Multitrack Recording
Introduction:
We were set the task of recording a music session involving the
following instruments:
Bass Guitar (using amplifier)
Electric Guitar (using amplifier)
Electric Piano
To record this session we used multitrack recorders (4 track Tascam
and 8 track Yamaha MT8X) and recorded onto audiocassette. We used the
following microphones to pick up our sound sources:
Senheiser ATM 33 (condenser microphone)
Shure SM58 (dynamic microphone)
Recording:
My group had the responsibility of using the Tascam 4 track recorder.
We used 2 Shure SM58 dynamic microphones, which were connected to
channels 1 and 2. Dynamic microphones are used for loud, low frequency
instruments like guitar amplifiers, bass drums etc… and do not need
phantom power. Phantom power is a DC current sent through the
microphone cable from the multitrack recorder to power the microphone.
We used our microphones to record the bass guitar amplifier and the
electric guitar amplifier. We placed them roughly 30cm from the cone
of the amplifiers (Fig. 1).
We also used the Yamaha MT8X 8 track recorder to record the music
session.
We used 2 Senheiser ATM33 condenser microphones, which require phantom
power. Condenser microphones are a lot more sensitive than dynamic
microphones and are used for high frequency instruments like flutes,
vocals etc… for this reason the group used the microphones to record
all the instruments together. we positioned the microphones roughly 3
metres apart (Fig. 2).
Below is a diagram illustrating the positioning of the microphones:
Fig. 1 Fig. 2
Mixdown:
After our recording was complete we were set the task of "mixing down"
our project. This involves connecting the multitrack recorder to a
recording console (we used a mini disc recorder) and combining the
separate audio tracks together. During this process volume, tone and
spatial positioning (panning) can be altered to the artists/producers
desire.
At first we made the mistake of adjusting the input level on the
In the video, Whose Records, the client demonstrated frustration with her current counselor and made a request for her medical records in order to transfer to another counselor. During the conversation, the counselor remained calm and respectful to the client regardless of the clients’ disrespectful approach. I do not agree with the challenge approach made by the counselor regarding the client seeing a different counselor every three to four weeks. That seemed to increase the level of tension on behalf of the client. I feel a better approach would have been to allow the client to express her concerns regarding her current treatment. After which, the counselor could explain the process of obtaining her medical records along with requesting the client to sign the appropriate release of information to acquire her records.
Anderson, Rick. "Johann Adolf Hasse. (Sound Recording Reviews)." Notes 58.4 (2002): 902. Academic OneFile. Web. 14 Mar. 2014.
To record this album an EMI console, a 16-track tape machine, a Fairchild limiters, and an EMT plate reverb were used. There were also up to five or six tape machines doing various delays, reverb delays, ect. at one time. Alan remembers “on the mix having to borrow tape machines from other rooms to get delays and stuff.” (Anonymous. "Studio Legends: Alan Parsons on "Dark Side of the Moon")
The Beach Boys’ signature sound, apart from their stringy guitars, southern Californian and Hawaiian influenced instrumentals, was their complex harmonies and articulate multi part vocal tracks. In one of the first instances of Phil Spector’s ‘wall of sound’, originally pioneered by Bryan Wilson, implementing the idea of the mixing technique into Spector’s mind, the lead vocals of the Beach Boys were often double tracked onto in mono, creating that smooth yet thicker sound the Beach Boys are often known and recognized for. This is explained in Bryan Wilson’s liner notes on the remastered Pet Sounds CD. They would record the band on four track with maybe a few overdubs, but mostly live.
How a record player works is quite simple. A motor is somehow connected to a solid disc so that the disc is rotated at a constant speed. On top of the rotating disc (platter), The record is placed on top, with a slip mat in between. The slip mat can serve two functions. In the past to hold the record in place so that it would not rotate independently of the platter. Now, however, the slip mat serves a much different function. Instead of holding the record in place, the slip mat is now used to reduce the friction between the spinning platter and the record. This way a DJ can scratch (manually move the record, usually at high speeds) the record while the platter continues to spin underneath. Once the record is rotating, a stylus glides along the grooves and picks up the vibrations, these are then converted into audible sound.
