Morality and Egos in The Italian
The gothic tradition loves to play with the morality of a character and this explains one's egotistical tendencies. In Radcliffe's Italian, no matter which side of the morality tree a character stands on, Satan has slipped a little pride in everyone's apple. The role of doubles begins before Poe popularizes it. Radcliffe works hard to create evil twins and/or corresponding halves to some of the characters in order to demonstrate the power of pride. The gender roles of both male and female characters in The Italian do not always correlate to an archetype. Radcliffe bends not only the gender rules, but also the stature expectations of the reader to show each character's true moral state and domineering personality through actions the reader would not usually expect.
Some male characters in this book have values that do not draw parallels with their stature in life. For example, Schedoni is a monk, supposedly a loving and caring individual who spreads the word of God. In reality, he conspires with the Marchesa (in a church) to commit a mortal sin, by telling her, "...this girl is put out of the way of committing more mischief..." (173). This action shows his true color, usually green, and through his large ego, this jealous nature reveals itself. If he is secure as a person, these petty grievances against Vivaldi would be just that, petty. Bonarmo's personality does not correspond to his stature either. He is a servant whose loyalty to his master deserts him. He is too independent and too intelligent to be in servitude to a master whom he does not believe superior to himself. These characters possess too much pride and ego to live in a world where they are not always in co...
... middle of paper ...
... self indulgence is knowing that she saved a young woman's life and contributed to her happiness (luckily, Ellena is her daughter).
The characters in this novel entertain conflicting notions of morality and pride. Sometimes, these characteristics are at odds with one another, creating the immoral and "evil" characters. Other times, they cooperate to create realism in these people. The moral characters are good, but still have enough pride to be dignified, yet not arrogant. Sometimes, when the evil twins (or other halves) run amuck, things get out of hand and troubles abound. Though most of the time these troubles spring from the discrepancy between pride and morality, at other points, dignity and morality work hand in hand to create reliable and realistic characters.
Works Cited
Radcliffe, Ann. The Italian. Oxford University Press. 1968.
In most works of literature there is an “evil” character that has conflicting interests with the protagonist. This issue may arise in multiple forms including, but not limited to, abuse and manipulation. In this paper we will be discussing the similarities and differences between Shakespeare’s character Iago from Othello and J.K. Rowling’s character Voldemort from the Harry Potter series.
The struggle of sibling rivalry over ability and temperament has taken East of Eden in a whole new perspective. Steinbeck’s portrait on sibling rivalry shows the good vs. evil of each character in the story. The nature of good vs. evil as natural selection is also seen in siblings, as a compete for something physical, mental, or something emotional. The sibling rivalry from the biblical characters embraced Steinbeck’s characters throughout every concept in the novel, the good vs. evil confines the characters personality in every idea of Steinbeck’s novel. From the biblical story of Cain and Abel to Adam and Charles to Cal and Aaron the story continues through out every generation.
The Social theory of deviance explains why people break social norms, and what their motivation may be for doing so. The brothers undoubtedly break one of the most prominent social norms, they kill people who can be considered “bad”. In crime-ridden South Boston, the brothers find a gap that they can fill, which is usually looked down upon by society. Despite this, the people living there soon recognize them as a blessing and call them Saints. The two brothers quickly become vigilantes for South Boston, killing mafia members and criminals who are making living conditions harder than they should be. Because of the positive effect on society no one speaks out against them. Their effect on the city is beneficial enough for the local police and even the FBI investigator who is trying to catch them to eventually help out the brothers in any way they can without being suspicious.
There are myriad fine lines in life, seemingly unattainable happy mediums that we endeavour to find, and spectrums that we attempt to exist in between. As sentient beings, we are continually evolving, and yet we are always searching for something that will remain constant in our often haphazard lives: Balance. Without it, one may see structure within their life deteriorate, as an overwhelming sense of chaos begins to percolate day to day existence. When we fail to achieve balance, adverse effects soon transpire. In William Shakespeare’s tragic play Macbeth, the type of balance being discussed is that of ambition and pride. The author suggests that ambition and pride are both respectable qualities to possess, and can coexist within a person
story as the corruption of evil takes a prominent role in the story of the two children. The
...ad a sense of relief that came over him when his duty is fulfilled, while the servant had a rush of excitement, followed by anxiety and nervousness from the old man’s heart beating and the fear of being exposed. Unquestionably, the guard and the servant see and experience things differently even through they are both faced with the obstacle of ending a life. They both take part in arranged killings and are vital parts to the death of the victims. But on the other hand, the guard sees he values of life while the servant could not care less for it, and the guard feels relief after the death while the servant experiences a shift of emotions from confidence to nervousness and anxiety. Without a doubt, both the protagonists are fundamental in determining the fate of the characters they kill, but in turn they equally have different views and responses towards their acts.
