My Big Fat Greek Wedding Analysis

My Big Fat Greek Wedding is a film made in 2004 that evidently portrays several sociological concepts throughout the film. This film highly demonstrates the sociological topics of gender and culture all through the movie. The roles of gender, gender stratification as well as gender stereotyping are shown during the film. As for culture, the film displays subculture, counterculture, ethnocentrism, cultural relativism and lastly, cultural diffusion. My Big Fat Greek Wedding focuses on a 30 year old Greek women, Toula Portokalos, who is single and works at her family’s restaurant. Toula’s life takes a turn when she unexpectedly falls in love with a man who is not Greek. The film revolves around Toula’s family as well as her boyfriend, Ian’s, family trying to understand and adapt to each other’s cultural differences. It also outlines the topic of gender as Toula’s father profoundly pinpoints gender differences throughout the film.

It is without question that Toula’s family is a patriarchy. Since her family is a traditional Greek family, it is apparent that her father Gus holds the power and it is the head of the family. Throughout the film, the role of women is clearly shown starting at the beginning of the movie with Toula’s voice over monologue. According to her, “Nice Greek girls are supposed to do three things in life: marry Greek boys, make Greek babies, and feed everyone until the day we die.” Instantly, it is evident that Toula’s family has distinctive gender

Gender and culture are two concepts that were principally shown throughout the film. The film revolves around Toula’s traditional Greek family and how they exemplify gender roles, gender stereotyping as well as gender stratification. The film also epitomized on subcultures, countercultures, ethnocentrism, cultural relativism and lastly, cultural