Steven Connor delves into the mixing and creating of sound by computerisation, as well as the habits of sound; it’s immersion, pathos and objectivity.
materials. The song pluggers could improvise and transpose a song on the spot to fit a
I grew up in a small South Texas border city, Laredo. In Laredo, most individuals, including myself, spoke Spanish as a first language, and gradually learned to speak, read, and write English in grade school. Another characteristic of Laredo was the distinction between families who were well off and those who were not, but there was never really an “in-between.” After attending private catholic school for 10 years, pre-kinder through eighth grade, my parents decided it was time for a change. My public high school, John B. Alexander, was a rather large school with each class averaging around 700 students. It was quite a change compared to my eighth grade graduating class of 48 students, but I was both ready and anxious for that change.
“It used to be that walls have ears, but they also have eyes,” said Stephen Barnhart, owner of Barnhart Security and Alarm Services in Grandview.(Downs, 1 of 4) The United States has 2 million camera surveillance systems, according to an industry estimate, and in downtown Chicago there is an average of 3 cameras per block. More and more governments all around are protecting their public space, with surveillance cameras to catch criminals and scare the people who think about doing the wrong thing. Although they are convenient and in few cases helpful, these cameras display greater risks to privacy. Surveillance and security cameras have become extremely popular, and an invasion of privacy.
Polyphonic is operating on a “shoestring budget” of $150,000. The company is not helped by initial discussions about HSS with potential customers, which have resulted in cold receptions, at best, about the product’s potential application to the music processes despite its multiple strengths.
center with the pool tables and a line of arcades in front of me. At least nine to twelve players are gathered around 2 gaming arcade machines in front of me. The two main popular ones that are of interest would be the Street Fighter 3rd Strike and the Marvel vs Capcom 2 machines. The gamers are heavily immerse in watching the players and cheering them on. I am observing four players playing on two separate machines. The two players who are on MVC2 are wearing both hooded jackets and baggy jeans with tennis shoes. It seems they were here for quite a while. Backpacks are off to the side of the machines or lying around randomly near them on the ground and some half eaten snacks can be seen on the tables nearby. A quick glance around allowed me to take in the surroundings. There are three pool table games in session occupied by two to four players per table. Three girls are having a drink to the table directly adjacent from my stool across the room. My location is near enough from the arcade machines to allow me to easily view the players and note all of what is going on and far enough to remain hidden and unsuspected of recording the scene. I am recording with my Nokia N95 with Carl Zeiss optics 5 mega pixel lens with creative sounds voice amp. I am wearing a zip up hooded jacket and some baggy cargo pants with a pair of vans allowing me to easily blend in as a normal spectator. Soon after, there are at least six to seven guys spectators for the four players. And also noted at ten minute intervals, the losers rotates out with one of the players lining up to be the new challenger of the victorious. The guys seem to be much louder and animate on the MVC2 ...
Wolfgang Amadeus Mozart was a great and ingenious musician. He was ahead of his time with his complex structure and rhythms that has influenced music to evolve and change rapidly. Mozart’s work has emerged and allowed us to explore and develop new chord structure, rhythms and timing, and even allowed us to create our own melodies without being afraid of being seen as “different” from other artists. Before Mozart, Music had structure. Not that having structure is bad, but it was all repetitive, and you could expect the same general sound from different artists. The same instruments. The same sound. Infact it was during the Baroque Era that everyone expected music to be no more or less than just structure. Sure, chords and melodies seemed different but it was all too blended; and if anything it lacked the true texture that Mozart gave off in his music. He changed music so much, that it sounded too complex for everyone else's ears, and that’s what bothered some people. They all thought it was just too much. Mozart added different instruments to his orchestra to keep ...
2013. The. Recording Manual - Construction. [online] Available at: http://www.johnlsayers.com/Recmanual/Titles/Acoustics3.htm [Accessed: 25 Nov 2013].
Live and recorded music have many differences that make each unique and enjoyable. Live music may be more costly and time consuming, but it is more energetic and interesting than recorded music. Live music can be dangerous and cause hearing problems, yet concerts are still selling out. Recorded music is cheaper and can be accessed almost anywhere, but it is not as exciting. Even through these differences, both types of music have the same basic structure, and is served as entertainment purposes that many individuals
...rs (ear phones), and the monitor engineer will send individual mixes to each of these as the band requires. This is not always a balanced mix like out front, as the musician may only [want] to hear key things, i.e. the singer may only want his vocals, as he can hear the drums and guitars loud enough alread” (Kasprowicz 2014). I imagine this particular task is a bit more challenging than being an FOH. Not only does one have