle yet (definitely a good conversation to have over the holidays) and had half of Shakespeare’s characters taken the time to make sure things are done right then there probably wouldn’t be so much tragedy. Hamlet had waited to kill Claudius because he wasn’t certain about the ghost being his father and so he did not want to commit a sin that was not necessary. However, he still failed because he entertained King Hamlet’s ghost and that is a sin in and of its own. In order for Hamlet to decide whether or not he can trust the ghost of his father he decides to put on a play for his mother and uncle that was based around his father’s murder. As the play took place, Hamlet kept a close watch on Claudius and all of his emotions and that is how Hamlet knew that the ghost was not an evil spirit, but was definitely his beloved father. Once Hamlet comes to terms with the fact that he’s letting down his father even after he’s passed Hamlet is able to come up with a plan to kill Claudius so that he can suffer the same way that he has made
From the appearance of the Ghost at the start of the play to its bloody conclusion, Hamlet is pervaded with the notion of death. What better site for a comic interlude than a graveyard? However, this scene is not merely a bit of comic relief. Hamlet's encounter with the gravedigger serves as a forum for Shakespeare to elaborate on the nature of death and as a turning point in Hamlet's character. The structure and changing mood of the encounter serve to move Hamlet and the audience closer to the realization that death is inevitable and universal.
In the play Hamlet, by William Shakespeare, the protagonist, Hamlet is obsessed with the idea of death, and during the course of the play he contemplates death from numerous perspectives. He ponders the physical aspects of death, as seen with Yoricks's skull, his father's ghost, as well as the dead bodies in the cemetery. Hamlet also contemplates the spiritual aspects of the afterlife with his various soliloquies. Emotionally Hamlet is attached to death with the passing of his father and his lover Ophelia. Death surrounds Hamlet, and forces him to consider death from various points of view.
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
Hamlet’s soliloquy, “To be or not to be, that is the question,” found in Act 3, Scene 1, of William Shakespeare’s play Hamlet, is one of the most recognized and famous soliloquies in all of English literature. Hamlet uses this moment alone to ponder what he will do in response to his father’s death. In this statement, Hamlet explores the idea of living and dying and what can be found in death. Is death like a dream while one sleeps? Or do we cease to sleep? Or is it just nothing? These are questions that Hamlet considers while deciding the fate of King Claudius. Hamlet wants to seek revenge on Claudius for killing King Hamlet and for marrying the queen, yet he knows that if he were to kill Claudius, he himself would also be killed. Hamlet’s debate of life versus death makes him question the advantages and disadvantages of existence and whether or not it is right to end his life or that of another.
3rd Paragraph – Famous Soliliquy Negating his initial beliefs in death, does not kill himself in the uncertainty of death and stops believing
Tragic death plays a really big role in William Shakespeare’s Hamlet. Hamlet often considers death in many different perspectives, and definitely obsesses with the idea more so after his fathers’ death. Hamlet’s soliloquy is one of the most famous in literature, “To be or not to be, that is the question…” Hamlet’s dilemma is the pain of life that he must endure or the uncertainty of death. From the beginning of the play to the very last scene, the fascination between life and death plays a role throughout. Hamlet is troubled through the play after realizing that his uncle was the one who murdered his father and is now married to his mother. He wants to avenge Hamlet Sr. death and kill Claudius but feels that killing himself would be an easier resolution. After the death of his murdered father and appearance at his funeral, Hamlet will not leave anywhere without making the statement of his all black attire on the inside and out. The turn of events throughout the play only help the reader understand the debt of each character and their specific role to Hamlet and to the story in regards to life and death.
In a typical revenge tragedy, a hero is called upon by the ghost of a family member to avenge his death ("Revenge Tragedy"). Hamlet is the main protagonist and hero called upon by his father's ghost to "revenge his foul and most unnatural murder" (1.5.31). When Hamlet first hears that his father was murdered, he exclaims, "Haste me to know't, that I, with wings as swift...may sweep to my revenge" (1.5.35-37). He is hungry to avenge his father; however, Hamlet does nothing and at the end of Act II he scolds himself that "this player...could force his soul so to his own conceit...all for nothing...yet, [he]...can say nothing for a king upon whose property and most dear life a damned defeat was made" (2.2.578-598). Hamlet is upset that he hasn't yet acted to avenge his father, but some mere actor can build up so much emotion for nothing. Shakespeare complicates the plot because revenge tragedies are supposed to have a courageous and aggressive protagonist who swiftly carries out his deed of revenge; instead, Shakespeare modifies the hero and portrays Hamlet as an indecisive and contemplative man.
Hamlet's delay came from a conflict between action and awareness that made him see both sides of every issue. Hamlet realized that to avenge his father’s death, he must kill Claudius, but at the same time he knew that there would be consequences for this action. For example, in Act III, scene III, Hamlet had the opportunity to kill Claudius, but he believed that Claudius was praying. If Hamlet had killed Claudius when he was praying for forgiveness, Hamlet believed Claudius would have gone to heaven. Thinking this, Hamlet decided to wait until the king was doing something bad, so that Claudius would go to hell.