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Parent and child relationships speech
Parent and child relationships speech
Parent and child relationships speech
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Negative Relationships in Hawthorne's Rappaccini's Daughter
How far reaching is the bond between father and daughter? To most, that bond serves to protect the child until she is able to protect herself, and then for her to be independent. For Dr. Giacomo Rappaccini and his daughter Beatrice, that bond was to be twisted and ultimately fatal for Beatrice. Beatrice, by her father's plan was never to be free and independent but rather isolated from the life of the world and dependent on the poison from her father.
Dr. Rappaccini is obsessed with science and what the manipulation of nature can do for people. He is overprotective of Beatrice and thinks that he can provide the solution to all of her problems. Knowing the evils of the world as a young man, Rappaccini decides to take control over Beatrice's life and make sure no one can ever hurt his beloved daughter. By filling Beatrice up with poison, Rappaccini succeeds in keeping Beatrice from any evil; but at what price? Beatrice is free from any evil touching her, but she is also isolated from any good that may come to her.
What could Rappaccini's rationalization for controlling his daughter's life so completely be? It is probably due to a hard life lived by Rappaccini and the assumption that the world is evil and that there is no hope for goodness. But, what Rappaccini does not understand is that purity is chosen individually, not forced upon someone. "His insane zeal for science"(2251) has made Rappaccini obsessed with controlling his surroundings. From isolating his daughter through poison, to spying on her activities, to engineering his garden, to changing another human being with poison to be with Beatrice. But, that is not to imply that Dr. Rappaccini does not love his daughter with all his heart. In his own way he does love Beatrice beyond any measure. This is his justification for why it is all right that he be so controlling. He believes that with his love and knowledge he can provide all that his daughter needs. But, this is where Dr. Rappaccini is wrong. His love is not all that Beatrice needs, and therefore she is not happy in her evil-free existence.
The controversy began almost one hundred years ago. Between 1801 and 1812, Thomas Bruce, 7th Earl of Elgin and British Ambassador to the Ottoman Empire, removed several sculptures from the Parthenon in Athens and shipped them to England, where he sold them to the British Museum in 1816. 167 years later, Melina Mercouri, Greek Minister of Culture, requested that the “Elgin” Marbles be returned. This request sparked one of the greatest debates the art world has ever known. For the past two decades, people have argued over who has the rights to these Marbles. The Greek position is certainly understandable from a cultural and emotional point of view. However, from the standpoint of legality and logic, it is hard to make a solid case against the Marbles’ continued presence in Britain.
Searle’s argument is one against humans having free will. The conclusion comes from his view on determinism and his view on substances. His view on substances is a materialist one. To him, the entire world is composed of material substances. All occurrences can be explained by these materials. This is a view that is very attuned with (accepting) determinism. Determinism states that necessary causes must be for the occurrence to be. This deterministic cause and effect relationship is apparent in the physical world. Hard believing determinists see determinism as being exclusive of free will. Searle, being a materialist, views humans as just another material substance. He accepts determinism and rejects (libertarian) free will.
Searle's argument delineates what he believes to be the invalidity of the computational paradigm's and artificial intelligence's (AI) view of the human mind. He first distinguishes between strong and weak AI. Searle finds weak AI as a perfectly acceptable investigation in that it uses the computer as a strong tool for studying the mind. This in effect does not observe or formulate any contentions as to the operation of the mind, but is used as another psychological, investigative mechanism. In contrast, strong AI states that the computer can be created so that it actually is the mind. We must first describe what exactly this entails. In order to be the mind, the computer must be able to not only understand, but to have cognitive states. Also, the programs by which the computer operates are the focus of the computational paradigm, and these are the explanations of the mental states. Searle's argument is against the claims of Shank and other computationalists who have created SHRDLU and ELIZA, that their computer programs can (1) be ascribe...
In "Rappaccini’s Daughter", Rappaccini is the scientist and father of Beatrice. He is devoted to his scientific studies and to his daughter’s well-being. Rappaccini is the creator of plants with poisonous extracts thus only Beatrice can attend to. Her father had altered her touch and made it deadly to protect her from the evils in the world. She is forced by her father to live in his world without any human contact, instead she can only embrace her "sister" plant in Rappaccini’s garden. Beatrice’s sister plant is the only one that she can handle and embrace without it dying in her hands. As Hawthorne shows her closeness to her pl...
