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Science in mary shelley's frankenstein
Role of god in Frankenstein Novel
How Victor Frankenstein Played The Role Of God In Frankenstein
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Thesis Mary Shelly’s novel Frankenstein brings to light the ethical implication and possible dangers that relate to the creation of new creatures. These dangers are illustrated through the arrogance shown by Victor in approaching knowledge, the disregard shown by his teachers, and Victor’s own neglect of his creature. Quotes Knowledge Throughout the novel, Victor is characterized as a man whose downfall comes from his own arrogance. While he is at first hesitant to create a human being, “my imagination was too much exalted by my first success to permit me to doubt of my ability to give life to an animal as complex and wonderful as man” (54), his superiority clouds his judgment. Just like the fabled Prometheus, Victor commits hubris and breaks with reality. Quickly his arrogance escalates as his need for God like status is attained. He believes that his “new species would bless me [Victor] as its creator and source”(52). He has stopped caring completely what the implication of a God and the responsibilities he would hold, instead only thinking of the love and power he would hold over these new creatures. Lastly, Victor begins to see himself above the things that make him human, life and death. He talks lightly of it, describing it as “ideal bonds, which I should first break through” (55) as if it were nothing. He perceives himself to be above humanity, far beyond where the rest of society is. Educators Shelly shows that Victor is not the only one at fault for all the damage he has caused. Instead, she places blame on Victor’s teachers. When Victor begins to study alchemy, his father quickly dismisses his studies without explaining to his son why such knowledge is dangerous. Victor later says” if, instead of this remark, my fa... ... middle of paper ... ...that the creation has put on him, Victor’s ensuing illness allows him to put off his thoughts of the monster. But in the end, the more Victor procrastinates, the most he is haunted by the monster. Lastly, as the story escalates, the most begins to emotionally cripple Victor. When Victor refuses to create an Eve to love and cherish the monster, he begins to murder all of the companions that Victor holds dear to him. In the story the monster threatens, “You can blast my other passions, but revenge remains- revenge, henceforth dearer than light or food!” (173). Victor is ultimately responsible for the actions that the creature commits, and he realizes this as well. He is the God to this creature, so sins committed by it fall on the shoulders of Victor. Works Cited Shelley, Mary, and Maurice Hindle. Or, the Modern Prometheus. London: Penguin Classics, 2007. Print.
Victor’s obsession with the genesis of life prevents him from thinking clearly. Initially, Victor has a strong interest in science. However, during his time at Ingolstadt, when he becomes interested in the cause of the generation of life, he decides to create and animate a human being. He completely neglects his family and friends because his sole focus is on his creation. Victor prioritizes the creation of his creature over his own health and happiness. Since he works in complete secrecy, there is nobody to help him stop his obsession. In addition, there is nobody who can monitor the aesthetic quality of his creation. He is so fixed on completing his project that he fails to notice how ugly it is. As soon as the creature comes to life, Victor is so horrified and disgusted with it that he runs away. He feels like “the beauty of [his] dream [va...
Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hatred for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result, he loathes himself.
The confrontation between the two demonstrates Victor 's weaknesses as an individual. Although Victor is the Creature 's creator, he refers to his creation as an "abhorred monster" (Shelley 68) and is willing to "extinguish the spark which he so negligently bestowed" (Shelley 68) upon him. This demonstrates Victor 's lack of responsibility. His goal was to create life, essentially to play God. Once the monster began to murder those dearest to Victor, he failed to take responsibility for the creature 's actions. Another weakness in Victor 's character is revealed through the dialogue exchanged between creator and creation. Instead of calmly trying to reason with the Creature, Victor lashes back at the Creature. He even suggests that the two "try their strength in a fight in which one must fall." (Shelley 69) The monster, however, maturely and eloquently urges Victor 's "compassion to be moved" (Shelley69). Because Victor is full of "rage and horror" he wants to destroy his own creation even though victor is playing god in recreation of humanity. They both are to blame due to the fact that Victor created the creature as well as the signs of irresponsibility between the two for the Creature killing people and for Victor trying to recreate
...or was not thinking of others in his actions, but only of himself. He did not consider the tumult the abnormally large creature could cause in the world, nor what the feelings of the monster would be towards him if he abandoned him. Victor also did not contemplate the safety of his friends, as he had the chance to stop the creature’s misdoings but failed to do so, risking the life of his friends. Therefore, Victor was a selfish being, who only concerned himself with his wishes and never evaluated the situation of his loved ones, ultimately causing their demise. The misfortunate events that occurred through Victor’s life could have been prevented, and also discontinued when Victor had the chance. However, Victor’s irresponsibility overcame these opportunities and he in turn, caused misfortunes for himself as well as his loved ones.
When he finally finishes his research, he is able to bring his creation- the monster, to life. When Victor sees his own creation, and what he has brought to life, he panics. He realizes he has made a huge mistake. “…But now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (34). But rather than dealing with that mistake, he abandons it, leaving the monster for dead. The way Victor abandons his creation, is the prime example of bad parenting in the s...
