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what should a relationship between a mother and daughter be like
how to discribe a strong bond between mother and daughter
major themes of the joy luck club
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Mother and Daughter Relationships in The Joy Luck Club and A Hundred Secret Senses In life, many things can be taken for granted - especially the things that mean the most to you. You just might not realize it until you've lost it all. As I walk down the road finishing up my teenage days, I slowly have been finding a better understanding of my mother. The kind of bond that mothers and daughters have is beyond hard to describe. It's probably the biggest rollercoaster ride of emotions that I'll ever have the chance to live through in my lifetime. But, for those of us who are lucky enough to survive the ride in one piece, it's an amazing learning experience that will influence your entire future. In Amy Tan's novels, The Joy Luck Club, and A Hundred Secret Senses, she describes relationships between mothers and daughters reflecting on her own parents experiences in life. Four mothers, four daughters, four families... whose histories shift with the four winds depending on who's "telling" the stories. In 1949, four Chinese women, recent immigrants to San Francisco, begin meeting to talk, eat dim sum, and play mahjong.. As June's mother said, "Idea was to have a gathering of four women, one for each corner of the mahjong table" (Joy p.32) Being together in shared unspeakable loss and hope, they call themselves the Joy Luck Club. Instead of sinking into tragedy, they choose to gather and raise their spirits. "To despair was to wish back for something already lost. Or to prolong what was already unbearable." (Joy p.134) In other words, why sit back and keep pondering the tragedy, it's better to let the past go, and move on. In The Joy Luck Club, Tan examines the sometimes painful, often t... ... middle of paper ... ...ring a closer relationship to their families. Works Cited and Consulted "Biography of Amy Tan." DIScovering Authors Modules. 1998. GaleNet. "Criticism, Amy Tan" DIScovering Authors, Gale Research Inc, 1996. Buck, Claire. "Amy Tan." The Bloomsbury Guide to Womens Literature. Pg1065 Great Britian: Bloomsbury Publishing, 1992. Shear, Walter. "Generational Differences and the Diaspora in The Joy Luck Club." in <>Critique. Volume 34, No3, Spring 1993 pp 193-99.(on GaleNet Tan Amy. The Hundred Secret Senses, New York; Mass Market Paperback, 1996 Tan, Amy. The Joy Luck Club. New York; Mass Market Paperback, 1994 Willard, Nancy. "Tiger Spirits." in The Women's Review of Books. Vol.6, Nos. 10-11, July 1989, pg12.(on GaleNet) *Amy Tan interview was conducted on the front cover of the hard cover copy addition of The Joy Luck Club.
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
“Oh my God, they killed Kenny!” South Park is a adult cartoon that circles around the abnormal life of four boys living in Colorado. This hilarious animated television series strives to be the most controversial show on air. The series has been on air since August 13, 1997 and while the show seems ridiculous, it is commonly known for incorporating high and low culture within the show. South Park has been known to take current issues from today’s society and convert them to a more simplified version while transforming it into a satire. One episode that stood out from the rest was an episode called “The Cissy” which focused on gender relations and transgender issues. This episode reflected on how today’s society see gender and transgender.
The mother-daughter relationship is often complex and confusing. Amy Tan explores this relationship with novel The Joy Luck Club narrated by four daughters and three mothers: Jing-mei Woo, Rose Hsu Jordan, Lena St. Clair, Waverly Jong, An-mei Jordan, Ying-Ying St. Clair, and Lindo Jong. June narrates in her late mother's place. The mothers talk about their difficult pasts in China and how they have been changed. The trauma from their past causes their daughters not to be able to connect to . The women are finally able to connect to each other. The women are forced to learn from the past, overcome adversity, and learn to understand one another.
In Amy Tan's The Joy Luck Club, four Chinese born mothers and their four American born daughters tell stories from their own point of view about their relationships with one another. These four mothers demonstrate the finest parenting by trying to keep their heritage alive and educate their daughters, while being immigrants. Through the mothers' actions, they are able to teach and influence their daughters about their Chinese heritage, about everyday life and situations, and how to stand up for themselves all while being in an overwhelming American society.
Throughout the novel, The Joy Luck Club, author Amy Tan explores the issues of tradition and change and the impact they have on the bond between mothers and daughters. The theme is developed through eight women that tell their separate stories, which meld into four pairs of mother-daughter relationships.
Throughout the history of cinema the idea of camp has been an ever looming presence. It makes filmmakers wonder, will audiences be able to buy into the drama for the characters and the story itself? The idea of camp is perhaps best described as an audiences perception of a film, specifically this is an audience that finds the film too ridiculous, silly, or unbelievable to be legitimately drawn into the drama of the story. Due to these factors and more audiences will find a camp movie to be hilarious and in a completely unintentional way. A genre like the disaster cinema of the 1970’s perfectly fits into camp for three major reasons, the paper thin/stock characters, the setup/execution of the disaster itself and the hammy acting or dialog found in the movie. We will be using the film Earthquake to examine how these three factors can turn a serious drama into a campy film.
Gates, David. Critical Extract. Asian-American Women Writers. Ed. Harold Bloom. Philadelphia: Chelsea House, 1997. 83-4.
In the short story “The Fall of the House of Usher” by Edgar Allan Poe, the author writes about roderick usher. The story’s character is madeline usher.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
Shear, Walter. Generational Differences and the Diaspora in The Joy Luck Club. An excerpt from Critique, Vol. 34, No. 3 (Spring 1993). 1993. Helen Dwight Reid Educational Foundation.
"I have already experienced the worst. After this, there is no worst possible thing" (Amy Tan 121). Throughout The Joy Luck Club, Amy Tan tells stories of how mothers use the misfortunes in their lives, to try to teach their daughters about life. Many of the mothers had bad experiences in their pasts and do not want to see their daughters live through the same types of problems. They try to make their daughters' lives as easy and problem free as possible. However, the daughters do not see this as an act of love, but rather as an act of control. In the end, the daughters realize that their mothers tried to use their experiences to teach them not to give up hope, and to look at the good of an experience rather than the bad.
A reason that Prohibition has various effects on different places is due to the respective cultures. This can be seen across the world and even within different locations within one country or culture. One example is of the Native Americans. Before Europeans came to North America, the Native Americans were never exposed to alcohol’s serious effects. They had no role models for appropriate drinking besides the foreigners who drank with “few cultural guidelines” (Frank et al, 136). Frank, Moore, and Ames argue that Native Americans learned to drink from Europeans when they came to North America (135). The authors note that not long after exposure to the drink, the majority of Native Americans “developed significant risks for socially and physically harmful alcohol use” (137). One could point out that before contact with Europeans, Native Americans “achieved altered mind states” through different means, like fasting or sleep deprivation, but these situations occurred during controlled religious and social gatherings. There were many “traumatic deaths” among the Natives and Whites because of
In The Joy Luck Club, by Amy Tan, the characters Suyuan and June have a mother-daughter relationship fraught with conflict, but ultimately rooted in deep love and commitment for one another. Because of drastic differences in the environments in which they were raised and in their life experiences, these two women have many opposing ideas and beliefs. This coupled with their lack of communication are responsible for many of the problems they encounter during the course of their relationship. These conflicts are only resolved when June learns about her mother's past and accepts their respective differences. The manner in which their relationship develops and the conflicts June and Suyuan face reveal some of the themes that Amy Tan intends for the readers to learn. These themes concern such topics as finding life's importance, making choices, and understanding ourselves and our families.
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
The Joy Luck Club is a representation of the persistent tensions and powerful bonds between mother and daughter in a Chinese American society. The book illustrates the hardships both the mother and daughters go through in order to please the other. Also, it shows the troubles the daughters face when growing up in two cultures. This book reveals that most of the time mothers really do know best.