Mrs India Bridge Stereotypes

1566 Words4 Pages

Gender roles have been an object of interest and conversation for centuries. In today’s society, being a woman is a defining quality, arguably more than being a man. Women are the building blocks of society, but often treated as second class citizens. The literary world is not exempt from this unfortunate injustice. It is a difficult feat to find a literary piece depicting a woman who does not conform to one of these many roles forced upon women. Whether the woman portrayed is a schoolgirl, a mother, a businesswoman, or a common housewife, chances are there is a stereotype that can be found in her character.
Evan S. Connell’s The Beau Monde of Mrs. Bridge is the perfect representation of the common stereotype that plagued women in the early to mid twentieth century. Mrs. India Bridge is the typical suburban housewife of the early 20th century; her main responsibilities are to watch the kids, cook, clean, and look pretty. Mrs. Bridge’s mundane life is one run by her husband while she stands next to him looking pretty. Her husband, Mr. Walter Bridge, makes sure she has no business forming her own opinions or learning about the world …show more content…

Bridge and Olive Kitteridge, Jeffrey Eugenides’ The Virgin Suicides contains classic gender stereotypes. The topic of gender roles is strongly present and demonstrated through all five of the Lisbon sisters: Cecelia, Lux, Therese, Bonnie and Mary. Since the story takes place in suburban Detroit during the 1970’s, gender inequality is prevalent throughout the novel. During that time period and somewhat still relevant to this current era, women who were comfortable with their sexuality were often seen as promiscuous and looked down upon. Women were supposed to wait to have sex until marriage and were to act conservative. In fact, Mrs. Lisbon, the overbearing and oppressive mother of the girls, actively forces these gender biases and roles on her daughters, which eventually leads to their

Show More
Related

  • Cinderella The Legend By Hurston

    421 Words  | 1 Pages

    In today’s society, gender issues are often discussed as a hot topic. In literature, feminist views are used to criticise “societal norms” in books and stories. Two popular pieces by authors Kolbenschlag and Hurston paint two very different views on women. One common assumption in the use of a feminist critical perspective is that gender issues are central. Kolbenschlag who wrote the literary criticism “Cinderella, the Legend” would most likely disagree with this statement, she feels that women bare greater burdens in society and are more largely affected by social norms.

    Read More

  • The Power of the Written Word: Literary Greats Paving the Way for Social Equality

    1276 Words  | 3 Pages

    Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.

    Read More

  • Comparing A Raisin In The Sun And Ibsen's A Doll House

    1255 Words  | 3 Pages

    Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.

    Read More

  • The Yellow Wallpaper and A Doll’s House

    916 Words  | 2 Pages

    In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.

    Read More

  • The Female Role in A Rose for Emily, Miss Brill, and The Storm

    1167 Words  | 3 Pages

    Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.

    Read More

  • Gail Godwin's A Sorrowful Woman

    1432 Words  | 3 Pages

    Gail Godwin’s “A Sorrowful Woman” represents the feminist thoughts of a woman oppressed by a male dominated society. In society, a woman’s role is as a homemaker, however Godwin’s character refuses to accept the role given to her. Through the use of character development, Godwin is effectively able to bring light to how one could oppress a female despite what appears to be a happy home life.

    Read More

  • Trope In Frankenstein

    730 Words  | 2 Pages

    Throughout most of literature and history, the notion of ‘the woman’ has been little more than a caricature of the actual female identity. Most works of literature rely on only a handful of tropes for their female characters and often use women to prop up the male characters: female characters are sacrificed for plot development. It may be that the author actually sacrifices a female character by killing her off, like Mary Shelly did in Frankenstein in order to get Victor Frankenstein to confront the monster he had created, or by reducing a character to just a childish girl who only fulfills a trope, as Oscar Wilde did with Cecily and Gwendolen in The Importance of Being Earnest. Using female characters in order to further the male characters’

    Read More

  • Sleeping Beauty: Feminist Critics

    1097 Words  | 3 Pages

    ...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).

    Read More

  • The Thousand And One Nights Vs Medea Analysis

    1471 Words  | 3 Pages

    Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.

    Read More

  • The Influence of Gender in "Girl" by Jamaica Kincaid

    672 Words  | 2 Pages

    Women in Literature: Reading Through the Lens of Gender. Westport, Conn.: Greenwood Press, 2003. Print. The. Bailey, Carol. "

    Read More

  • Women's Issues in The Awakening by Kate Chopin, The Yellow Wallpaper by Charlotte Perkins Gilman, and Souls Belated by Edith Wharton

    1014 Words  | 3 Pages

    These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...

    Read More

  • Gender Roles In Childrens Literature

    2191 Words  | 5 Pages

    I have thought about many different ways to organize this paper and have come to the conclusion that the best way to approach the topic is on a book-by-book basis. My perceptions of the gender biases in these books vary greatly and I did not want to begin altering my views on each so that they would fit into certain contrived connections. What interests me most in these stories is how the authors utilize certain character’s within their given environment. Their instincts and reactions are a wonderful window into how the authors perceive these “people” would interact with their surroundings and often are either rewarded or punished by the author through consequences in the plot for their responses. Through this means we can see how the authors expect their characters to behave in relation to their post in the world. We must be very careful as readers to judge these biases based only on evidence within the text and not invent them from our own psyche due to the individual world we know.

    Read More

  • The Evolution of the Role of Women in British and American Literature

    1818 Words  | 4 Pages

    “Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.

    Read More

  • The Portrayal of Women in American Literature

    2124 Words  | 5 Pages

    Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.

    Read More

  • Analysis Of Written At The Close Of Spring By Charlotte Smith

    1578 Words  | 4 Pages

    Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a

    Read More

More about Mrs India Bridge Stereotypes

Open Document