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significance of suspense in literature
THEORY OF LITERATURE
THEORY OF LITERATURE
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Recommended: significance of suspense in literature
Discuss the techniques used by Wells in The Red Room to create a
feeling of suspense and terror.
The title "The Red Room" immediately makes the reader think about the
story, it is important and leaves unanswered questions. "What is the
red room?" "Why is it red?" Red is associated with fear and danger.
The title raises so many questions that it has the effect of making us
read on, wanting to find answers to our questions.
The writer has to attract the reader's attract and keep their
attention throughout. In order for any story to work, tension has to
be built in the text, to keep the reader asking themselves questions
and wanting to read on. The reader will be able to have a strong
influence from the writer's first and last lines. It is essential that
they are well thought out. This is the first line:
"I can assure you, said I, 'that it will take a very tangible ghost to
frighten me'."
From this first line, the reader gets two pieces of information.
Firstly that this story involves a ghost, or some involvement of the
supernatural, and secondly that the character is an educated and
well-read man, who may also be young and arrogant.
This point increases the tension and stops the reader from putting the
book down. Also, as it is a short story it is immediately setting the
tone for the rest of the story.
In the first page we are introduced to four characters. A young man,
an old man and his wife, and another old man. We never know their
names. The young man is sceptical about the red room being haunted.
The three elder people believe that it is haunted and dare not even go
there. This is the perfect example of how opposites build tension.
Firstly, we have the young against the old, which also sym...
... middle of paper ...
...rrogant vocabulary. The
fact that the old people have and older vocabulary allows the reader
to think that they have got something to do with the room supposedly
being haunted and again heightens the suspense. Around the main focus
of the story, the language relating to the young man's experience is
described in very short sentences with a lot of punctuation.
The first time I read this, I did not feel that it held my attention,
but now that I have read it again another few times, I can see that
Wells has used some great techniques to capture the readers attention,
to create suspense and terror, I feel that by holding the readers
attention for longer her can therefore build suspense and scare the
reader. I found myself reading on quite eagerly. I feel that this was
due to the literary techniques, to terrorise readers and his ability
to lengthen suspense.
unsettling, I would read it again and again. But it is definitely one of those
Honestly this was one of the most engaging pieces I have read in a long time. I’ll admit I don’t like to read much, however I could not
for one night. "It is said that on one night of his life Don Juan
How Tension and Suspense Is Built Up In The Red Room There are many different ways in which HG Wells builds up tension and. suspense in The Red Room. One way in which he does this is through the use of language in the process. One of the main effective uses of language in The Red Room is the use of personification; "made the shadows cower" and quiver. The shadow embeds fear into the reader, as they wonder if the shadow is alive, which creates tension as the reader wonders what.
The film Pan’s Labyrinth, has several common concepts with Joseph Campbell’s theory on heroes in Hero with a Thousand Faces. His theory emphasizes on tests that show their moral and basic instincts for the rite of passage to their threshold, in this case, the underworld. Campbell’s theory is a concept that surrounds an individual’s journey to heroism. This concept pertains to Ophelia due to her circumstances as a child who ventures out on thresholds, tests, and so forth. Campbell’s depiction relates to Ophelia as he describes the levels in which one must attain and accept as a female heroine. Furthermore, his theory exaggerates on the making of a hero to the resurrection in terms of physical and spiritual transformation. Ophelia’s character depicts a hero who has been resurrected as a human. Thus, she begins her journey to cross the threshold, “pass from the everyday world in the world of adventure,” (Campbell). There are many stages in the film that depicts Ophelia’s introduction to the stages of being a hero. More so, it focuses on tasks, which Ophelia must pass or fail in order to determine her role in the film; Princess of the Underworld or just a human soul. This is lead by the faun who simply reassures a place of ‘paradise’ for Ophelia only with her cooperation to listen and follow her morals.
