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Explain and assess the diversity of family structures in contemporary societies
Comparative analysis of family dynamics
Cultural ideologies of families
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In Frozen River (2008), Courtney Hunt tells a story of a white, poverty-stricken mother of two, Ray Eddy (Melissa Leo), who partners by chance with a Mohawk Indian mother named Lila Littlewolf (Misty Upham), in smuggling of illegal immigrants to the US from Canada across the frozen river (St. Lawrence River) – the border. Author of The New York Times article aptly states that Hunt’s film “evokes a perfect storm of present-day woes: illegal immigration, ethnic tension, depressed real estate, high gas prices and dire poverty” (Holden). Frozen River opens up with a shot of widely spread tracts of frozen river. This is part of Courtney Hunt’s mise-en-scene. By repeating this motif at different moments throughout the course of film, she wants to convey the idea of living on ‘thin ice’. Based on a The Guardian article; “the frozen St. Lawrence River signifies both the opportunity to make quick money and the risk of disaster” (French). The film is rare in its kind because it does not employ sentimentality in conveying its message. In spite of this fact, it still manages to find balance between despair and hope by through the implicit representation of motherhood, sacrifice and the hope for humanity.
One of the very first scenes in the film is when Ray sits barefoot in a car in front of her house, smokes a cigarette, and cries, after she finds an empty glove box, where she kept her savings for the down payment of her ‘dream house’. It’s a very long and slow close-up shot, which first focuses on woman’s feet and then slowly moves upward to show the details of her face. This close-up shot of Ray’s face is repeated in different scenes throughout the film, which allows viewers to clearly see her life struggle on her face.
Ray, who works at...
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...d suspense. As stated previously, Frozen River is unique in its genre due to the almost complete lack of “rhetoric or sentimentality” (French). This is one of the most important features, which significantly distinguishes this film from overly sentimental and over-romanticized Hollywood films.
Works Cited
French, Philip. "Film Review: Frozen River | Film | The Observer." Latest News, Sport and Comment from the Guardian | The Guardian. Web. 14 Nov. 2011.
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“Frozen River” film by Courtney Hunt
Holden, Stephen. “Only a Few More Smuggling Days Left Before Christmas? It’s Not a Wonderful Life - NYTimes.com.” Movie Reviews, Showtimes and Trailers - Movies - New York Times - The New York Times. 01 Aug. 2008. Web. 13 Nov. 2011.
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...racy and leads the reader or viewer to develop an intense emotional involvement with the story line. Both the novel and the film are remarkably vivid with the use of imagery and theme. The snow falling upon the cedars, as the prevalent image in both versions, functions as a beautiful metaphor begging for interpretation. The themes about the complexities of the human heart and the random distribution of both good and bad fortune are reinforced throughout the entirety of each work. The original work of pure genius - the novel, of course - deserves the credit for the incredible story behind Snow Falling on Cedars, but it is clear that the film followed in its antecedent's path with ease.
John G. Avildsen directed while a major Hollywood studio, Columbia Pictures produced The Karate Kid in 1984 (Avildsen, “The Karate Kid”). On the other hand, Courtney Hunt directed while an independent studio, Harwood Hunt Productions produced the film Frozen River in 2008 (Hunt, “Frozen River”). Ideally, the two productions companies manifested differences in the plot and cinematography of the two American drama films. The setting of the film Frozen River took place in North Country of Upstate New York and focused on two working-class women smuggling immigrants from Canada to the Regis Mohawk Reservation in America. The film manifests the physical beauty and social deprivation
She shows the true culture of her family’s life and how they act. Artistically, this frame includes lots of detail and is realistic. Behind the doors and windows is a blank, only shaded area. The conversation between the two sides shows the ignorance of her parents. While the child looks angry and seems to have looked everywhere (with the draws being opened already). This shows that the family does have transparency and doesn’t constantly cover-up the truth.