In the beginning, Shelley uses foreshadowing to allude to Victor’s ultimate demise due to his unrestricted curiosity. In describing his own childhood, Victor keeps referring to his imminent doom: his interest in science which he describes as “the fatal impulse that led to [his] ruin” (Shelley, 39). Victor’s recollection, although filled with joy from his happier past, emphasizes the tragedies in order to forebode a future disaster. Additionally, his stress on fate and destiny remind the reader of the inevitable outcome; however, it also alludes to Victor’s attempt to challenge his responsibility of his own actions. When he finally decides to study chemistry, in retrospect, Victor blames his choice that day as the day that “decided [his] future destiny” (Shelley, 48). He blames destiny for his current misery, not his own ac...
...he window and see his own creation killing his wife. As a result of all the deaths in Victor’s family, his father kills himself because he cannot stand all the grief that he has been struck with. His death is a result of the hideous monster that his own flesh and blood created, but he will never know that because Victor will not tell anyone.
His unconscious mind is unfulfilled and this produces in him a yearning for a deeper understanding of the world. Victor strives to reach the highest level of Maslow’s hierarchy of needs: self-actualization. According to Maslow, one must satisfy humanity’s basic and psychological needs before achieving self-fulfillment. Victor aims high, to reach self-fulfillment by achieving his full potential in all aspects of his life. For Victor, there is no greater achievement than the creation of life and this creation is personified as the creature. In order to construct the creature Victor must repress the moral compass of his superego and by doing so, he ignores the ethical dilemmas that arise from his endeavor. In his creation, Victor fulfills his ultimate wish: to be the archetypal character of the creator. Victor’s grand goal for self-fulfillment is unlike that of the creature’s, who does not want to achieve what no one else can but to experience in the most simple ways of what it means to be human. As the novel progresses, the creature recounts to Victor
...but what Victor doesn’t realize is the monster has always felt what Victor is feeling because Victor abandoned him. The cold wasteland in which Victor pursues the monster is a strong reminder of his hatred of his creation. The only thing that Victor wants out of life anymore is revenge, he is obsessed with finding the monster and killing it.
Everything starts to change once Victors ambitions become his life. He leaves to study at Ingolstadt, where his destiny begins to unfold. This is when Victor’s isolation begins. The search for the secrets of life consumes him for many years until he thinks he has found it. For months, he assembles what he needs for his creation to come alive.
Victor has a lack of respect for the natural world that leads him on the path to becoming a monster. In creating the monster Victor is trying to change the natural world. He is trying to play the role of god by creating life.
A predominant theme in Mary Shelley’s Frankenstein is that of child-rearing and/or parenting techniques. Specifically, the novel presents a theory concerning the negative impact on children from the absence of nurturing and motherly love. To demonstrate this theory, Shelly focuses on Victor Frankenstein’s experimenting with nature, which results in the life of his creature, or “child”. Because Frankenstein is displeased with the appearance of his offspring, he abandons him and disclaims all of his “parental” responsibility. Frankenstein’s poor “mothering” and abandonment of his “child” leads to the creation’s inevitable evilness. Victor was not predestined to failure, nor was his creation innately depraved. Rather, it was Victor’s poor “parenting” of his progeny that lead to his creation’s thirst for vindication of his unjust life, in turn leading to the ruin of Victor’s life.
As a young fellow, Victor's interests lie in science, science, and of the adjust and differences amongst life and demise. While a college understudy, Victor winds up plainly fixated on making life out of lifeless things and begins considering how to do as such. Victor thought he was doing an administration to humankind by making "another human."
When Victor goes to college and his interest in science and nature grows, his curiosity to find the secret of immortality causes him to want to create a creature and bring it to life. Victor starts to create his unnatural work hoping that it will bring success in the future, “I prepared myself for a multitude of reverses; my operations might be incessantly baffled, and at last my work be imperfect, yet when I considered the improvement which every day takes place in science and mechanics, I was encouraged to hope my present attempts would at least lay the foundations of future success.” (43). Victor states his concerns about what he plans to do but dismisses them based on the importance he places on his work. For that reason, he starts to meddle with nature to create something no one can do but God. Finally, when Victor completes his creation, the monster, he realizes that he has made a serious mistake by interfering with nature, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (47). He thinks he has achieved this beautiful dream of creating a life, but now that he has, all he can see is an ugly monster. Trying to take on divine creation fails and instead of beauty, all Victor can create is something horrifying. Therefore, disrupting with nature is a trait that proves Victor is the true monster because it is a limit that no human should overstep. Eventually, it will come to a miserable
At the age of seventeen, victor leaves his family and attends a university at Ingolstadt. Like a mad scientist, and to the knowledge of no one, he locks himself away in his apartment and after two years of obsessive labor he creates his monster. Even during this time of following his passion, Victor is miserable and suffers from illness. “and now every day showed me more plainly how well I had succeeded. But my enthusiasm was checked by my anxiety, and I appeared rather like one doomed by slavery to toil in the mines, or any other unwholesome trade, than an artist occupied by his favourite employment. Every night I was oppressed by a slow fever, and I became nervous to a most painful degree; the fall of a leaf startled me, and I shunned my fellow-creatures as if ...