One Voice
Elaine Hedges reads the story as “One of the rare pieces of literature we have by a nineteenth-century woman which directly confronts the sexual politics of the male-female, husband-wife relationship” (114). In Charlotte Perkins-Gilman’s short story “The Yellow Wallpaper” she portrays a woman in the nineteenth century struggling to cure her “temporary nervous depression” due to the immobility her husband puts on her. During this time period, many males thought of women as weak and helpless, which exemplifies why the husband dominates his wife’s thoughts and actions, and as a result, empowers himself. Because this story exists as the narrator’s diary, the reader can assimilate the secrecy the narrator had behind her husband and the severity of her loss of control. Using the feminist perspective, Gilman illustrates the embodiment of the struggles faced by women in seeking freedom of thought and action.
To begin, it is immediately apparent in the story that the narrator allows herself to be inferior to her husband John. Being a physician, John believes in order to cure his wife, he needs to isolate her. The wife speaks of his actions towards her, which shows how he presents himself superior to her. Gilman writes, “John laughs at me, of course, but one expects that in marriage” (729). Moreover, today one would never laugh at a concerning trouble from his or her spouse, but when Gilman indites John “laughs” it signals the overpowering of the male spouse amid this categorical duration. Withal, by referring to the expectancy of cachinnation from her husband prior to marriage displays the lack of control the female had on her decisions to wed in the first place. Furthermore, the narrator feels her words do not matter. She write...
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... help her vision the side of her that is pleading for control over her own life. According to Hall, as the narrator’s “madness intensifies, she identifies herself with the trapped woman until subject-object relations become confused: the two women become one”. Gilman incorporated the feminist perspective in her writing by using Jane’s struggles to speak for many women who also did not have a voice.
Works Cited
Abcarian, Richard and Marvin Klotz. Literature The Human Experience. Boston: Bedford/ St.
Martins, 2007. Print.
Hall, Thelma R. "Charlotte Perkins Gilman's "The Yellow Wallpaper": A Surrealistic Portrayal
Of A Woman's Arrested Development." ERIC. 1994. Web. 16 Apr. 2014.
Haney-Peritz, Janice. "Monumental Feminism And Literature's Ancestral House: Another Look
At 'The Yellow Wallpaper'." Women's Studies 12.2. .EBSCO MegaFILE. 1986.
Web. 16 Apr. 2014.
Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” has opened many people’s eyes since it was first published in 1892. In the beginning readers only acknowledged Gilman’s story as showing how women with mental illnesses were treated by physicians during the 1800’s. They overlooked the deeper meaning the text contained, and it was not until later that readers discovered it. Eventually, “The Yellow Wallpaper” became known as feminist literature. Gilman does a great job showing how women suffered from inadequate medical treatment, but above that she depicts how nineteenth century women were trapped in their roles in society and yearned to escape from being controlled by males.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The time period in which Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” was written, it was during the Victorian time period where a man’s word was law. It was a very patriarchal society where a family, community, or society is based on a system governed by men. Where men were the sole bread winners and forward thinkers. A woman’s role and identity in
When first reading the gothic feminist tale, “The Yellow Wallpaper” written by Charlotte Perkins Gilman, one might assume this is a short story about a women trying to save her sanity while undergoing treatment for postpartum depression. Gilman herself had suffered post-natal depression and was encouraged to undergo the “rest cure” to cure her hysteria. The treatment prescribed to Gilman resulted in her having a very similar experience as the narrator in the short story. The “perfect rest” (648), which consisted of forced bed rest and isolation sparked the inspiration for “The Yellow Wallpaper.” This story involving an unreliable narrator, became an allegory for repression of women. In “The Yellow Wallpaper”, Gilman illustrates the seclusion and oppression of women in the nineteenth century society by connecting the female imprisonment, social and mental state, and isolation to the objects in and around the room.
