An Analysis Of Starr's Music

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Starr is only credited with lead vocals on eleven songs throughout his career with the Beatles, with all but two being written for him by Lennon and McCartney or covers. A majority of these songs expand the childlike and naïf Starr persona into the musical world of the Beatles from their films. This process is exemplified in three songs, written by Lennon and McCartney, for Starr to perform: “With a Little Help from My Friends,” “Yellow Submarine,” and “Good Night.” “With a Little Help” sees Starr assume yet another persona in Billy Shears, but is still useful in understanding the Ringo Starr persona. The song has a “rather purposefully over-simplified musical vocabulary, … a more advanced antiphonal vocal arrangement, and a much more serious …show more content…

Musically, it is a simplistic, “but this simplicity provides the firm platform needed to support the campy-yet-futuristic collage of sampled sound-bites overlaid upon it” (Pollock 97). The song only uses five chords and the tune is very simple (Pollock 97). In addition to the simplistic music, the Beatles added a myriad of sound effects that add to its childlike feel, including waves and mechanical sounds, with the help of a large number of friends and family (MacDonald 206-207). For the instrumental and third verse, “Lennon and McCartney went into the studio’s echo chamber to yell meaningless nauticalisms, Lennon remaining there to repeat Starr’s lines, Goon-style, throughout the final verse” (MacDonald 207). The song ends with a repeating chorus, sung by all four Beatles, their families, and their roadies, one of whom walked around the studio banging a bass drum, which can be heard fading in and out through out the repeat as he walked near the microphones. This is the first example of Starr singing a children’s song, a genre, which will be visited multiple times. This is one of the first extensions of the Starr persona into the Beatles music, as Starr sings these goofy lyrics about living in a submarine with his friends in the ocean. It is a fun, catchy tune befitting a children’s song, which helps to extend Starr’s childlike …show more content…

The song could be considered “schmaltzy based just on its chords, tune, and phrasing” (Pollock 156). It has jazzy chords and is in G major, while the backing track, written by George Martin, “uses a string section that would be on the small size even for a Mozart period orchestra, plus a sparse complement of woodwinds and brass; ditto for the small choir” (Pollock 156). A “very slow and dreamy Lennon ballad” it ends the White Album and follows “Revolution 9” (MacDonald 294). “Revolution 9,” an avant-garde piece filled with terrifying noises and shouts that may leave the listener scared and confused, is contrasted sharply by “Good Night” (Pollock 156). If any other song from the album were chosen to follow “Revolution 9” it “would sound a combination of anticlimactic, stylistically repetitive, underwhelming, or too weird” (Pollock 156). Following “Revolution 9,” “‘Good Night’ has the simultaneous virtues of providing musically arch-conservative ballast, a change of style as refreshingly surprising as anything else on the album, and a clever, self-referential of telling you the music’s over; turn off the lights” (Pollock 156). The listener is in need of Starr’s calming vocals after the jarring impact of “Revolution 9 and Starr’s childlike innocence and naïf persona add an extra sense of calm. Starr’s childlike persona can calmly lull us to sleep

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