Music Comparison
The Mozart’s opera aria, “Dove sono i bei momenti”, and Hanatarash’ “Live 1988” are two music works that combine different visual and sound aspects in a curious way. Mozart’s opera aria “Dove sono i bei momenti” is a pitch-music performed by American soprano singer Jessye Norman. “Live 1988” is a noise-music performance performed by a Japanese noise band, Hanatarash. In aesthetic terms, “Dove sono I bei momenti” visual and sound aspects are intriguing in their resonance, harmony and relaxing nature which contrasts the chaotic, discordant and offensive nature of “Live 1988”.
The two performances significantly differ in the expression and pitch. “Dove sono i bei momenti” is a pitch-music that incorporates tonal variation. The
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The performance of “Dove sono i bei momenti” with and without video differs slightly. Both the music and video performances use sounds and visual aspects that are soothing and peaceful. For instance, the tone and tempos vary melodiously to create a soothing music. However, the artist’s movement on stage and the pictures on the background add more mental clarity to the video. The visual aspects of “Live 1988” video performance add more violence and hostility compared to the music without the performance. For instance, the artists violently toss and clatter pieces of metal and glass on stage. At the beginning of the video, one of the artists violently wrestles in a metal cage.
The tuning of the musical instruments used in the two musical performances varies. The tune in the “Dove sono i bei momenti” is tonal and the piano is in tune with the singer’s voice. Moreover, the piano is tuned to a chromatic scale and different keys are employed to make up tonal variation. The tuning of “Live 1988” is atonal and uses a pentatonic musical scale. Besides, the sounds in the Hanatarash performance are out of tune with each other creating
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None of the works uses a pure tone as they both blend fundamental tone with overtones to make a particular sound. “Dove sono i bei momenti” combines fundamental tone and overtones resulting in a clear pitch and pleasing timbre. Conversely, “Live 1988” uses electronic altering of tones using sound effects like machines sounds and crashing glass. The tone combination in “Live 1988” results in a sound with displeasing and indistinct pitches. This makes “Dove sono i bei momenti” sound mellow and “Live 1988” sound harsh.
My first reaction to “Dove sono i bei momenti” was a sad and depressing feeling. However, the visual and sound aspects later in the performance were calming and entertaining. The artist appeared calm and her stage movements were in rhythm with the music. “Live 1988” was the most intriguing noise-music performance that I have ever watched. Initially, I thought that performance was a clip from a violent movie scene, but the consistency of the performance made me realize that it was actually a performance to illustrate exactly this music
First, the entire band had good and bad moments of its performance of Second Suite in F. First, the intonation of the piece fluctuated. During the parts of the music when the entire band played, like in measures 11 through 18, the intonation was impeccable considering the high temperature of the stage. However, parts of the work where most instruments dropped out, like measures 19 to 26, were not quite in tune. Next, the balance and blend was perfect except for a few specific parts. During measures 79 to 109, the trumpets stuck out too much and did not blend in w...
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Opera is a unique genre of spoken word and song accompanied by music. The music takes one through ascending and descending ranges of emotions. Mozart's Don Giovanni is a perfect example of how this genre emits a wide variety of feelings and attitudes. This "dark comedy seems to convey Mozart's feeling that events have both comical and serious dimensions…" (Kerman, 205). The opera, as a whole, is neither exclusively comedic nor entirely tragic.
Many say that music has evolved over the years. This essay shall explore the elements of two versions of one song. It shall discuss the correlations and disparities of these songs and confer how it has been revolutionised to entertain the audiences of today.
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