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The role of nature in modern literature
Nature meaning in literature
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Nature Themes in Hurston’s Novels, Their Eyes Were Watching God and Seraph on the Suwanee
Nature themes resound throughout Hurston’s Their Eyes Were Watching God and Seraph on the Suwanee. Perhaps two of the most notable instances where the lush Florida scenery augments the novels’ plot lines are the “tree scenes”, in which Janie kisses Johnny Taylor beneath the pear tree in Their Eyes Were Watching God (p. 10-12) and Arvey loses her virginity to Jim beneath the mulberry tree in Seraph on the Suwanee (p. 37 & pp. 50-53).
Close readings of the two passages reveal sexually charged language. In Their Eyes Were Watching God, the pear tree’s “barren brown stems” and the “snowy virginity of bloom” are referenced, possibly emphasizing Janie’s naiveté in her dealings with love and passion (she sees no harm in the kiss, while her grandmother views it as an omen of Janie’s soon-to-be-lost innocence) and Janie’s own inability to have children, regardless of any sexual awakening she may experience. The scene is also rife with mentions of the pollinating bees, a symbol of fertility. Jani...
The Articles of Confederation, the perfect republican government, was not a perfect government. It was faulty and ineffective in providing a central government with tax revenue to pay off debts, which caused the discontent of mobs that the central government would fail to control. The Articles created a weak government that would be easily pushed around by its people and by foreign countries. The reliance on civic virtue was successful in organized land policies that spread republicanism ideals; however, it failed to aid the Congress of the Confederation in tax revenue and controlling mobocracy. The Articles of Confederation was ineffective and faulty with is roots planted solely in republicanism.
The pear tree for example is similar to that of the Garden of Eden. The pear tree and the horizon signify Janie’s model of a perfect life. In the bees’ interaction with the pear tree flowers, Janie witnesses a perfect moment in nature, full of energy, interaction, and harmony. She chases after this ideal life throughout the rest of the book. Janie’s romantic and idealistic view of love, seen in her reaction to the pear tree, partially explains why her earlier relationships are not successful. It is not until later in her life, when she slowly opens up to her relationship with Tea Cake on a more mature level, that Janie sees what love really is. Janie resists Tea Cake at first, remembering her early pear tree encounters, and her early sexual awakening. She becomes infatuated with Tea
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
At age sixteen, Janie is a beautiful young girl who is about to enter womanhood and experience the real world. Being joyous and unconcerned, she is thrown into an arranged marriage with Logan Killicks. He is apparently unromantic and unattractive. Logan is a widower and a successful farmer who desires a wife who would not have her own opinions. He is set on his own ways and is troubled by Janie, who forms her own opinions and refuses to work. He is unable to sexually appeal or satisfy Janie and therefore does not truly connect with her as husband and wife should. Janie's wild and young spirit is trapped within her and she plays the role of a silent and obeying wife. But her true identity cannot withhold itself for she has ambitions and she wills to see the world and find love. There was a lack of trust and communication between Logan and Janie. Because of the negative feelings Janie has towards Logan, she deems that this marriage is not what she desires it to be. The pear tree and the bees had a natural att...
Pondrom, Cyrena N. "The Role of Myth in Hurston's Their Eyes Were Watching God." American Literature 58.2 (May 1986): 181-202.
Hurston, Zora N. Their Eyes Were Watching God. New York: Harper & Row Publishers, 1937. Print.
Woman’s Search for Identity in Hurston’s Seraph on the Suwanee and Their Eyes Were Watching God.
Zora Neale Hurston’s Their Eyes Were Watching God is a novel illustrating the life of an African American woman that finds her voice through many trials and tribulations. At the heart of the story, Hurston portrays a protagonist who moves from a passive state to independence, from passive woman with no voice who is dominated by her husband to a woman who can think and act for herself. Hurston achieves the greater theme of Their Eyes Were Watching God, of self-expression and independence through her use of three basic southern literary elements: narrative structure, ¬¬¬¬¬allegory, and symbolism. A brief inspection of these three basic elements will reveal how Their Eyes Were Watching God achieves its inspiring effect.
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
In the novel “Their Eyes Were Watching God”, by Zora Neale Hurston there were many contrasting places that were used to represent opposed forces or ideas that are central to the meaning of this work.
In the novel, Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford the main character goes through some big changes. Throughout this book Janie struggles to find her inner voice and purpose of love. She looks high and low for a sign of what love really is and she finds it as being the pear tree. The pear tree is very symbolic and ultimately shows Janie what love is and how it should be in a healthy relationship. This tree, with the bees pollinating the blossoms, helps Janie realize that love should be very mutual and each person needs to provide for the other equally. Janie tries to find this special kind of love through her three husbands, but she comes to realize it is going to be much harder then she expected. Each one of Janie’s husbands are a stepping stone for her finding her voice.
"Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches" (8). When Janie was a teenager, she used to sit under the pear tree and dream about being a tree in bloom. She longs for something more. When she is 16, she kisses Johnny Taylor to see if this is what she looks for. Nanny sees her kiss him, and says that Janie is now a woman. In Their Eyes Were Watching God, Janie, the main character, is involved in three very different relationships. Zora Neale Hurston, the author, explains how Janie learns some valuable lessons about marriage, integrity, and love and happiness from her relationships with Logan Killicks, Joe Starks, and Tea Cake.
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
Nanny Janie’s grandmother disapprove the kiss between Janie and Johnny Taylor under the pear tree (11). Janie was only sixteen years old and naïve to think that was love. Nanny knew Johnny Taylor did not mean to cause no harm, but she felt Johnny was trying to mislead Janie to hurt and humiliate her by being sexual that can be dangerous (Hurston 12-15). Likewise, Janie was forced into marrying Logan an older man, Nanny approved of because Janie will have a husband that will love her. Same as, Hurston describe Janie emotions of unhappiness within the marriage not having affection and desire for Logan, Hurston implies, “Ah ain’t got nothin’ tuh live for.” (118) Hurston also describes Janie as confident that caught men attention as well as her physique, the women were jealous of Janie implying “Janie will never fit in the upper class of white men because of her appearance.” (Hurston 41) The women try to make Janie feel worthless and unattractive of not having enough sexually appeal. . Hurston writing engage the character from love to lust in a unhappy marriage that lead to a prolonged period of difficulty
Hurston’s use of rhetorical questions, allusions, and extended metaphors help guide the readers through each passing phase of Janie’s life. “Their Eyes Were Watching God” is potent in the way that it depicts the journey of finding oneself, in particular, the finding of an African American woman. Zora Neale Hurston successfully demonstrates Janie Stark’s coming of age with the use of multiple rhetorical devices to help guide readers through the maze of self-fulfillment of which all must go.