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The influence of Egyptian art
Ap art history ancient rome
Ap art history ancient rome
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Mummy Portraits From Roman Egypt
“Ancient Faces: Mummy Portraits From Roman Egypt” a special exhibit at the Metropolitan Museum of Art concentrates on 70 portraits painted in Egypt during the first few centuries of Roman rule. Rome controlled Egypt as it controlled much else, through a policy of calculated multiculturalism. Egyptian customs were tolerated; Romans brought practices and beliefs of their own. Before long, things shaded together. The mummy paintings are traces of that process in action.
The paintings were made to be placed at the head level on the outside of cloth-wrapped mummies as part of Pharaonic mortuary rites focused on the afterlife. It was likely that the portraits were painted just before or after death.
As one walks into the gallery an eire feeling is in the air. The eyes of the portraits seem to follow you around the room. The Roman influence among the people is easily seen. A quote on the wall reads “ The arts in Roman Egypt were as complex as the society while temple building in the tradition Egyptian style continue with few interruptions until the end of the 2nd century A.D and many fine, relief’s, columns, and other architectural elements were created in the pharaonic manner, sculptures in a purely Egyptian style practically came to an end with the Roman conquest.
Portraits from the Antioopolis tend to show their subjects in distinctively restrained clothing and hairstyle presumably inspired by the city’s interest in Greek classicism. A number of Mummy portraits depict young men between the ages of 14 and 20 with their first facial hair, a feature that had particular connotations in Greek educated society of Roman Egypt. The way Emperor Hadrian had his hair combed forward and wearing a short beard that demonstrates love for ancient Greece. There are several inscriptions on panel paintings written in Greek, which was the suggested language of the educated upper class. These are just several examples of Greek and roman influence on the Egyptian society.
An exhibit I found more interesting was The Mary and Michael Jaharis Gallery of Archaic and Classical Greek Art. The Greek Art is elaborate with many of the statues being large scale. Many of the statues have a deep meaning behind them. Like the statue of Aphrodite it is a full body with animation appearing to be graceful and seductive.
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
Teeter, E. Egyptian Art. Art Institute of Chicago Museum Studies, Vol. 20, No. 1 Ancient Art at The Art Institute of Chicago (1994), pp. 14-31
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
In Ancient Egypt, women are typically shown as youthful and beautiful while more mature, older women are very rarely depicted. For men of the time, ageing is shown in art more frequently because it was a positive aspect of manhood. For ancient Egyptians, art wasn’t just made for pleasure or beauty; it was a very practical and necessary part of the day-to-day lives of the Egyptians. In art, Egyptian belief was that people needed to be depicted at their peak of energy and beauty in order to remain that way forever when they cross over into the afterlife. In most ancient Egyptian art, male ageing is represented more frequently than women since it was considered a positive image for men. Egyptian art seldom depicted older women or women growing older: "neither pregnancy nor the spreading waistline that many women must have had after years of bearing children is part of the image." However, there are examples that feature elements of ageing that are linked to elite and non-elite women alike. These demonstrations of older women are possibly an attempt to outwardly show on women the authority and honor in the same way the image of male ageing is represented. Though it is rarely depicted, we can use art to trace the portrayal of older women and women growing older in Egypt, from the Third Dynasty down to the end of the New Kingdom.
Climate, conflict, isolation, and corruption culminated in millions of lives lost, surely with no small amount of pain and suffering endured. Though international intervention can only help to the degree that authorities in North Korea will allow it, we are not left entirely without recourse. It is too late now to undo the damage of the North Korean famine, and although power has since changed hands, the country remains famously isolated. If, however, we tell the story as best we can, and deny ourselves the comfort of closing our eyes when faced with such a colossal tragedy, then perhaps in the future we find a solution. Silent are the Koreans who perished, and silent still are the authorities that chose seclusion over security. If we wish to prevent this from happening again, we must not let their silence be our silence as well.
The ancient Egyptians are known for many of the incredible aspects of their culture and everything they have produced. Some of the well known ancient Egyptian relics are the ones like the ancient pyramids, the Great Sphinx of Giza, mummies, and their many forms of art. Ancient Egyptian art is one of the most recognized styles of art. The most commonly known types of ancient Egyptian art are types like paintings, ceramics, and sculptures. Not only is Egyptian art beautiful, but it carries a huge deal of value and significance with it. A great portion of the time, the art has some kind of religious meaning to it. Consequently it is very difficult to discuss the art itself without delving into the various gods and goddesses presented in it. Something that particularly struck me about ancient Egyptian art was their proneness to use animals in their art. Not only do they use the animal’s full figure, but they also put individual parts on human bodies. This intrigued me because not many cultures have art that embrace animals to this extent. I will be exploring why the ancient Egyptians depict animals in their art repeatedly, and considering what they meant to them.