Guilt and shame haunt all three of the main characters in The Scarlet Letter, but how they each handle their sin will change their lives forever. Hester Prynne’s guilt is publicly exploited. She has to live with her shame for the rest of her life by wearing a scarlet letter on the breast of her gown. Arthur Dimmesdale, on the other hand, is just as guilty of adultery as Hester, but he allows his guilt to remain a secret. Instead of telling the people of his vile sin, the Reverend allows it to eat away at his rotting soul. The shame of what he has done slowly kills him. The last sinner in this guilty trio is Rodger Chillingworth. This evil man not only hides his true identity as Hester’s husband, but also mentally torments Arthur Dimmesdale. The vile physician offers his ‘help’ to the sickly Reverend, but he gives the exact opposite. Chillingworth inflicts daily, mental tortures upon Arthur Dimmesdale for seven long years, and he enjoys it. Hester, Dimmesdale, and Chillingworth are all connected by their sins and shame, but what they do in regards to those sins is what sets them apart from each other.
The Scarlet Letter involves many characters that go through several changes during the course of the story. In particular, the young minister Dimmesdale, who commits adultery with Hester, greatly changes. He is the moral blossom of the book, the character that makes the most progress for the better. It is true that Dimmesdale, being a minister, should be the role model of the townspeople. He is the last person who should commit such an awful crime and lie about it, but in the end, he confesses to the town. Besides, everybody, including ministers, sin, and the fact that he confesses illustrates his courage and morality.
The era of Romanticism during the 18th century was enriched with flourishing qualities of art, historiography, education and natural sciences that are exalted in history to this day. The Romantic era was more than what meets the surface, the literary creations of this time was not superficial love stories as the name may inaccurately suggest. This was a period of love for creation and nature, the exaltation of the common people, the desire for perfection in their community and an overall quest for something greater. The writers’ of this era emphasize on imagination and emotion and was influenced from the changes that were occurring in front of their very own eyes. A prime example of this is the literary works of Nathaniel Hawthorne and the common theme of science and the author’s fear and distaste it has on humanity that has been introduced.
In Rappaccini 's Daughter, it is full of symbols and symbolic allusions. Its setting is a fantastic garden filled with vegetation and poisonous flowers and in the center is a broken fountain. Hawthorne's focus is on Beatrice as she is seen by Giovanni. Hawthorne presents a trapped and poisonous Beatrice who needs a special kind of redemption. She is a prisoner in the garden and her body is full of poison.
attempting to make Giovanni immune to the poison of the plant, so they could be
sunrise" (611). Goodman Brown knows exactly what he is going to look for, he is
In Nathaniel Hawthorne’s The Scarlet Letter, Mr. Dimmesdale’s greatest fear is that the townspeople will find out about his sin of adultery with Hester Prynne. Mr. Dimmesdale fears that his soul could not take the shame of such a disclosure, as he is an important moral figure in society. However, in not confessing his sin to the public, he suffers through the guilt of his sin, a pain which is exacerbated by the tortures of Roger Chillingworth. Though he consistently chooses guilt over shame, Mr. Dimmesdale goes through a much more painful experience than Hester, who endured the public shame of the scarlet letter. Mr. Dimmesdale’s guilt is much more damaging to his soul than any shame that he might have endured.
In the Nathaniel Hawthorne tale, “Rappaccini’s Daughter,” we see and feel the solitude/isolation of the scientific-minded surgeon, Dr. Rappaccini, likewise that of his daughter, Beatrice, and finally that of the main character, Giovanni. Is this solitude not a reflection of the very life of the author?
Commercials make the viewer think about the product being advertised. Because of the amount of television children watch throughout the week, it allows the children to be exposed to the information over and over again. Per year, children are known to view thousands of fast food commercials. On a daily basis, a teen will usually view five advertisements and a child aged six to eleven will see around four advertisements (Burger Battles 4). Businesses use this strategy to “speak directly to children” (Ruskin 3). Although the big businesses in the fast ...
Because of the strong examples each mother and father must set forth for their children, the parental figures in these roles must provide specific nurturing traits in order to ensure they grow into well-rounded adults. Without these traits, many children and adults much like those in Shelley’s Frankenstein and Kafka’s Metamorphosis find it hard to cope in everyday life. The lack of parental guidance for Frankenstein’s monster and Gregor in The Metamorphosis is the reason why both are unable to function in society. The way they are treated throughout their lives by their “parents” as well as the neglect and abandonment they suffer throughout their respective stories explain why a parent’s role is much needed and irreplaceable. Although the works are separated by some one hundred years, the importance of parenting is timeless.
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.