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To His Coy Mistress” them
To His Coy Mistress” them
To His Coy Mistress” them
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Title of Presentation: How Marvell has used language to show his
concerns in the poem, “To His Coy Mistress” and how it makes it a
makes it a memorable one.
“To His Coy Mistress” is a love poem written by Andrew Marvell to his
mistress to accept his love proposal. Throughout the poem, he shows
his concern about how time is running out between the two of them by
the use of convincing and persuasive words.
I the first two line of the poem, “Had we but world enough and time,
This coyness, Lady were no crime” ,He says this to explain to the
mistress that if they did have time, he wouldn’t care about her
shyness and by the use of words like “had” and “enough” show clearly
that they do not have time. In the next two lines, “We should sit down
and think which way to walk, and pass our long love’s day” which is
related to the first two sentences explains that they would sit down
and think where to walk to and have a nice day if they had time. “Thou
by the Indians Ganges’ side Shouldst rubies find: I by the tide of
Humber would complain”. He tells her this to show his love to her to
mean that if they were far apart, he would complain. “I would love you
ten years before the flood: And you should, if you please, refuse till
the conversion of the Jews” is said by the persona probably to show
her how long he has loved her and that they will have a never ending
love. Also in this statement, “till the conversion of the Jews” which
might never happen, is said to show that he will love her forever. He
goes on to exaggerate that the love he has for her will slowly but
surely grow larger then an empire by saying, “My vegetable love should
grow vaster than empires, and more slowly. By the tone of the persona
in this statement, it shows a bit of confidence and boldness. In the
next line, “An hundred years should go to praise thine eyes, and on
thy forehead gaze. Two hundred to adore each breast: But thirty
thousand to the rest. An age at least to every part." Over here, he
uses erotic and passionate words to show to the mistress how much he
adores her body. There is a bit of lust and obsession. He also uses
the word “gaze” to show her that he would never be tired of looking at
her body and he also relates it to time.
situation is not to surrender to fear and the author shows this idea throughout the poem that we
Nathaniel Abraham was eleven years old when he committed the act of murder. Under a 1997 Michigan law a child of any age may be tried as an adult for severe crimes. Abraham was the first juvenile to be tried under this statute. Accused in the murder of Ronnie Lee Greene Jr., Abraham faced first degree murder charges. Now, at the age of fourteen, Nathaniel has been sentenced to a juvenile facility until the age of twenty-one. Oakland County Probate Judge Eugene Moore hopes that rehabilitation will put an end to Nathaniel’s criminal activity. Nathaniel, a black youth from the slums of Pontiac, Michigan, grew up with out a father, or a strong family unit. He, in turn, never learned the responsibility of his actions; he was not privy to an upbringing that reinforced positive ideals. Crime & Criminology describes, in depth, the relation between family and criminal activity in youths. Page 126 (chapter four) sited two relevant facts; 1) Blacks have much higher rates of illegitimacy and female headed house holds. 2) Blacks have a much higher rate of crime than their white counterparts. In Nathaniel’s case, it can be said that his lack of a positive role model, or father figure lead to his involvement in criminal activities. His mother, Gloria, was struggling to raise three children by herself. Nathaniel’s father had left when he was born, leaving her with no one to depend on. The family moved in with an older couple who offered to help them. With limited supervision Nathaniel was a constant source of aggravation for his mother. Police reported that Nathaniel was suspected in over 22 local crimes, ranging from assault to armed robbery. He, in fact, had been arrested five days before Greene’s murder on the charge of robbery. All this by the age of eleven. In families where there is no male role model a child is far more likely to become involved in crime. The data that exists suggests a direct correlation between youths raised without a father and criminal activity.
that he is the one for her, and that he stands out from everyone else.
...at she spoke with many expert starees and discovered that they are much more comfortable with staring exchanges than actual staters are. The reason for that of course, is that they have so much more experience with the staring relationship, so now they themselves actually end up directing the staring relationship in many cases and leading it to a productive end that they want to occur giving the staree power.
The ethical life of the poem, then, depends upon the propositions that evil. . . that is part of this life is too much for the preeminent man. . . . that after all our efforts doom is there for all of us” (48).
to be stroked all day. In saying this she infers that men have no use
In the end of the narrator’s consciousness, the tone of the poem shifted from a hopeless bleak
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
John Berryman wrote of line 3, “With this line, modern poetry begins.” What do you think he meant?
The poem seems to get faster and faster as life goes through its course. In
result it has on people. In all three poems the last line of the poems
"Your eyes on me were as eyes that rove"(5) When lovers who are in love look upon one another, it is usually with a fixed gaze. That old love song, "I only have eyes for you" helps explain the poets anguish when he realizes his lover is no longer mesmerized while in his company.
The poem is divided into 2 Stanza's with 3 lines each. And there are an
her to believe he would give all he has to her as long as time will permit.
In the last line of the second stanza, the subject enters dramatically, accompanied by an abrupt change in the rhythm of the poem: