In ‘Recitatif’ Toni Morrison skilfully represents complexity of human life. One of the most interesting and worth mentioning stylistic devices which she uses for this purpose, is introducing musical and dance imaginary into her writing. Thanks to references to this two forms of art, she stimulates different senses of the reader, therefore helping to discover additional layers of meaning in her work. By focusing on this particular aspect of ‘Recitatif’, one can understand the significance of the title, and spot parallels between form of an opera and this short story. What is more, musical pieces mentioned in the text help to define time and space of action, and dancing can be associated with a moral fall. As mentioned above, the story title, ‘Recitatif’, evokes associations with the …show more content…
The whole text starts with the sentence: ‘My mother danced all night and Roberta’s was sick.’ From the very beginning dancing becomes associated with something bad, derogatory. It stays in one sentence with sickness, and is the reason why Twyla is left alone in the shelter. Her mother, Mary, does not take care of her because she is dancing. The activity of dance becomes more important than her own daughter. The interesting question here, however, is what exactly is hidden under the verb ‘dancing’. Is Mary parting all the time and thus neglecting her child? Is she a fallen women and a night club dancer? Is she working for a dance company? Twyla simply states that her mother ‘just likes to dance all night’, which would suggest the first option – everlasting party at the expense of the daughter. However, the readers got only one side perspective, being left to choose to what extent they trust Twyla’s judgment. There is a possibility that she colourises because she feels abandoned and unloved. Twyla’s mother is not the only dancing character in the
In “Recitatif,” by Toni Morrison, racial divides are implemented throughout the story due to circumstance and place. The setting or other characters involved in the story or the actions they take often closely relate to how the two girls feel towards one another. Throughout their lives, Twyla and Roberta vary on whether or not they should be friends with one another due to racial divides, although it is not ever explicitly stated.
Upon the dancer’s departure, “the dancer, who though older was still languid and full of grace, reached out and tapped me with two fingers on the cheek, turned, and walked away” (185). Krauss uses this odd gesture by the dancer helps reinforce the strange quirks of the dancer and the author’s thought of the gesture containing “something condescending in it, even meant to humiliate” (185). The use of the words, “languid and full of grace” continues to strengthen the narrator’s fascination in the dancers beauty but also how the narrator feels uncomfortable with her interactions with the dancer. After the narrator’s encounter with the dancer, she walks by a crowded park “until a cry rang out, pained and terrified, an agonizing child’s cry that tore into[her] as if it were an appeal to [her] alone” (186). The author’s use of the painful and terrifying cry reintroduces the theme of a screaming child from the first passage which reinforces the author’s incapability to manager her guilt. The use of the word “agonizing” in this context suggests the overwhelming amount of guilt the author contains but in form as a youthful shrilling scream. Towards the end of the short story, the agonizing
Aristotle’s Appeals — Discuss the song’s logos, pathos, and ethos separately (in subsections, if you wish); which of these is the most effective in the song, and stating why you think so. Remember, “why” is the big question in this paper – for every opinion you give, you must tell why you believe it.
With all the different types of literature we have in our world we also have a similar amount of interpretations of those pieces of literature. Each interpretation is as valid as another. Literature not only allows the writer to create a wonderful world and a story, it allows the reader to fully embrace the story and find meaning out of it. There are also many different types of literary criticisms. These criticisms are vehicles or guidelines for us to use to understand the reading in a very specific matter and really pinpoint the issues and overall theme of the story. This brings us to the Toni Morrison short story “Recitatif”. This short story encourages an African American or ethic criticism style of understanding it. The driving
Notably, the denotation “romping” can mean, “to play roughly and energetically” (Google), but it can also have a connotation that the boy is hurt or in pain. Furthermore, stanza two also mentions the “mother’s countenance/ could not unfrown itself” (7- 8) which is unusual in the description of playing. While the father and son are playing, the mother is standing aside frowning. Her unhappiness contrasts the playful description of the waltz, which gives the poem its sense of seriousness. In other words, it tells the reader that there is much more happening here than the father and son playing. The drunkenness of the father has caused him to become careless and rough with the boy. The mother is clearly unhappy about the situation, but only watches as the two continue their
Within "The Site of Memory", Toni Morrison highlights the continuous display of the black humanity through the history of Black literature and its 's social changing powers. She then goes on to explain the tools and techniques of doing so. Morrison even warns against the mixing of facts and truth. Finally, Morrison discusses what the site of memory really is and its spark to the imagination.
