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Napster vs riaa
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For many years the record companies have fixed record prices to avoid competing with each other and to maximize their profits. Currently, the record companies are collaborating in order to force Napster to shut down. The record companies are claiming that Napster is breaking copyright laws. Napster is a peace of software available for free on the Internet, which allows you to download almost any song you can think of. All you need to get Napster is a computer and Internet connection, the faster the better. Should people feel sympathy for the record companies because of the supposed starvation as a result of Napster file sharing? Or should the sympathy lie with the users of Napster? Let us examine who is trying to shut down Napster and for what reasons. Let us also determine the reasons why people want Napster to remain open.
The Record Company is strongly opposed to Napster for one reason and one reason only. Apparently, the record companies are losing more and more of the market to Napster file sharing on the Internet. Record companies justify their lawsuits against Napster with the line so often used in press conferences, “Napster breaks copyright laws.” This phrase seems like a legitimate argument. One could understand the reasons for feeling this way. For simplicity sake, we will use Dave as an example. Dave developed a product and sells it, and, at first, his product does very well. His product is then duplicated again and again by a person who purchased his product. Dave watches his sales plummet and, of course, feels cheated. Should Dave have the right to sue the person who copied his product? Most people would say yes. This is the argument the record companies are making in defense of the lawsuits against Napster. However, let us look deeper into the matters of sales within the record companies. Record companies say they are suffering as a result of Napster. The price of a CD has stayed the same for many years as far as I can remember. Why would the record companies not raise the price of a CD if their profits were dropping? Also, the sales of records from1999 to 2000 have actually increased 2%. Why would there be an increase in sales if, the record companies claim, Napster is hurting their business and taking up some of the market? I am sure if Napster was good for business in the record companies’ eyes, the record companies would not be complaining about copyright infringement laws being broken.
He’s been called everything from the “The Mayor,” to the “The G-Don” but anyone associated with entertainment here in New Jersey; specifically the Jersey Shore music scene, should know who Gordon Brown is. Whether you've heard about his major label accomplishments thru bands such as Mr. Reality or Highway 9, or you’ve spent an evening watching one of your favorite acoustic artist at The Count Basie theater or Monmouth University, he has affected your musical experiences thru his business savvy and compositional skills, helping to create new outlets for some of New Jerseys best performers while coming up with events such as Writers In The Raw and The Wave Gathering Music Festival.
40 oz. to Freedom '89 Vision 100 Wieght of Collie Weed =5446 (That's My Number) Adult Books Ain't No Prophet =
The RIAA believe that Napster has helped users infringe copyright. The threat of the lawsuit has been around since the conception of Napster and was actually filed four months after Napster went on line. The case is not as clear-cut as it first appears. RIAA argues that most of the MP3's on Napster's site are mainly pirated. Therefore, by Napster allowing and actually making it easier for users to download MP3's this means that they are assisting Copyright infringement.
Each person brings a special quality and gift to life that creates an individualistic style to the world that we live in. The poem Perfection Wasted was written by John Updike in the year 1990; this poem accentuates the flair that can never be replaced when a loved one dies. One way to better understand a poem is to paraphrase it into your own words. Paraphrase of Perfection Wasted:
First, I would like to touch on the aspects of Napster that has aided the record sales industry. Take these facts into consideration when contemplating my argument. The highest selling group album sale was the new N'Sync CD, selling over 1.4 million in its first week of sales. Add this to the highest debuting solo artists; Brittney Spears and Eminem, each selling over 1 million in their first week on the shelves. All of these examples were available on Napster at the same time they were made available in stores.
In Diamant’s powerful novel The Red Tent the ever-silent Dinah from the 34th chapter of Gensis is finally given her own voice, and the story she tells is a much different one than expected. With the guiding hands of her four “mothers”, Leah, Rachel, Zilpah, and Bilhah, all the wives of Jacob, we grow with Dinah from her childhood in Mesoptamia through puberty, where she is then entered into the “red tent”, and well off into her adulthood from Cannan to Egypt. Throughout her journey we learn how the red tent is constantly looked upon for encouragement, solace, and comfort. It is where women go once a month during menstration, where they have their babies, were they dwell in illness and most importantly, where they tell their stories, passing on wisdom and spinning collective memories. “Their stories were like the offerings of hope and strength poured out before the Queen of Heavens, only these gifts were not for any god or goddess—but for me” (3). It essentially becomes a symbol of womanly strength, love and learning and serves as the basis for relationships between mothers, sisters, and daughters.
During the opening six minutes of Nicholas Roeg’s film Don’t Look Now, the viewer experiences a dynamic mixture of film techniques that form the first part of the narrative. Using metaphor and imagery, Roeg constructs a vivid and unique portrayal of his parallel storyline. The opening six minutes help set up a distinct stylistic premise. In contrast to a novel or play, the sequence in Don’t Look Now is only accessible through cinema because it allows the viewer to interact with the medium and follow along with the different camera angles. The cinematography and music also guide the viewer along, and help project the characters’ emotions onto the audience because they change frequently. The film techniques and choppy editing style used in Don’t Look Now convey a sense of control of the director over the audience and put us entirely at his mercy, because we have to experience time and space as he wants us to as opposed to in an entirely serial manner.
“It is estimated that such illegal product costs the music industry more than 300 million dollars a year domestically.” This is why the Recording Industry Association of America (RIAA) is taking a strong stance against MP3 piracy. The damage done to the recording industry in lost profits, increased prices, and lost jobs is overwhelming. In an attempt to put a damper on file swapping, and recapture lost revenue the RIAA has been suing people ...
Literature that was published in the 1800s in Germany is still used as a basis, or can be, for modern movies. I found this to be true when comparing Faust to the movie “Bedazzled.” Faust is a Romantic story that encompasses the Romantic movement to the fullest. “Bedazzled,” while encompassing many of these characteristics, has characteristics of the enlightenment, modernism, and postmodernism. Society’s character at the time of production of each storyline plays a huge role in how the story plays out. We can see this in how each desire is portrayed, how good and evil are portrayed, and how each hero gets themselves into their situation.
The song "War Pigs," by Black Sabbath, argues the fact that, during the Vietnam War, politicians were willing to start wars and cause destruction because they were not the ones in danger of losing their lives or being injured. The song suggests that the politicians of the 1960's and 1970's started a war for fun, treating soldiers in America's army as "pawns in chess." By the end of the song, the lyrics say that those men and women will get what they deserve when their day of judgment comes.
In this case, there are three main effects of Napster on the recording industry. The first one is that it caused a large decline in record sales in a short time. According to this case, the spending on recorded music in U.S dropped 4.1% in 2001 and the industry’s top 10 albums also sold much less compared to the year before. The second effect is that it cased the sales of CD burners, blank CDs and digital audio players increase and nowadays, most new computers come with CD-RW drives installed, which means people can easily store downloaded music, share music with friends and take it with them anytime as well. The third effect is that it increased the cost of recorded music. Once people can download free music through peer-to-peer software services, they have less incentive to buy original editions, which will make recording industry spend more to fight against copyrights and invest more in new artists and new music. Overall, these three effects make the recording industry go through a hard time.
The entertainment industry and many musicians regarded P2P as a big crisis for copyright, so that they sued the company that produced Napster. “Anger leads Metallica to the Internet,” an article by Karen Schubert in USA TODAY, noticed that heavy-metal band Metallica was suing Napster. And now some people in the music industry are fighting with a distributor of P2P software even in the Supreme Court, and lobbying to outlaw P2P technology. In “File sharing goes to High Court,” USA ...
According to the text A Gift of Fire, Napster “opened on the Web in 1999 as a service that allowed its users to copy songs in MP3 files from the hard disks of other users” (Baase, 2013, p. 192, Section 4.1.6 Sharing Music: The Napster Case). Napster was, however, “copying and distributing most of the songs they traded without authorization” (A Gift of Fire, Section 4.1.6 Sharing Music: The Napster Case). This unauthorized file sharing resulted in a lawsuit - “eighteen record companies sued for contributory infringement claiming that Napster users were blatantly infringing copyrights by digitally reproducing and distributing music without a license” (Communications Law: Liberties, Restraints and the Modern Media, 2011, p. 359).
One of the major themes that permeates throughout John Osborne’s play Look Back in Anger is the ideology of inequality among social classes. Osborne expresses these views on social class through the character of Jimmy— a hot headed, angry young man who vents about the injustices of class struggle. Jimmy holds much contempt for his wife Alison's entire past, which reveals his utmost hatred of the classes above him. Jimmy sees class-based entitlement as the basis of all that's wrong with the world, and his struggle is portrayed through his feverous verbal rebellion against the principles ingrained in current society. Ultimately, Jimmy can be viewed as a kind of “spokesperson” for the lower class, despite the fact that he never takes any physical action to carry out the ideas he proclaims throughout the play.
Napster is a company that developed the so-called peer-to-peer technology that lets people search and retrieve music files directly from one another's personal computers. When Napster first came out, millions of internet users worldwide were illegally downloading and distributing copyrighted music, videos, images, and software for free. After being vilified by the entertainment industry, which claims that Napster and any similar programs could make piracy of almost any digital work unstoppable, and many court battles, Napster was ordered by court to be shutdown in 2000. The technology has been praised as a revolutionary development for the Internet—unaware of the problems that would arise from such practices. However, the termination of Napster was not enough, months later, dozens of new, like programs were being developed and used. And since Napster, not much has been done to stop these latest downloading programs.