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Recommended: Book vs movie
With today’s ever-changing society and its high demand for information, Americans are constantly trying to find ways to obtain what they need. The evolution of technology has put most paper businesses to rest, for there is no primary need for it anymore. Books have become less and less prevalent, due to the fact of the technology boom. Many people are deferring to watch the movie rendition, instead of reading the novel because of the simple fact, it is not as time consuming. A book worth the time is Joseph D. Pistone’s Donnie Brasco: My Undercover Life in the Mafia is a New York Times bestseller, as well as a major motion picture. Pistone takes literature to a whole new level by describing his undercover duty in the Mafia. His thrilling tale will have readers on the edge of their seat, constantly begging for more. Mike Newell’s movie based off of Pistone’s story, however, takes a backseat to the book. The film lacks the authenticity that the novel is blanketed in, which in the end does not make it a worthy adaptation. Because of the absence of the raw material that makes the novel so enticing, the movie’s effort to portray Pistone’s life on the big screen is subpar.
Right from the beginning, readers are submerged in Pistone’s account of the notorious Mafia trials in the 1980s. The audience learns that undercover FBI agent Joseph D. Pistone was responsible for the indictment of over a hundred known Mafia soldiers, which included the boss of every single major family (Pistone 13). Pistone could not travel anywhere without having to keep looking over his shoulder, for there was an ever-lasting hit contract out for his life. “His courageous story tells why” (Blumenthal). He had constant protection around him, and he could not even...
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... Brasco: My Undercover Life in the Mafia, by Joseph D. Pistone. Barnes and Noble. N.p., n.d. Web. 26 Jan. 2010.
“Inside the Mob: Agent Recalls ‘Game of Wits.’” Interview by Arnold H. Lubasch. The New York Times [New York] 26 Jan. 1988: B1+B4. ProQuest Historical Newspapers. Web. 26 Jan. 2010.
Maslin, Janet. “Donnie Brasco: Al Pacino as Gangster, A Guy Who’s Not Wise.” Rev. of Donnie Brasco, dir. Mike Newell. Movie Reviews: New York Times Review. N.p., 28 Feb. 1997. Web. 26 Jan. 2010.
Newell, Mike, dir. Donnie Brasco. Sony Pictures. 1997. DVD.
Pistone, Joseph D. Donnie Brasco: My Undercover Life in the Mafia. Ed. Richard Woodley. New York: Signet Printing, 1987. Print.
Raab, Selwyn. “Donnie Brasco: My Undercover Life in Mafia. - book reviews.” Rev. of Donnie Brasco: My Undercover Life in Mafia, by Joseph D. Pistone. Find Articles. Gale, 2004. Web. 26 Jan. 2010.
Johnson, Nelson. Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City. Atlantic City, NJ: Ebury Press, 2011.
The Black Hand by Chris Blatchford is a biography about Rene “Boxer” Enriquez, an East Los Angeles native and former Mexican Mafia member. The gang also known as Le Eme, or “M” in Spanish, the Mexican Mafia is out to be one of the strongest gangs in American history. The gang was established in city of Los Angeles, as well as other smaller gangs such as the well known MS-13, and Florencia-13, which are brought up and mentioned in the book on how Boxer relates to them. Even though the Mexican Mafia was not originated in Mexico, a lot of it roots and thoughts tie back from Mexico. This biography describes in depth the life of Enriquez from being just adolescence stealing fire crackers; up through the present day; an ex Mexican mafia member. Now that he is out of the gang life, he is retelling his story as a normal citizen, trying to warn others about the risks. As well as trying to get the picture through to young kids that it’s not all about getting woman, money and cars. He is trying to help others by retelling his story so they can learn from his mistakes.
Beith, Malcolm. The Last Narco: Inside the Hunt for El Chapo, the World's Most Wanted Drug Lord. New York: Grove, 2010. Print.
The Pacific coast port city of San Francisco, California provides a distinctively mysterious backdrop in Dashiell Hammett’s The Maltese Falcon. Unlike many other detective stories that are anchored in well-known metropolises such as Los Angeles or New York City, Hammett opted to place the events of his text in the lesser-known, yet similarly exotic cultural confines of San Francisco. Hammett used his own intricate knowledge of the San Francisco Bay Area - coupled with details collected during a stint as a detective for the now defunct Pinkerton Agency - to craft a distinctive brand of detective fiction that thrived on such an original setting (Paul 93). By examining the setting of 1920’s San Francisco in The Maltese Falcon, it becomes apparent that one of Hammett’s literary strengths was his exceptional ability to intertwine non-fictional places with a fictional plot and characters in order to produce a logical and exceedingly believable detective mystery.