In the story “Recitatif” author Toni Morrison, published in 1983, tells a story of two young girls, Twyla and Roberta, with two different ethnicities, who grow up in an orphanage together. Due to the fact that the story is narrated by Twyla, it seems natural for us the readers to associate with this touching story, as many of us have encounter racial discrimination back in the 1980s, making it clear that Morrison states the two girls grow up to always remember each based on the similarities and the childhood they both encounter together, come from different ethnic backgrounds, and as the story reveals, destiny is determined to bring the girls’ path together.
Samuels, Wilfred D., and Clenora Hudson- Weems. Toni Morrison. New York, NY: Twayne Publishers, 1990. 53-78. Print.
In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.
W. E. B. Du Bois introduced the idea of the vast veil and double consciousness that exists in America in “Of Our Spiritual Strivings.” This is the idea that there is an invisible veil that shuts out black people from a white world. The double-consciousness is oftenly used hand-in-hand with the idea of the veil. It is realizing that being black means having two of everything. Being Black and American. The short story, “Recitatif” by Toni Morrison, is about the friendship of two girls and a series of encounters between them. Both girls endure a “double-consciousness” due to the preconceived notions about each other, making the veil exists through the differences in their race. A veil is also created throughout the story when characters deviate
About the author of the novel Chloe Anthony Wofford, later known as Toni Morrison, was born in Lorain, Ohio, on February 18, 1931. She is the second of four children in a black family. Lois, George and Raymond are her sibling. Her parents moved to Ohio from the South, in the hope to raise their children in an environment friendly to blacks. Her mother's parents after leaving their farm in Alabama, moved to Kentucky, and then to Ohio.
When someone looks up at a bird they see something soaring through the sky free from the world’s troubles. Through out man’s history they have been trying to find a way to be as free as birds and learn to fly. Unfortunately it has been an unsuccessful feat for man to accomplish. Although man has never really been able to fly on their own, they are able to fly with the help from a little machinery and ingenuity. Macon Dead Jr, or milkman, the nickname he adopted because he nursed from his mother, the protagonist of Song Of Solomon by Toni Morrison, had been trying to fly all of his life. But until he discovers his family’s history and his self-identity he unable to discover the secret that has been plaguing man for many centuries, how to fly. All people want to be free, but it takes a great feat, like flying, for them to be able to. Morrison expresses this idea through the symbolism of flying and Milkman’s yearn to be free and fly, his family history, and the incident with Pilot and the bird. By discovering this Milkman is able to finally learn what it means, and how it feels to fly.
Morrison uses music as both a structural and a symbolic element in her work. Music often carries information about community knowledge, aesthetics, or perspectives. Toni Morrison often discusses the power of music and the way it functions in culture in discussions of her craft. (…) Symbolic and structural elements of music appear throughout all of Toni Morrison’s fiction in one way or another. (Obadike)
To survive, one must depend on the acceptance and integration of what is past and what is present. In her novel Beloved, Toni Morrison carefully constructs events that parallel the way the human mind functions; this serves as a means by which the reader can understand the activity of memory. "Rememory" enables Sethe, the novel's protagonist, to reconstruct her past realities. The vividness that Sethe brings to every moment through recurring images characterizes her understanding of herself. Through rememory, Morrison is able to carry Sethe on a journey from being a woman who identifies herself only with motherhood, to a woman who begins to identify herself as a human being. Morrison glorifies the potential of language, and her faith in the power and construction of words instills trust in her readers that Sethe has claimed ownership of her freed self. The structure of Morrison's novel, which is arranged in trimesters, carries the reader on a mother's journey beginning with the recognition of a haunting "new" presence, then gradually coming to terms with one's fears and reservations, and finally giving birth to a new identity while reclaiming one's own.
Later on in the story, the narrator begins to act different from the social norms. It may have been portrayed as her going mental. “I wonder how it was done and who did it, and what they did it for. Round and round and round – round and round and round – it makes me dizzy!” (Gilman 325). The narrator also notices how other women were affected by the pressure and social stigma from society. “Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all over” (Gilman 325). Many other women in that era are being suppressed, not just the