The One-Dimensional Portrayal of the Immigrant Mother in Nothing but the Truth (and a few white lies)
Disney’s new movie “Frozen” has caught the eyes of viewers and has surprised us all, reaching No. 1 in the box Office and have pass over $300 million of tickets sold, this movie has no sign of slowing down any time soon. “Frozen’ is one of the few recent Disney films to capture the classic Disney script, like “Cinderella” or “Snow White”, it’s a heart warming and loving story, guaranteed to thaw a frozen heart. Unlike the usual Disney princess story line where the girl has a poor life or things just don’t turn out like there suppose to, they wish upon a star, fall in love, then bibbidi-bobbdi-boo they have a happily ever after. Frozen strayed off from tradition and decided to go for more of a different approach. True love has always been a key concept for Disney films. Sleeping Beauty, true loves kiss broke the spell, Beauty and the Beast, true love broke the curse, Snow White, again true love broke the spell, its the same concept, but in Frozen instead added a twist and showed love between sisters Elsa and Anna. It adds a twist in tradition, so that a reason why older viewers and even critics can enjoy, its something new and different. The movie “Frozen” is based off of “The Snow Queen”, a fairy tale by Hans Christian Andersen. The story is about an evil troll, also known as “the devil”, makes a mirror that when looked into distorts the beauty and good of people and things to the complete opposite, ugly and bad. One day the troll and his friends try to take the mirror to Heaven the make angels and God look like fools, but when they were almost there the mirror falls and shatters into little pieces almost dust. This “dust” travels around the world and gets into peoples eyes and into their hearts freezing them. Years later a girl n...
Born and raised in a family of storytellers, it’s no wonder that this author, Louise Erdrich became a prolific writer. Louise was born in Little Falls, Minnesota. She grew up in Wahpeton, North Dakota, near the Chippewa Reservation with her mom, who had Native American roots and her dad who was of German descent. Her parents encouraged and challenged her at an early age to read, also to write stories and even paid her a nickel for each one that she wrote. Lorena Stookey states that Louise Erdrich’s style of writing is “like William Faulkner, she creates a fictional world and peoples it with multiple narrators whose voices commingle to shape her readers’ experience of that world” (Stookey 14). Louise writes this moving story “The Shawl” as she is haunted by the sorrows of the generations of her people, the Anishinaabeg. I initially saw this tale as a very complex reading, but after careful reading and consideration, saw it as a sad and compelling story.
The play The Rez Sisters is written by one of Canada's most celebrated playwrights, Tomson Highway. Highway was born in 1951 in northwestern Manitoba. He went on to study at the University of Manitoba and graduated from the University of Western Ontario, with honors in Music and English. Native Literature is inspired by 'contemporary social problems facing native Canadians today; alcohol and drug abuse, suicide, wife battering, family violence, the racism of the justice system, loneliness, rejection, youth awareness, as well as modern-day environmental issues.';(P. 172 Native Literature in Canada.) Highway once said, 'We grew up with myths. They're the core of our identity as people.';(P. 172 Native Literature in Canada.) I am going to focus on the image and identity of Native people as seen through the play The Rez Sisters.
... a border be it physical or psychological. Examining both novels as well as doing secondary research into the Canadian border, will also help in understanding Canadian identity. A deep analysis of the two novels will also overcome the constellations of the symbolic imagery that is narration which will dramatize semantics of belonging, loss, and absence that is within the definite of the historically bound and personal context of Canadian experience.
The film American Winter is a documentary based in Portland, Oregon. It followed several families on their struggle through hard times that lead to each family facing a different problematic outcome. Some families lost their jobs, others lost their homes, and all fought to feed their families. The film went against the grain of the image that many people associate lower class and poor families with. Each family was making ends meet, living fairly comfortably until a rough patch hit, and were then struggling to keep the electricity on in their homes, if they still had them. American Winter generally focused on the failures of the families, and left some questions unanswered; however, the film still portrayed an accurate depiction of poverty in today’s world by showing the lack of the “American dream”, the dwindling aspect of meritocracy, and the challenges of poverty on both parents and children.
There are famous people all around and their fans are loving every second of it. The fans' faces are full of joy and awe as their favorite actors and actresses enter the large building that will soon be showing the new movie. Soon, the two people that everyone in Hollywood is dying to see, appear in their stretched Rolls Royce and bring the crowd to its feet. As Lockwood and Lamont exit their luxurious ride they are received lovingly by everyone. They walk to the front of the building and are introduced to the crowd.
