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Relevance of cultural heritage today essay
Art history chapter 4 5
Relevance of cultural heritage today essay
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ROMAN OBJECTS
1. Various Roman Portrait Heads
The portrait of a bearded man is from 150-175a.d. It is from the Antoine Period (138-192a.d.). The portrait is realistic to me because it is a sculpture of someone. My impressions on this are that his beard is kind of wavy. His hose has a piece missing or is just damaged real bad. He is made out of marble. His face looks like he is mad or something, real intense. It also looks like it had cuts in his forehead and part of his eye. His hair looks like a pile of whip cream.
GREEK GALLERIES
2. Statue of Kouros
The color of the stone of the statue of Kouros I would describe it as beige. The repairs to the statue are all over the body. It has cracks all over the arms, chest, back, etc. his headband is fastened by some thing on his head that looks like beads with spaces throughout them. It is from 590-580b.c during the archaic period. It stands pretty tall and also has a little staggered going on with his right foot back and his left foot up.
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“Fat Baby” from Olmec Culture
The “Fat Baby” is during the 9th- 12th century b.c.e., during the Olmec period. The figure is white and hollow. The baby seems to be nibbling on his index finger, seating down with his legs open. It is pretty big meaning fat and looks old. It has a hat on that looks light pink and his lip is pulled back. The baby has no fangs and is cracked. It has a straight line going down his back with designs all over the left side.
ANCIENT NEAR EASTERN ART
4. Human-Headed Winged
The Statue of a kouros represents a Greek male. With one foot forward, the statue at the same time, represents movement and is able to stand on it own. This also gives the over life size figure, visible weight. In this early figure, geometric forms seem to predominate, and anatomical details, such as the chest muscles and pelvic arch, are presented with somewhat of exaggerated lines. Although the exaggerated lines show where these muscles belong, the detail is still missing. Looking up and down this nude body, at this miss proportioned and lacking of detail body, the hair is what grabs my attention. The hair is carved with detail not noticeable in the rest of the body. As well, although the fists are clinched and still bonded to the body, the legs and elbows are separated. The ability to move around and inspect the statue makes a big difference than if it was up against a wall, or just looking at its picture. The legs, which support the weight of the statue, have a visible strength which is seen in the knees. The head is what carried the most detail, the ears although to far back, are intricately designed. It is the ability to walk around the entire statue that allows me to see the different aspects and places where attention to detail was placed. However, he does not expand into three dimensional space; he has a closed-off, column-like appearance
Ridgway, Brunilde S. Hellenistic Sculpture II: The Styles of ca. 200-100 B.C. Madison, Wisc.: The University of Wisconsin Press, 2000.
The statue is made of marble, instead of the bronze statue. This statue is one of the earliest marble statues of a human figure carved in Attica. The statue is a kind of symbol; he does not in any way a likeness. This is my first expression when I saw the statue: the statue is showing me a simple, clear action that was used by Greek youth sculptures throughout this period. Looking at this statue, he expanded into 3D space, because he is standing straight and facing forward without any exaggerated movements, thus the post makes him look closed-off and a column his limbs are locked in space. Therefore, the standing posture, the decorations on his body, his hair and knee’s texture and how the Egyptians impact Greek art, is what makes me interested in it. A question that has always been in my mind is
...with similar characteristics to the bearded man in the other images. This distinct bearding is seen on two sculptures (61, 63) one of which was scaled up to be bigger than real men, this also indicates that the man held some special status, either king or priest.
The medium is Granodiorite and the technique used was sunken relief, which is a technique were the sculptor chisels deep outlines below the stone’s surface. The sculpture does not seem to be originally painted. The Egyptians created coloristic effects through contrasting shadows and highlights. They used natural pigments to color some sculptures, however this was not the case. There are deeply cut areas in the back of the statue that create deep shadows and the use of natural light helps to bring up the highlights. The granodiorite has natural colors that helped the sculptor show more of those shadows and highlights. The statue is mostly in a warm hue and it may be caused because of the lighting inside the museum. These warm colors make the details stand out more. At a closer look of the structure there are different colors that can be easily identified, such as white, yellow, brown, black, gray and small spots of orange. The statues seems to be carved in one piece. There are no signs indicating it
The animal head you are peeking at is by the Chavin. The animal head is located in Chavin de Huánter. It was thought to have been created around 900 BC. A lot of people think that the reason of this animal head was to display a kind of art piece. This animal head has many features including, eyes,
This is a figure called Tomb guardian beast with sancai glaze. It made in Tang Dynasty. Sancai glaze also call tri-colour or three- colour. It is a common type of decoration on Chinese pottery and mainly using the three colours of cream, light green, dark green, brown, blue. It uses lead-glazed earthenware with mineral pigments like copper, iron, cobalt.Than fired a temperature of about 800.C. This material is much suitable for making large figures than Chinese porcelain.
As I studied the portrait, I realized it was a woman because in the sixteenth century there were no plastic surgeons providing men with breast implants. The ugly woman in the portrait appears deformed; her ears are large; her skull is unusually shaped; her hair line is missing; she has no eyebrows; her neck weighs heavy (double chin) like she had been pregnant before; her nose and mouth are far apart. She is wearing a vail or she is a religious catholic woman. My perception of the portrait has changed a notch, in fact, when you analyze her eyes she seems like a compassionate person. Perhaps in the sixteenth century in Massy’s culture “A Grotesques Old Woman” is considered beautiful because she is different than other woman portrayed in other
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
Before the attack on Pearl Harbor the road to war with Japan started in the 1930s. The Empire of Japan was trying to expand its empire through the Pacific and China. In 1931 Japan conquered Manchuria, which was part of China and began an unsuccessful campaign to take over the rest of China. Japan allied themselves with Nazi Germany in 1940. At that time the U.S. had economic and political interests in East Asia. The U.S. added China with financial and military help along with strengthening its own military presence in the Pacific. They cut off shipments of raw materials and oil to Japan. Japan was very limited in their natural recourses and perceived the America’s embargo on oil and aid to China as a threat. Japans response was to conquer resourc...
"Statuette of a standing maiden [Etruscan] (17.190.2066) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. N.p., n.d. Web. 16 Feb. 2014.
In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.
of a figure from a single moment in time. All of the male sculptures appear in the nude
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.