To begin, Romano, Benjamín’s rival symbolizes the corruption present within the Argentinean judicial system. In attempting to quickly close Liliana Coloto’s case, he frames two innocent laborers and orders that they be beaten (Campanella, The Secret in Their Eyes). Romano believes himself above the law and perpetuates a cycle of injustice and violence throughout the film. S...
His name is Frank Gulouchyo. Frank Gulouchyo scarred Capone for life. Capone got up, walked over to the young lady’s table, and told her that she had a nice butt. Then Gulouchyo got up and pulled a knife out of his pocket and sliced the left side of his face. That is how Al Capone acquired the nickname of Scarface.
now the story behind him. What made him to be the most feared gangster in the city of Chicago? How did this kid from a rough neighborhood and no money grow up to have $60,000,000? I’ve always been fascinated with organized crime but had never been taught anything in school about it. This report gave me the chance to explore something interesting and also educational. The more I researched Al Capone, the more I wanted to learn about him. He may look like an innocent Italian at a glance, but he has done a lot of crime in the city of Chicago.
Mulkerrins., J. (2013, 09 17). My Father New Yorks Most Feared Mafia Boss. Retrieved 02 10, 2014, from Telegraph: http://www.telegraph.co.uk/culture/10304254/My-father-New-Yorks-most-feared-mafia-boss.html
Nearby Alfred Bello and Arthur Bradley were breaking into a factory. Bello was the lookout, and his exact location - inside or outside the bar - would be a point of concentration for the next twenty years. The police arrived at the bar within minutes. They took statements from Marins, Valenine, and Bello. Not one of them said they had seen Rubin Carter, one of Paterson’s most well-known citizens, at the scene. A police bulletin radioed officers to be on the lookout for a white car with two black men inside.
In conclusion, "Underboss" is a good reading and applicable to our class. It is an interesting story of crime and corruption that has significance to the lessons of Organized Crime and is relevant to the class work this semester. The book tells a true crime tale that is authentic and real. The author tells Gravano's story with irony and truth. The story is very familiar, but the author, along with Sammy the Bull, puts a new spin on it and keeps it appealing.
Baldwin, James. "Sonny's Blues." The Norton introduction to Fiction. 6th ed. Ed. Jerome Beaty. New York: Norton, 1996. 47-70.
In this paper I will discuss the cultural factors and economic conditions within the territory of Italy and specifically within the island of Sicily which led to the rise and every day common need for an institution such as the Sicilian Mafia. Following my explanation of the Sicilian Mafia’s origins in the context of local culture and its pervasive role in Sicilian society I will discuss the various ways in which the Mafia’s activities have at times greatly preserved and also crippled the economic potential for growth in the areas it operated in and the reasons why this underdevelopment aided it. Lastly I will examine the causes of the Sicilian Mafia’s decline and discuss the future solutions to preserving a Sicily free from overt Mafia control.
First, the exposition of this story starts with the narrator who discovers Sonny in the newspaper for using and selling heroin. As he reads the paper on the subway he couldn’t believe what he had read. This made him reminisce the days that
Williams, Terry. 1989. The Cocaine Kids: The Inside Story of a Teenage Drug Ring. New York: Da Capo Press.
Deep down inside everyone has the same desire – to do what one wants whenever he or she chooses to and to not have to worry about anyone or anything else. Along with this desire to be able to do what ever it is that one wishes to at any given time, a person wants to be successful at what they do. The type of success that a person wants may be measured in money, property, fame, or even the entourage that follows him or her. This kind of lifestyle is only truly lived by a certain kind of people – gangsters and mobsters. For the rest it is just a dream to be able to live such a life, but for gangsters and mobsters this lifestyle is reality. But these gangsters can go around doing anything they want without the fear of consequences, which would, for most people, lead to long-term prison sentences. We are commonly shown in many movies and television shows that gangsters can just walk into an alley and beat up whoever they wish and be able to leave as if nothing ever happened. In “The Gangster as Tragic Hero” by Robert Warshow and “Our Mobsters, Ourselves: Why The Sopranos Is Therapeutic TV” written by Ellen Willis the gangster’s middleclass part of his or her lifestyle is brought out along with this “dream” reality at the same time.