The female, adolescent speaker helps the audience realize the prejudice that is present in a “melting-pot” neighborhood in Queens during the year 1983. With the setting placed in the middle of the Civil Rights Movement, the poem allows the audience to examine the experience of a young immigrant girl, and the inequality that is present during this time. Julia Alvarez in “Queens, 1963” employs poetic tools such as diction, figurative language, and irony to teach the reader that even though America is a place founded upon people who were strangers to the land, it is now home to immigrants to claim intolerance for other foreigners, despite the roots of America’s founding.
In a desperate attempt to discover his true identity, the narrator decides to go back to Wisconsin. He was finally breaking free from captivity. The narrator was filling excitement and joy on his journey back home. He remembers every town and every stop. Additionally, he admires the natural beauty that fills the scenery. In contrast to the “beauty of captivity” (320), he felt on campus, this felt like freedom. No doubt, that the narrator is more in touch with nature and his Native American roots than the white civilized culture. Nevertheless, as he gets closer to home he feels afraid of not being accepted, he says “… afraid of being looked on as a stranger by my own people” (323). He felt like he would have to prove himself all over again, only this time it was to his own people. The closer the narrator got to his home, the happier he was feeling. “Everything seems to say, “Be happy! You are home now—you are free” (323). Although he felt as though he had found his true identity, he questioned it once more on the way to the lodge. The narrator thought, “If I am white I will not believe that story; if I am Indian, I will know that there is an old woman under the ice” (323). The moment he believed, there was a woman under the ice; He realized he had found his true identity, it was Native American. At that moment nothing but that night mattered, “[he], try hard to forget school and white people, and be one of these—my people.” (323). He
Thomas King’s Borders portrays the limitations placed on native people in both Canada and the United States. Although multiculturalism is a celebrated trait of both countries, there are limits to the extent which one is able to display personal identity. In the story, the mother is prevented from identifying herself as a Blackfoot woman and instead must decide which broad category she fits into: American or Canadian. The story highlights the difficulty of being forced to conform to the social and cultural norms that one must in order to call oneself a citizen. The Canadian and United States, borders symbolize the restrictions that the government places on minority groups, such as the Blackfoot nation. King’s narrative reveals that governments
As Mother’s Day approaches, writer Penny Rudge salutes “Matriarchs [who] come in different guises but are instantly recognizable: forceful women, some well-intentioned, others less so, but all exerting an unstoppable authority over their clan” (Penny Rudge), thereby revealing the immense presence of women in the American family unit. A powerful example of a mother’s influence is illustrated in Native American society whereby women are called upon to confront daily problems associated with reservation life. The instinct for survival occurs almost at birth resulting in the development of women who transcend a culture predicated on gender bias. In Love Medicine, a twentieth century novel about two families who reside on the Indian reservation, Louise Erdrich tells the story of Marie Lazarre and Lulu Lamartine, two female characters quite different in nature, who are connected by their love and lust for Nector Kashpaw, head of the Chippewa tribe. Marie is a member of a family shunned by the residents of the reservation, and copes with the problems that arise as a result of a “childhood, / the antithesis of a Norman Rockwell-style Anglo-American idyll”(Susan Castillo), prompting her to search for stability and adopt a life of piety. Marie marries Nector Kashpaw, a one-time love interest of Lulu Lamartine, who relies on her sexual prowess to persevere, resulting in many liaisons with tribal council members that lead to the birth of her sons. Although each female character possibly hates and resents the other, Erdrich avoids the inevitable storyline by focusing on the different attributes of these characters, who unite and form a force that evidences the significance of survival, and the power of the feminine bond in Native Americ...
Debra Granik presents the unforeseen and diametrically opposed stereotypical, Hollywood representation of America in her film Winter's bone. She provides the audience with multiple visual elements (key scenes). She outlines the idea that, “in the land of opportunity, opportunity is not given”. This means that many in America such as Granik’s character “Ree Dolly” have no ability to pursue their hopes and dreams. They face difficulty standing on their own two feet, without being so reliant on society. Because the opportunities that are supposed to be freely given, are just not given. This gives the audience intuition to think and comprehend what opportunities they have. Additionally, it outlines that American's are free to, but not free from