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Greek mythology and Norse mythology
How culture in beowulf is different than modern
The cultural influence of beowulf
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Blurring Myth and Reality
Throughout history, stories and legends have been told around fires for the entertainment and education of their peoples as far back as the early medieval period. Often, they spoke of monsters and heroes, treasures and trials that have resonated through into the modern era of movies and books. The legend of the hero has shifted and morphed through the ages and has flexed with the culture in which it has spoken through. And the epic poem Beowulf is no exception, as told by Norse storytellers and translated into and Old English and read in numerous classrooms. It is a beautifully complex story, full of myth and reality. Even so, different elements of myth in Beowulf serve different purposes: monsters and mythical mead
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This glorious atmosphere of revelry and celebration that was in earthly mead-halls took inspiration from was called Valhalla, a warrior’s heaven for those who died heroic deaths in battle. Beowulf is no exception: the magnificent Heorot that the Beowulf-poet created in the text is the direct product of the pagan influence of Norse mythology. The initial description of Heorot comes in the beginning of the poem, and is quite elegant: “a great mead-hall / Meant to be a wonder of the world forever. . .The hall of halls. . . the glittering hall . . . [r]ose before them, radiant with gold / Nobody on earth knew of another Building like it. Majesty lodged there, / And its light shone over many lands” (Beowulf l.l. 69-70, 78-79, 30-311). These descriptive words are in line with a place well-known to the people of the day, Valhalla the “heaven” of Anglo-Saxon warriors; with that given, the author of Beowulf “made a sustained effort to create a substantial image, recognizable to his audiences, of a Germanic royal hall . . . he was drawing on folktales similar to those surviving in the Icelandic sagas” (Wentersdorf 418) which described the god-realm Asgard as having three halls, the “third, known as Valhalla, where battle-slain heroes feast eternally with Odin, is described as "gold-bright," towering, and roofed with tiles” (Wentersdorf 416) much like the Heorot of Beowulf was
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Beowulf is steeped in a pagan tradition that depicts nature as hostile and forces of death as uncontrollable. Blind fate picks random victims; man is never reconciled with the world. Beowulf ends a failure. There is some truth in this conclusion, but for the most part, someone who didn’t have a well-lived life has most likely portrayed it.
Damrosch, David, and David L. Pike. “Beowulf.” The Longman Anthology of World Literature, Compact Edition. New York: Pearson, Longman, 2008. 929-970. Print.
Many people have read the tale of “Beowulf” and consider him a hero to the town of Herot. For 13 years Herot was cursed with a demon named Grendel which hunted down innocent citizens. Grendel was only mad because of the large parties held at the Hall. Just as Herot seemed helpless a “hero” named Beowulf showed up. Beowulf isn’t a hero because he used the issue to promote himself, not bring order to Herot.
"p" sound is line 160, "From my prince, no permission from my people for your
Epic heroes usually exemplify the character traits most admired in their societies, and Beowulf is no exception. "Beowulf" is set in the Anglo-Saxon society, a time when war was rampant among the many peoples trying to take over the different kingdoms of England. In this dangerous, violent time people lived in constant peril and jeopardy. These conditions only allowed people of great bravery to survive and men of outstanding courage were admired the populous. These warriors fought for their leader and tribe in return for treasure and protection. This relationship between the lord and his men was the basis of the Anglo-Saxon society. The epic poem "Beowulf" is a perfect example of how this system worked in these trying times.
A hero is someone who is admired for their courage and bravery, as well as their noble accomplishments. They are respected by almost everyone, due to their kindness and charitable mindset, that drives them to fight for the good of others. Beowulf is the perfect representation of a hero, based on multiple characteristics that he displays throughout the novel. Along with his characteristics, Beowulf also takes on many “hero like” challenges and tasks. In the novel, Beowulf is praised and admired throughout the kingdom for his bravery, humility, and selflessness.
The story of the epic hero, Beowulf, has been translated by many authors throughout the years. Among the many authors is Burton Raffel. Burton Raffel tried to instill or incorporate and project an emphasis on the importance of the qualities that a hero should posses. Burton Raffel translated Beowulf in 1963 after 44 other translations of Beowulf. As a translator, Burton Raffel faced what many other translators had to capture – the ideas of the author.
By definition, a tragic hero is a protagonist that due to some tragic flaw loses everything he has. Throughout history, literature has always been filled with main characters possessing some tragic flaw. In Macbeth, Macbeth’s tragic flaw is his enormous ambition to become king. In Hamlet, Hamlet’s tragic flaw is his need for revenge for the death of his father at the hands of his uncle. In the Epic of Gilgamesh, Gilgamesh’s tragic flaw is his need to be remembered. In the Anglo-Saxon epic Beowulf, Beowulf also has a tragic flaw, excessive pride and the search for fame, which ultimately leads to his demise.
The Anglo-Saxon culture ran on the outline of the heroic code. The warrior pledged allegiance to his lord in exchange for protection (“Beowulf” 38). Through acts of strength and bravery in battle, the warrior rose in levels of nobility and received rewards from his lord for his bravery (“Beowulf” 38). Hrothgar, king of the Danes and lord of the Scyldings, builds a mead hall, Heorot, to honor his warriors and give gifts to them (Beowulf 67-73). A savage demon named Grendel attacks the great hall and kills thirty of Hrothgar’s men (Beowulf 122). Beowulf, a young Geat warrior, leaves his homeland to aid King Hrothgar in purging the Danes of Grendel. Beowulf’s act of allegiance extends past the kingdom of his homeland by ‘rescuing’ the Danish people. His actions not only illustrate courage but the principle of allegiance to his family and himself. Upon arriving on the Danish shore, Beowulf states, “We belong by birth to the Geat people / and owe allegiance to Lord Hygelac. / I come to proffer / my wholehearted help and counsel” (Beowulf 260-1, 277-8). Beowulf declares his allegiance to his lord and is willing to come to the Danes’ aid. Hrothgar knows that Beowulf is only in Denmark to “follow up a...
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
Many of the characters and episodes and material artifacts mentioned poetically in Beowulf are likewise presented to us from archaeological sources and from various written sources, especially Scandinavian records, thus adding credibility to the historicity of the poem. But it is obvious that Beowulf, Grendel and the Dragon clearly belong to the classification of “myth.”
Beowulf is a very brave hero, he has fought and killed many creatures before, but this battle was different. He knew this battle was of great importance to everyone, and that made him that much more nervous. This creature was fierce and had been tormenting their village for as long as they could remember, so her death would be a huge victory for Beowulf and it would be an even bigger relief for the villagers. All of the people in the village were cheering for Beowulf as he walked away headed off to the greatest battle of his life.
Christ, Carol T., Catherine Robson, Stephen Greenblatt, and M. H. Abrams. "Beowulf." The Norton Anthology of English Literature. New York, NY: W.W. Norton &, 2006. Web.
Beowulf is a poem based on heroism. It tells such a great story that it was able to live on for over five hundred years before it was ever written down. Till this day the author is still unknown. It comes from the Old English or the Anglo-Saxon literary and historical period of time. Beowulf holds many characteristics that classify him as an epic hero; inhuman strength, loyalty, and courage