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Analysis of the novel wuthering heights
Setting in Wuthering Heights symbolism
Analysis of emily bronte wuthering heights
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In 1847, writer Emily Brontë published Wuthering Heights under the pseudonym Ellis Bell. Brontë published her novel during the 19th century when women were treated unfairly and never given the chance to be taken seriously. Brontë wanted her novel to be read and judged the same as any man’s work, so she chose to be ambiguous to eliminate biased criticism. Many critics despised Brontë’s novel, but others praised her imagination. Her work is filled with vivid imagery, supernatural elements, intense passion, and a complex narrative structure. Although Brontë elaborately describes the events and dialogue in the novel, the accuracy of the events are questionable. The main story-line is told by Nelly Dean, the housekeeper, through Lockwood’s narration. Brontë chose to use Nelly to give the reader a sense of energy and exciting action. Written with dramatic dialogue and energetic tone, every page told by Nelly Dean is invigorating, interesting, and at times hypocritical. Nelly’s closeness to the Earnshaw family, desire to be presented in a positive light, and knowledge of all conversations verbatim reveals to the reader that Nelly may have altered the truth of the events.
In the beginning of the novel, Nelly Dean informs Lockwood of her close relationship with Heathcliff and the Earnshaw family. Nelly Dean becomes familiar with the family because of her mother’s job, which is to nurse Mr. Earnshaw’s son, Hindley. Nelly Dean learns a great deal about the family by being a housekeeper at an early age and watching the Earnshaw children and Heathcliff mature. When Nelly is asked about Heathcliff’s life, she is proud to say that she “know[s] all about it” (36). In the beginning Nelly sympathizes for Heathcliff because of his poo...
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...mbrance of the slightest movements even now. Not only does Nelly’s diction seem too precise but it reflects the style of someone who is of higher class than a housekeeper. Most people of higher class had nothing better to do except gossip about other people in society, and her dialogue mimics someone of that stature, who has nothing to do except “sit and chat” (30).
Brontë’s choice for a complex narrative structure in Wuthering Heights not only adds depth to the reading, but gives a new meaning to the plot. The novel elaborately describes the events and dialogue in the novel, but Nelly’s closeness to the family, desire to be presented well, and precise story telling may cause the reader to think twice about how much truth is really intended to be in Brontë’s novel.
Works Cited
Brontë, Emily. Wuthering Heights. New York, NY: Tom Doherty Associations, LLC, 1989
The initial downward spiral of Heathcliff’s life was predominantly caused by harsh influences in the environment in which he was raised. Heathcliff, an adopted child, grew up in Wuthering Heights, a desolate and dystopian estate when compared to the beauty of the neighboring Thrushcross Grange. In childhood, Heathcliff displayed evidence of a sympathetic personality through his emotional attachment to Catherine and kind attitude towards Nelly. At the time of Mr. Earnshaw’s death, Nelly describes a scene where, “Miss Cathy had been sick, and that made her still; she
Emily Bronte’s Wuthering Heights is a novel about lives that cross paths and are intertwined with one another. Healthcliff, an orphan, is taken in by Mr. Earnshaw, the owner of Wuthering Heights. Mr. Earnshaw has two children named Catherine and Hindley. Jealousy between Hindley and Healthcliff was always a problem. Catherine loves Healthcliff, but Hindley hates the stranger for stealing his fathers affection away. Catherine meets Edgar Linton, a young gentleman who lives at Thrushcross Grange. Despite being in love with Healthcliff she marries Edgar elevating her social standing. The characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.
Nelly's role is so important, and an example of it is when Nelly visited Wuthering Heights and Hareton was throwing. rocks at her and curses at her.
Emily Bronte, on the surface, appeared to be a very withdrawn woman and is said to be reclusive throughout her entire life. She was even incredibly embarrassed when her sister, Charlotte Bronte, found her book of poetry, even though Charlotte was incredibly impressed by it. Beneath the surface lies a woman full of passion and capable of powerful emotions, though she had never felt such emotions, to write a novel that is still discussed today and is regarded as a literary classic. Novels are often regarded as a window to the souls of the authors, and Wuthering Heights is no exception. Wuthering Heights is often seen as a type of construct of Emily’s life and personality, because of the similarity of characters to people in Emily’s life, and how the events that occur at Wuthering Heights are secluded in their own right, much like Emily’s own life.
In the gothic novel Wuthering Heights by Emily Bronte, the author hides motifs within the story.The novel contains two major love stories;The wild love of Catherine, and Heathcliff juxtaposing the serene love of Cathy,and Hareton. Catherine’s and Heathcliff's love is the center of Emily Bronte’s novel ,which readers still to this day seem to remember.The characters passion, and obsession for each other seems to not have been enough ,since their love didn't get to thrive. Hareton and Cathy’s love is what got to develop. Hareton’s and Cathy’s love got to workout ,because both characters contained a characteristic that both characters from the first generation lacked: The ability to change .Bronte employs literary devices such as antithesis of ideas, and the motif of repetition to reveal the destructiveness of wild love versus a domestic love.
There is two stereotypical types of families, one where the children learn from their parents behavior and do the same as they grow up, and the other where they dislike – and do the opposite. In Emily Bronte’s Wuthering Heights, the characters are quite intricate and engaging. The story takes place in northern England in an isolated, rural area. The main characters of the novel reside in two opposing households: Thrushcross Grange and Wuthering Heights. Wuthering Heights is a story of a dynamic love between two people. This love transcends all boundaries, including that over life and death. The author takes parallelism to great extends. Much of the events that happen in the first half of the story correspond to events in the second half; first generation of characters is comparable to the second generation. Many may argue that the characters are duplicates of each other and that they share many traits. Although Catherine Earnshaw and Cathy Linton are mother and daughter, their personalities and lifestyles are very different. This is a great example where the child is and behaves quite different than her mother.
Shapiro, Arnold. “‘Wuthering Heights’ as a Victorian Novel.” Nineteenth Century Literary Criticism. Vol. 16. Eds. Joann Cerrito and Paul Kepos. Detroit: Gale Research, 1992. 108-110.
...he was able to interpret the events of her life, and for the first time tell a visitor of everything that has gone on. Since Nelly’s life was not personally haunted by regrets, like Catherine and Heathcliff’s, she is able to recite the past and present in a clear and rational way. Lockwood believes her story and is so intrigued by all the dreadful events that took place across a lifetime on these Yorkshire moors. From the outside looking in it may appear that the Earnshaws and Lintons were just a private family living their lives, but nobody really knows what goes on behind closed doors, except for the help, our Nelly. This is why her narration is crucial and without it, the story of Wuthering Heights may still exist, but would not be as believable.
Wuthering Heights, written by Emily Bronte, has 323 pages. The genre of Wuthering Heights is realistic fiction, and it is a romantic novel. The book is available in the school library, but it was bought at Barnes and Nobles. The author’s purpose of writing Wuthering Heights is to describe a twisted and dark romance story. Thus, the author conveys the theme of one of life’s absolute truths: love is pain. In addition, the mood of the book is melancholy and tumultuous. Lastly, the single most important incident of the book is when Heathcliff arrives to Edgar Linton’s residence in the Granges unannounced to see Catherine’s state of health. Heathcliff’s single visit overwhelmed Catherine to the point of death.
..., emotional power, figures of speech, and handling of dialect that make the characters of Wuthering Heights relate so closely with their surroundings. The contrast of these two houses adds much to the meaning of this novel, and without it, the story would not be the interesting, complex novel it is. The contrast between the houses is more than physical, rather these two houses represent the opposing forces which are embodied in their inhabitants. Having this contrast is what brings about the presentation of this story altogether. Bronte made Heathcliff and Wuthering Height as one. Both of these are cold, dark, and menacing, similar to a storm. Thrushcross Grange with the Lintons was more of a welcoming and peaceful dwelling. The personality of both is warm and draws itself to you by the warmth of the decor and richness of the surrounding landscape.
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
It is a question that has baffled readers and critics alike through generations, a question that can be endlessly pondered upon and debated over, as to why Emily Bronte chose to name her first and only novel, after the house in which a sizable part of the action chronicled takes place, despite being armed with characters of such extra-ordinary strength and passion as Heathcliff or Catherine. But on close scrutiny, a reader can perhaps discern the reason behind her choice, the fact that Wuthering Heights is at once a motif, a setting and according to a few critics, even a ‘premonitory indication’ of the tempestuous nature of things soon to occur.
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.
Gerard Genette focuses on the narration of the novel by analysing focalisation, the narrative mode, the use of intrusive authors and the way time is handled in a text. Each of these contributes to a readers understanding and appreciation of a text. Focalisation is one of the key features in Narratology effectively facilitates readers to comprehend the text. Bronte adopts the literary technique dual narration in Wuthering Heights; this is when two characters narrate. The two characters that narrate, via internal focalisation in the novel, are Lockwood and Nelly. Internal focalisation is when a narrator has ‘witnessed...learned about, or even participated in the events they tell.’ (Barry, 2009, pp. 225-226) This is imperative to understanding literature; an example of this in the novel is when Nelly says ‘a ...