Also, these movies had extremely different uses of music and visuals, but both movie versions incorporated them well for the ambiance it tried to obtain. Finally, both movie versions drew characters to captivate the audience; however in Ethan Hawke’s version, the characters were used so effectively that it was easy to feel involved with them. While both these versions of Hamlet had a captivating ambiance, Ethan Hawke’s version was more appealing due to the intellectual incentive that it offered. Setting and mood are methods of direction that can change a film’s ambiance and bring on an adundance of intelligent thoughts. Hawke and Branagh both reproduced Hamlet with a setting and mood that were both appealing for an audience.
The importance of film music is considered a jewel for manipulating the viewer’s emotions and immerses them into the movie. Music is one of the most important elements in film, for it capabilities and versatility of telling a story independently without picture. Works Cited Freer, Justin. "The Importance of Music in Film." Los Angeles Brass Ensemble RSS.
With a judiciously supervision from the director, numerous factors such as location and setting, costume and visual design contribute to a successful plausible film. Francis Ford Coppola relies heavily on the personification element of the film to establish a deep emotional connection with the viewers. His two films, Bram Stoker’s Dracula (1992) and Apocalypse Now (1979) drawn the viewers into the protagonist’s point of view; making it exceptionally personal. Coppola opts to choose the narrative structure, to create a sense of eyewitness mannerism of the events of the story to the viewers. The narrative structure is beautifully exemplified in both films, where the protagonists (Jonathan Harker in Bram Stoker’s Dracula and Benjamin Willard in Apocalypse Now) sway the viewers through their constant subjective narration.
Through the use of tone, the audience catches a sense of the storyline of the film and it enhances the emotions for the viewer. Tone was represented through scenery, editing and flashbacks in Hero. Lastly, sound is very important to any cinematic film. The sound in Hero combined traditional Chinese music as well as background sounds. The use of background sound gives life to the film and intrigues the audience.
The images and music with the absence of dialogue make the themes come across more powerfully because they leave room for the audiences’ imaginations to interpret the scene on their own and begin to ask questions, which makes them want to continue watching the movie. The two scenes of Blade Runner are both shot very well because they use imagery and music to convey the themes of the film. The use of visuals and sound in these two scenes work together to cause the viewer to use their imagination and thought process to spark curiosity and want to continue with the story. The intro sequence of the first clip gives the basic framework of the story. However, the second clip brings the opening explanation to life with the cinematography of the scenery and the
Luhrman also exaggerates Mercutio’s outgoing and fun loving personality, especially at the Capulet party where he shows up in drag. Baz Luhrman presents the key scenes and characters in many ways. However the most influential and original ways in which he adds a personal touch to the film is through his use of camera work, that can only be done when presenting the play as a film. These techniques are shown best in the scenes leading up to the death of Tybalt and the death of Mercutio. In these scenes there are a lot of different camera angles and techniques used to portray different feelings and images.
What exactly, does music contribute to film and its emotional aspects? Well, music holds a massive influence in shaping the film experience, manipulating emotions, point of view, and managing the perceptions of characters, moods and narrative events. Music itself is symbolic in language. It communicates emotions through sound instead of using the spoken language. The purpose of this paper will be to investigate the role in which music plays in conveying emotion within film, while supporting the argument that it is one of the greatest sources of emotion in film.
Peter Jackson (the director of Lord of the Rings: The Fellowship of the Ring) is commonly associated with fantasy films. The audience can then formulate a basic outline of the film by just using the actors and directors involved, such as expecting a fantasy tale with special effects, heart wrenching moments and ultimately a satisfactory end. In conclusion the undeniable force behind Classical Hollywood cinema is the modes and conventions implemented in making the film. The narrative structure is clearly set and events that take place are motivated. Bordwell states the style of Classical Hollywood cinema to be “excessively obvious” due to its strict following of conventions; it is a form of escapism and as such can provide full entertainment (Thompson, 2008).
Light can really add a element to your scene . In this scene kubrick did a lot to add to Page 1 the scene by adding so much li... ... middle of paper ... ... of sound effects in primarily atmosphere (background noises) . They can also be precise sources of meaning in film." Kubrick did a great job in this scene driving home the point why sound can make or break a scene, he added the right kind of background music and right sound effects to make this scene great. So in concussion, Kubrick did a really good job in the shining.
The use of light and darkness can be very important, as can other atmospheric effects such as shadow and fog. In a good film, the background information should enhance the scene not overwhelm it. Enclosing, the actors may be the most visible elements on the screen, but numerous of other proficient directors performed roles in order to polish the film for cinematic success. As a result when analyzing a film, whether it is a Hollywood blockbuster production or an on stage drama genre be sure to remain objective, focus on the theme and judge that all elements come together in order to guide the audience through the arc of the story. Works Cited Boggs, J. M & Petrie, D.W (2008) The Art of Watching Films: 7th ed.