My Favorite Web Site and Why
Some Works Cited Missing
In contrast to most of the other people in this class, I had never done any net surfing. So to prepare for this paper I explored the WWW for approximately seven hours. This helped to create an impression on me of what constitutes a good Web site. Finally, I decided on a favorite SF/CP Web site and I asked myself what made this site better than others. The Web site is dedicated to William Gibson (Foley) site which scrolls a picture of the writer on the site projecting an air of authority. The problem with the William Gibson site is that the background does little to complement the site. The background for the BR site however, not only complements the title but helps project the mood of the site. Blade is backed by the complimentary color of a cool blue. This blue emits a soothing tone and desolate atmosphere because of its relation to the black. This atmosphere is common in the film. The figure of the BR is backed by the fade from blue to black similar to in the movie where the Deckerd is found under soothing colors and mysterious shadows. Runner is backed by an abysmal black; an image found articulated in the movie in flying scenes over the futuristic LA and under the feet of Deckerd when dangling from Roy's grasp. Fans of the film can relate to the effective use of graphics in portraying the mood of the film. Critics to the use of graphics may argue that the home page is do directed to fans as to lose credibility in fulfilling the criteria to non-fans. As mentioned earlier, the author of the site had provided clues that the site is intended for fans; however, this site fulfills the site so well that non-fans are actually satisfied with this sites fulfillment of this criter...
... middle of paper ...
...topic of the site, William Gibson. When clicking the info link, one would expect to see information concerning William Gibson, but instead this link is concerned with the producer of the site. "Info" doesn't even hint that this kind of information is going to be linked.
This site fulfilled the criteria extremely well as a site directed at Bladerunner fans. But, as I already adressed arguments against this site becuase of its seemingly narrow focus to fans, I believe I proved the site to be exceptional even under the eye of a non-fan. Chapman's intelligent formatting of the sight and thoughtfulness for non-fans helped him far exceed my criteria of impressive graphics pertaining to the subject, simplicity in stlye and organization, and relevant links.
Works Cited
Chapman, Murray. The Requiem-William Gibson. 1995.
Foley, J. Off-World (Bladerunner Page).
Films are designed for numerous purposes, some entertain, frighten, enlighten, educate, inspire, and most make us think about the world we live in. This paper will be focused on the cinematic interpretation of the film "Stepping Razor Red X", the Peter Tosh Story. The makers of a film from the writer, director, cinematographer and the art director, design, and conceptualize what they want the viewer to see.
Nichols, John. ""Counbtering Censorship: Edgar Dale and the Film appreciation movement (critical essay)."." Cinema Jouranl. Fall 2006.
Ear piercing screams, blood splatters, loneliness, violence and isolated surroundings are only a handful of the themes mentioned in the analysis by Di Muzio in the movie Texas Chainsaw Massacre. These themes haunt the viewers significantly and especially children. The movie starts on a glorious note of friends united for a trip, only to see one their friend “struck on the head with a sledgehammer.” (Di Muzio, 2006, p. 279) This sets a tone of the unexpected and the directors emphasize greatly on scenes with numerous screams with utilizing blood to frighten their viewers. Fear is the product of our thoughts, it is temporary, but numerous individuals fail to realize the reality. The movie has the ability to attract audiences of different backgrounds to come together and partake in a visual entertainment of killing spree, keeping one in terror and on the edge of their seats at all times. Moreover, the antago...
Hollows, J and Jancovich, M [eds]. (1995), Approaches to popular film, Manchester: Manchester University Press.
The Hollywood Reporter. N.p., 4 Dec. 2013. Web. The Web. The Web.
Different forms of literature work apply different styles to communicate its message to the intended people. In most cases, novels and films pass their messages to their audience through expressing particular themes. For a theme to be created, specific techniques are applied by the author of a book or director of a given film. To be precise, this essay discusses the themes displayed by three movies, The birds, Persepolis and Nosferatu. Each film will be considered separately and the comparisons made will be analyzed. Application of different techniques in a movie affects how best the films communicate its theme to the audience. However, not all methods are applicable in bringing out the idea a video director wishes to address.
One of the first observations is the article comes from a dotcom website. Dotcom websites are not always reliable sources of information since anyone could be posting information, so credibility of this source decreases. There is not sources list at the end of the article even though Kristen Stewart quotes people in her article. The people
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
In 1996, Wes Craven released Scream, a horror film that to this day is a major influence in the horror genre. This paper however is not about Scream, in fact it’s not about horror films at all, because lets be honest, most horror films these days suck (Infact horror films in general have always sucked. Sure you might get an awesome one like A Nightmare on Elm Street, but then you get 5 crappy sequels that follow. Every time a film like Let the Right One In, or The Cabin in the Woods is released, you get 10 films like The Lazarus Effect). Now you may ask yourself, “If this paper isn’t about Scream, or horror films, why are you bring it up.”
“A literary bestiary” was marketed as a site-responsive, immersive show. The curator and founder of the project insisted on using the term ‘show’ and in all prior communications with the media and the general public, the labels ‘immersive’ and ‘site-responsive’ was not only attached, but highlighted as a selling point.
Back in 2003 Henry Jenkins caused a massive stir in the media world when he introduced the idea of transmedia storytelling, Jenkins describes it as a process where elements of fiction are dispersed across multiple media platforms in order to serve the purpose of creating a coordinated entertainment experience. Jenkins goes on to say that preferably, each medium will contribute different aspects which will assist in the telling of a story and unveil new aspects. However a good transmedia text does not simply supply information, instead it allows the fans, or fandom, to interact with the world within the text (Jenkins, 2007). This essay will arue that transmedia storytelling impacts on how the audience interacts with the story, in order to
Over the years Ridley Scott’s Blade Runner has become a cult classic in the science fiction and film noir genre. The film covers a wide variety of reoccurring themes and motifs throughout the entire film, such as the most noticeable ones like the reoccurring eyes representing the window to the soul and the origami figures symbolizing artificial representation. While those motifs are on the surface and are relatively noticeable to the first time viewer, other themes are not so obvious and won’t appear until reviewing the movie over several times. As one begins to break down Blade Runner from scene to scene, they will discover these larger underlining themes seamlessly woven into the mise en scene
To begin with, this paper was written with the intent to provide a full analysis on the movie Black Hawk Down. Over the course of the following paragraphs, I will establish a base as to why I think this movie is important to history, as wells as provide an in-depth overview of the narrative, and the translation of the story into a film. Since there are many different characteristics that make up a great film, the following text will provide what I think to be the strongest elements of the narrative, mise-en-scene, character development, and overall reception of the audience.
Most people believe that graphic novels are just an art book with minimal text. They believe it is just for entertainment for kids or young adults. They think that graphic novels are just like comics. But to get to the point, graphic novels are just like all the other novels. They are a piece of literature that tells a story and pulls out the reader’s imagination, so that they feel that they are a part of the story or can even relate to the story. Graphic novels have changed and developed into such remarkable pieces of literature and should be accepted by all scholars to be placed in that category. According to John Ridley, “There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are-at their best-an amazing blend of art, literature and the theater of the mind”.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.