A ghost is a soul that appears as a dead person or is against a living person. Most people still believe in ghosts even though they have not seen one. The first sightings of ghosts date back to 856 A.D (Stories, 2014). Ghosts mostly make loud noises and disturbances to let people know that they are in the midst. In the first century A.D., the great Roman author and statesman Pliny the Younger recorded one of the first seen ghost stories in his letters, which became noticeable for their bright story of life during the peak of the Roman Empire. The world around us has become more technical with the findings and history of ghosts not cited correctly (Stories, 2014)). The place ghosts come from or occupy varies depending on their spiritual abilities. Ghosts feel more comfortable in a place that is unrestrained and enables them to move freely (Zamora, 2014).
"When she first showed me the paper, I'm like, 'What is this?'. I read it
[There is a great possibility that ghosts do exist and nobody should be so quick to deny the idea. Simply because it hasn't been proven to every skeptic's liking is no good reason to say it isn't true. Open minds are the key to discovery. So, just as long as we remember that, nothing is impossible.]
aranormal activity has been a cause of fear and excitement throughout history. The unknown attracts the curiosity from those who wonder whether the supernatural is real or a figment of the imagination. Ghosts are one of the supernatural beings whose existence is questioned every day. Many want to deny the existence of ghosts because they are terrified of other phantoms who may exist and ignore the evidence that has been brought forth throughout the years. However, ghosts are supernatural pheromones whose existence still impacts today’s society.
Like all the best ghost stories, this begins with the most innocuous of introductions: “…life is complicated”, a quote by Patricia Williams that Gordon will remind us repeatedly is “the most important theoretical statement of our time” (3). What obscures, obfuscates, thwarts and yes, haunts us and our work, she argues, is not what is seen but what isn’t, the notable absences out of the corner of our trained eye, those ghosts who may be invisible (especially to the discourse) yet still exact attention from their hidden presence. Perhaps anticipating the confusion of my book’s previous reader, Gordon patiently (and poetically) expands on her conceptualization – ghosts are those whom, through the “complicated relationship between reality and its mode of production” (11) have been relegated to that void between the s...
Every year when the temperature starts dropping and the leaves begin to get crisp, many ghostly tales resurface themselves for another round of terrifying anyone who is unfortunate enough to be in earshot of their horror. Many nightmares, uneasy looks into the dark, and scary reflections could be avoided if this simple question was answered: is the existence of the paranormal just a figment of the human psyche, or is there significant evidence that proves otherwise? The answer is no. There is not any proof that any such “undead” walk among us. This can be disproved by debunking some of the bogus evidence out there, examining some of the most common “paranormal activities,” and understanding the sensory part of our brain that triggers these fears.
Tension and Suspense in The Red Room by H.G. Wells In H.G Wells’ The Red Room tension and suspense are created through the characters, the plot and the setting. The setting is typical of Gothic and Victorian ghost stories. In these times there was no electricity so use of candles for light created an eerie atmosphere. They had no modern technology like televisions for entertainment so they used books and story telling.
How does the writer create tension and suspense in The Red Room? The writer is able to create tension and suspense through various ways in the short story ‘The Red Room’. The opening sentence in the story immediately mentions the supernatural, which immediately tells us that this is a gothic story. The first sentence is dialogue, but we do not know who is speaking.
In the 1951 Disney movie, Alice in Wonderland, Alice falls down a rabbit-hole while chasing a White Rabbit with a waistcoat and ends up in Wonderland. It is a place where animals talk and logic no longer exits. In the original work by Lewis Carroll, Alice grows internally and has control over her surroundings in Wonderland. She learns how to wear the crown of adulthood by finally knowing her identity in the end. Although Disney’s version imitates the same adventure as the original, Alice’s character’s identity does not develop.
As we read Alice’s Adventures in Wonderland and The Island of Dr. Moreau, we enter into two unique worlds of imagination. Both Lewis Carroll and H.G. Wells describe lands of intrigue and mystery. We follow Alice and Prendick into two different worlds where animals speak, evolution is tested, and reality is bent until it nearly breaks. It is the masterminds of Lewis Carroll and H.G. Wells that take these worlds of fantasy and make them realistic. How do these two great authors make the unbelievable believable? Both Alice’s Adventures in Wonderland and The Island of Dr. Moreau float in between a dream world and reality, which makes the real seem unbelievable and the unbelievable seem real.