The unnamed narrator finds herself trapped within a large room lined with yellow wallpaper and hidden away from all visitors by her husband-physician John. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, a summer spent in the large ancestral hall to find healing through rest turns into the manic changes of her mind. The overbearing nature of her husband inspires a program designed to make her better; ironically, her mind takes a turn for the worse when she believes the wallpaper has come to life. In Janice Haney-Peritz’s “Monumental Feminism and Literature’s Ancestral House: Another Look at ‘The Yellow Wallpaper’ ”, she tells that until 1973, Gilman’s story was not seen with a feminist outlook. “The Yellow Wallpaper” was misunderstood and unappreciated when it was published. The patriarchal attitudes of men in this era often left women feeling they had no voice and were trapped in their situations. Although originally interpreted as a horror of insanity, this initial perspective misses the broad, provocative feminist movement that Gilman supported. With the changes in perspective, over time this work has come to have a voice for women and the husband-wife relationship through the theme of feminism.
“The Yellow Wallpaper” was a groundbreaking piece for its time. It not only expressed feministic views through the defiance of a male but also discussed mental illness and the inefficacy of medical treatment at the time. This fictional piece questioned and challenged the submissive role forced upon women of the 19th century and disclosed some of the mental struggles one might go through during this time of questing. Gilman shows however that even in the most horrific struggle to overcome male dominance, it is possible. She herself escapes which again shows a feminist empowerment to end the
In this passage from Ann Heilmann’s essay entitled “Overwriting Decadence: Charlotte Perkins Gilman, Oscar Wilde, and the Feminization of Art in “The Yellow Wall-Paper,” the author is introducing a story based upon her own knowledge with a “rest cure” for mental disease. “The Yellow Wall-Paper” has a significance as a feminist text. According to Gilman’s story, he expresses a general worry with the part of women in nineteenth-century society, particularly within the kingdoms of marriage, maternity, and domesticity. This means, “The Yellow Wall-Paper” develops as a symbol of this oppression to a woman who feels trapped in her roles as a wife and mother. The original impulse by her is so solid that she adopts the risk of covertly writing a journal, which she hides from her husband.
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
“I suppose John never was nervous in his life. He laughs at me about this wall-paper”(). This quote perfectly sums up the entire story and the period of time it was written in. The author, Charlotte Perkins Gilman was a female who served as a role model for women. “The Yellow Wallpaper” is her famous masterpiece. To write this short story, she was inspired by her postpartum depression that she had to overcome. The story of The Yellow Wallpaper mirrors the period where men dominated women and truly believed that women were nothing but an emotionally fragile things they could showpiece to the world. The story defines the traditional role of the 1800’s through the perspective of male dominated marriage.
Charlotte Perkins Gilman uses her short story “The Yellow Wallpaper” to express her opinions about feminism and originality. Gilman does so by taking the reader through the terrors of one woman's psychological disorder, her entire mental state characterized by her encounters with the wallpaper in her room. She incorporates imagery and symbolism to show how confined the narrator is because of her gender and mental illness.
Women have been mistreated, enchained and dominated by men for most part of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education). One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the element of barter from her marriage and love with her husband. This relationship status was very common between nineteenth-century women and their husbands.
"The Yellow Wallpaper" by Charlotte Perkins Gilman, is a story told from the first person point of view of a doctor's wife who has nervous condition. The first person standpoint gives the reader access only to the woman’s thoughts, and thus, is limited. The limited viewpoint of this story helps the reader to experience a feeling of isolation, just as the wife feels throughout the story. The point of view is also limited in that the story takes places in the present, and as a result the wife has no benefit of hindsight, and is never able to actually see that the men in her life are part of the reason she never gets well. This paper will discuss how Gilman’s choice of point of view helps communicate the central theme of the story- that women of the time were viewed as being subordinate to men. Also, the paper will discuss how ignoring oneself and one’s desires is self-destructive, as seen throughout the story as the woman’s condition worsens while she is in isolation, in the room with the yellow wallpaper, and her at the same time as her thoughts are being oppressed by her husband and brother.
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.