Smallpox has been believed to be a prominent killer for thousands of years. Before 900 AD smallpox and measles were easily interchangeable to many physicians. These two diseases possessed similar symptoms, such as fevers and rashes, making it very difficult to distinguish between them. It was not until the Persian physician, Rhazes Ar-Raz Abmiz, that measles and smallpox were able to be clinically distinguished in 900 AD. Much later in 1751, Thomas Sydenham found further differentiating characteristics between the two diseases(Aufderheide, 202). Through the years, with its many outbreaks in varying areas across the planet, smallpox claimed millions of victims. Many rulers and soldiers were killed by this incredibly infectious disease. To prevent and hopefully stop the increasing numbers of deaths due to smallpox, many physicians slaved away to invent and find a cure for this disease. The first effective method of prevention was called variolation. Variolation was later modified and improved with vaccinations(Hopkins, 15). Today wild smallpox is no longer a risk. The last natural case of smallpox was reported in Somalia in 1977. While the last reported death due to smallpox was reported to be a year later in the UK(McNeil, 165). Smallpox is not completely out of the picture. After the 2001 attacks with anthrax, a strong paranoia of smallpox being used as another possible mean of bioterrorism has arisen(Oldstone, 32).
Henderson, Donald A., et al. “Smallpox as a Biological Weapon: Medical and Public Health Management.” Journal of the American Medical Association 281.22 (June 1999). 24 July 2008 .
The novel “Jane Eyre” by Charlotte Bronte, and the novella “The Turn of the Screw” by Henry James, both display the treatment of pride for upper and lower class similarly. Furthermore, the treatment of pride will be compared and contrasted in this essay to examine and understand how pride is treated. In novel and novella both the lower class characters believe their pride makes them superior beings. Although the pride of lower and upper-class characters led them to their corruption. Moreover, the upper-class characters in each narrative maintain their respectability by their pride. However, in “Jane Eyre” all casts must have their emotions controlled by their pride, or this will lead to inappropriate behavior. Nevertheless, in “The Turn of
In Puritan led Massachusetts Bay Colony during the days of Anne Hutchinson was an intriguing place to have lived. It was designed ideally as a holy mission in the New World called the “city upon a hill,” a mission to provide a prime example of how protestant lives should have subsisted of. A key ingredient to the success of the Puritan community was the cohesion of the community as a whole, which was created by a high level of conformity in the colony. Puritan leaders provided leadership for all facets of life; socially, economically, religiously, and even politically. A certain hierarchy was very apparent in the Massachusetts Bay Colony, in which ministers always seemed to have gotten their way. Governor Winthrop got his way in 1637 by banishing a woman, Anne Hutchinson, whom he thought posed a threat to the structure of the colony. I believe that there is a legit rationale for her banishment, this being her religious ideas that were very close to that of the Antinomians who Governor Winthrop was not too fond of. I also think that this was not the primal reason. In my mind, Anne’s gender played a large role in determining whether or not she actually posed a serious threat to the solidarity of Massachusetts.
Firstly John Winthrop whom was the governor of Massachusetts Bay was accusing Anne hutchinson of “troubling the peace of commonwealth and the churches here”. Anne was holding meetings at her house; teaching women and sometimes even men about religion. To quote directly from the document John Winthrop said: “You have maintained a meeting and an assembly in your house that hath been considered by the general assembly as a thing not tolerable nor comely in the sight of god nor fitting for your sex.” with this quote alone you can see Winthrop’s distaste for Anne ;a women, teaching people about religion. you can make the connection that because John Winthrop is the governor of Massachusetts he has more than likely instilled in his people the idea of a strict patriarchal society. In the Quote Winthrop says ‘...considered by the general assembly as a thing not tolerable nor comely in the sight of god nor fitting for your sex”. A General assembly is basically a community, more...
At the outset, an insightful reader needs to draft the general boundaries of allegory and symbolism in the story. To put it most simple, the problem of distinguishing between good and evil undergoes a discussion. It is not difficult to notice that the Grandmother stands for good and the Misfit for evil. But such a division would be a sweeping and superficial generalisation, for both the characters epitomize good and evil traits. Moral evaluation is a very complex process and it is not the human who is to decide on that. There are rather various degrees of goodness and evil, both interwoven, also in their religiousness. Th...
works of literature have tremendous amounts of similarity especially in the characters. Each character is usually unique and symbolizes the quality of a person in the real world. But in both stories, each character was alike, they represented honor, loyalty, chivalry, strength and wisdom. Each character is faced with a difficult decision as well as a journey in which they have to determine how to save their own lives. Both these pieces of literatures are exquisite and extremely interesting in their own ways.
"The functionalist perspective is a sociological approach which emphasizes the way that parts of a society are structure to maintain its stability,"(Schaefer & Lamm, 1998). This perspective looks at a society in a positive manner and sees it as stable, with all the parts working together. Under the functionalist view every social aspect of a society contributes to the society's survival, and if not, the aspect is not passed to the next generation.
vanity, pride, and self - knowledge intervenes in the development of the virtue of the characters,