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evolution of horror film
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Since the beginning of the motion picture in the early 20th century, horror movies have been recognized as a genre of movie for those who seek a good source of thrill and nail-biting entertainment. From the time when horror movies had begun as new and upcoming source of entertainment to the current day, many subcategories of these horror flicks have diverged. Some examples of those subcategories are supernatural, horror-comedies, psychological, suspense, and monsters (Vantrepotte). One of the more prominent types of horror films could be illustrated as a sadistic tortuous blood and gore fest, otherwise known as “torture porn.” The producers and directors in the cinematic world argue that these films have no affect on its viewers and that the torture porn development into Hollywood is simply another way to produce money. For example Eli Roth, the director of the movie Hostel, argues this. Soon after the February 2006 release date, the movie produced roughly $47 million in the box office in the United States alone (Hostel 2006). Though Roth made heaping amounts of money for this film his argument becomes invalid when disputing the resulting psychological effects of its viewers. Groups of people, such as concerned parents, would argue that torture porn is a negative subgenre of the horror category. It can be considered negative due to its psychologically damaging affects on those parent’s children. Although “torture porn” can be viewed as a way to produce more money and as a source of entertainment, it is not a positive development into the cinematic world because of its damaging psychological affects, such as desensitization and violent influence, on its viewers--especially children. The subcategory of torture porn originated as an... ... middle of paper ... ...Inspired Real-Life Crimes." Whatculture.com. What Culture LTD, 5 June 2013. Web. 8 Apr. 2014. Osborn, Andrew. "Scream' Movie Inspires Teenage Girl's Copycat Killer." Rense.com. TheHostPros, 8 Nov. 2001. Web. 14 Mar. 2014. Schwerchel, Lauren. “Will Scary Movies Give me Nightmares?” Greatist.com. Greatists, 31 Oct. 2011. Web. 15 Apr. 2014 Smith, Gregory. "Modern Horror Films Reflective of Desensitization to Violence in Audiences." Examiner.com. Examiner, 16 Apr. 2013. Web. 13 Mar. 2014. Vantrepotte, Joe. "Top 10 Horror Genre Categories." Filmonic.com. Filmonic, 30 Oct. 2011. Web. 14 Mar. 2014. Vineberg, Steve. "How Hollywood Trains Us Not To Recognize Interesting Movies." Chronicle Of Higher Education 45.31 (1999): B9. Academic Search Elite. Web. 8 Apr. 2014. White, James. "The Story Behind Torture Porn." www.totalfilm.com. Total Film, 30 Oct. 2009. Web. 19 Mar. 2014.
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
In this paragraph, I am going to talk about few negatives of torture porn. I think torture porn is not good for children because it has gory and shocking activities, which are not good for children to watch. Children can have those bad images for years in their mind and can stay the same for years. For instance, We all know that children love to imitate acting they have seen in the movies. Today they watched a movie consist extremely violent and gory. They remember the moves from the movie and they try it with their friends in class or somewhere else and can without knowing hurt their
Often times I wonder if people go to see horror movies for enjoyment, or is it something much more than that? I have mixed feelings about the idea that, “the horror film has become the modern version of public lynching” (King 562). Horror movies do promote violence and can influence the mindset of the audience, but sanity people is not based on the excitement we receive from watching a horror film. Instead, it is based on what is already within us, not what we witness on a movie screen, but what we experience throughout our lifetime.
One of America’s famous actress film director and producer Katie Aselton once said,” I don’t love horror movies with something surreal happening. That doesn’t work for me. What’s terrifying is something that could actually happen to me and what I would do. I don’t know how to throw a punch, and I’ve never had to do it.” This quote shows connection to King’s article. I’m starting to consider that everyone has a crazy side. Why We Crave Horror Movies explains the reason people want to go see horror movies. The average person enjoys the horror movies because they are in a safe environment knowing they can not be harmed. By discussing the argumentative strategies such as ethos, logos,
“As a broad answer, we might say that horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. Horror movies exploit timeless themes of sex and death, the self and the soul, and our own beastly inner nature – fears that exist within our collective unconscious – as well as more topical fears such as, for example, atomic radiation in the 1950s, environmental contamination in the 1970s and 1980s, or, more recently, post-911 tourist horror with films such as Touristas (2006), The Ruins (2008), and the two Hostel films (2005, 2007).” (Grant ?)
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
Describe some ways in which business values and artistic values in Hollywood contend with one another.
Film scholar and gender theorist Linda Williams begins her article “Film Bodies: Genre, Gender and Excess,” with an anecdote about a dispute between herself and her son, regarding what is considered “gross,” (727) in films. It is this anecdote that invites her readers to understand the motivations and implications of films that fall under the category of “body” genre, namely, horror films, melodramas, (henceforth referred to as “weepies”) and pornography. Williams explains that, in regards to excess, the constant attempts at “determining where to draw the line,” (727) has inspired her and other theorists alike to question the inspirations, motivations, and implications of these “body genre” films. After her own research and consideration, Williams explains that she believes there is “value in thinking about the form, function, and system of seemingly gratuitous excesses in these three genres,” (728) and she will attempt to prove that these films are excessive on purpose, in order to inspire a collective physical effect on the audience that cannot be experienced when watching other genres.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
Horror is one of many fears humans have. We all have many terrors, but horror is the one that gets the best of us. Some crave, while others resent, the feeling horror movies bring to our body and the emotions that we experience. In Stephen King’s article, “Why We Crave Horror,” he explains that it is a part of the “Human Condition,” to crave the horror. King gives many strong and accurate claims on why we crave the horror movies, such as; testing our ability to face our fears, to re-establish our feelings of normality, and to experience a peculiar sort of fun.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Horror movies have been part of mainstream cinema since the early 1930s when films such as Dracula and Frankenstein were created. As the horror genre evolved, so did the stories in the films. Friday the 13th (Marcus Nipsel, 2009) is a very good example of this evolution. Even though it is a remake, Friday the 13th changed the way horror movies were seen by the audience. The ideas and theory behind this slasher sub-genre of horror films can be summed up in a book. Carol Clover, an American professor of film studies, wrote a book in 1992 entitled Men, Women, and Chainsaws: Gender in the Modern Horror Film in which she described the horror film genre. In a chapter entitled “Her Body, Himself”, Clover describes how weapons play a very important role in horror movies as well as explaining her Final Girl theory. Her book’s ideas changed not only academic notions but also popular beliefs on horror films. The 2009 remake of Friday the 13th implies that Carol Clover’s ideas about 80s slasher films, including male tormentors, the importance of weapons, and the Final Girl, have stayed the same through the years.
PREVIEW MAIN POINTS: today I will discuss, some of the reasons we are interest, the chemicals in our bodies that are set off when we watch them and ways to be less afraid when watching these horrifying movies.
The danger involved in violent movies, and the stimulation of the mind, also attracts people to watch them. The idea of people getting hurt, and seeing dangerous situations, may lure people in to see the outcome. I remember the first time I watched the movie “Terminator.” There was a scene where the child in the movie was being protec...