Between history and showcasing, the Greek and Egyptian are utilized quite brilliantly in the Museum's organization. They set precedents not only culturally and historically that the museum goer can trace throughout the other galleries, but an implication that one can learn a lot about the culture just by observing the very nature of how it was showcased—whether it be the open flow between cultures to implicate a deep connection, or a system of separation to indicate category and purpose—there is so much more to be taken than the mere observation of singular artifacts and summaries.
Human Trafficking is a universal issue that is still currently happening today. It is a major crime that essentially lets someone take illegal custody of another human’s rights and freedoms. The impacts of human trafficking are crucial and nerve-racking. Victims of such crimes most likely suffer from injuries physically and mentally, abusive behavior, rape, death threats, and life taking. Human Trafficking undermines the safety and security of people and their lives (TIP, 2007). People who are desperate for money and would do anything for little amounts of money would either do drug and gun dealing, or human trafficking. Human Trafficking is the fastest growing business in the world. The number of current slaves in America is less than half of what the number of identified humans who are trafficked (HJHP, 2012).
August 6th, 1945, 70,0000 lives were ended in a matter of seconds. The United States had dropped an atomic bomb on the city of Hiroshima. Today many argue whether or not the U.S. should have taken such a drastic measure. Was it entirely necessary that we drop such a devastating weapon? To answer that first we must look at was going on in the world at the time of the conflict. The U.S. had been fighting a massive war since 1941. Moral was most likely low, and resources were at the same level as moral. Still both sides continued to fight and both were determined to win. Obviously the best thing that could have possibly happened would have been to bring the war to a quick end with a minimum of allied casualties. Harry Truman’s decision to drop the atomic bomb was entirely warranted and was in the best interest of Americans and the world. Three factors should be considered to fully realize this. First, what would have happened should we have not dropped the bomb? Would WWII have ended shortly afterwards without nuclear arms-not likely. Secondly we must consider the Japanese people’s extreme dedication to their country and emperor, willing to give up their own lives without thinking to stop the enemy. Lastly the morality of nuclear bombing must be explored. While many may argue against the use of such a seemingly cruel form of attack was unnecessary, it is obvious that the atomic bomb was the only means to an end of WWII.
The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression
Many people believe that slavery has been a worldwide issue that was left in the past, however, it is still a part of society today and is now known as human trafficking. Human trafficking is defined as a hidden crime understate, federal and international law that involves the exploitation of a person through the use of fraud, coercion or mental and physical abuse (DEF). Throughout the world, many human beings are being trafficked across countries. According to the Washington Post, there are about 30 million slaves in the world and 60,000 in the US (EVD). Human trafficking is more pervasive in Ending Human Trafficking
“Injuries of human dignity and Human rights of a globalized society. Nobody may be held in slavery or peonage; Slavery and slave trade are in all forms forbidden”. These are the words of the Universal declaration of human rights (United Nations, 1948).Human trafficking is just another name for modern-day slavery, where the victims involved are forced and deceived into labor and sexual exploitation. Exploitation referring to using others for prostitution or other forms of sexual exploitation, forced labor or services, slavery, or the removal of organs. The numbers are scary. Almost 600,000 to 800,000 women and children are annually trafficked across national borders. This does not count for the numbers that are trafficked within their own countries. Human trafficking is very much hidden and accurate data and the extent of nature of human trafficking are hard to calculate. Trafficked victims are often in dangerous positions and may be unwilling and too scared to jeopardize their lives to report or seek help from authorities. Victims live daily with emotional and physical abuse, inhumane treatment, and threats to their families, like they are going to torture...
Surprisingly, much of the more famous art was not even meant to be seen. For example, the tombs and sarcophaguses were never intended for anyone to see, as they were merely a nice send off for the dead. The art set inside of and painted on the walls of the tomb served to glorify the dead, and show their status. Statuary was another
It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.
Human trafficking is the second most criminal industries in the world that exploits the lives of women and children. They take the children from their home and make them work in horrible condition for hours and pay them little money. The women are some time turn into sex slaves. As stated in Kiener (2012) each year more than 5,000 women and children from Malawi for sex exploitation aboard (p.475). People sometimes put their selves in the situation to get taking, because they are desperately trying to leave their current situation. Even though slavery was banned world wide it still occurs today and millions of people are victims each year. Mam said “people think slavery ended years ago” (as citied in Kiener, 2012, p.475). Human trafficking is thriving and making money almost thirty-two billion dollars a year in profits. Shelley argued growing dramatically since the mid- 1900s, thanks to factors like the ending of the Cold War, disappearing boarders, globalization, economies and growth of international crime syndicates (as citied in Kiener, 2012, p.477). Profits are soaring because prices are so little. The need of slave labor is high and inexpensive. Since there are so many slaves the traffickers do not have to spend money or take care of the slave. The trafficker may dump or killed them.