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The things they carried tim o'brien rhetorical devices
How to tell a true war story o'brien
The things they carried tim o'brien rhetorical devices
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In Tim O’Brien’s The Things They Carried, Tim, a veteran who pursued a career as a writer, writes about his multiple experiences and stories about the Vietnam War in which he fought. Although O 'Brien 's book is a post war story about death and battle, it is not considered a traditional-heroic war story, because it is no typical exaggerated and uplifting story that inspires others. Instead, O’Brien’s stories are considered non-traditional and non-heroic because they are true stories with no moral or virtue. This ultimately suggests that stories with morals are lies and stories without morals are true, and in order to assure that O’Brien’s stories are true, he writes about the obscene deaths of his troop members and about a time in which he felt like a coward. Within the book O’brien writes about the obscene deaths of his troop members Ted Lavender, Curt Lemon, and Kiowa, to essentially prove that his stories are true and non-heroic. While traditional war stories tend to be uplifting and inspiring to others, O’Brien’s stories of his troop members are not. Instead, the death stories of Ted Lavender, Curt Lemon, and Kiowa are obscene and embarrassing because all three soldiers died non …show more content…
O’Brien also states that,” If at the end of a war story you feel uplifted… then you have been made a victim of a very old and terrible lie” (O’Brien, 1990, p. 65). This essentially means that traditional war stories that consist of heros and moral are never actually true. Instead they are stories that later became lies due to exaggerations of the truth. O’Brien argues that his stories about his dead troop members and about his personal experience are true because they have no moral or virtue and because they are also embarrassing. Since these stories are true, then they can’t in any way be traditional, heroic war stories because they are not exaggerated
Before O’Brien was drafted into the army, he had an all American childhood. As talked about “His mother was an elementary school teacher, his father an insurance salesman and sailor in World War II” (O’Brien). He spent his tour of duty from 1969 to 1970 as a foot soldier. He was sent home when he got hit with a shrapnel in a grenade attack. O’Brien says as the narrator, “As a fiction writer, I do not write just about the world we live in, but I also write about the world we ought to live in, and could, which is a world of imagination.” (O’Brien)
When the quote says “that part of the story is my own” it must mean O’Brien had taken some true details from personal stories. Could O’Brien taken true information but tried to throw the readers off to keep some privacy for the men the stories were based off? Some of the stories present within the book are completely out of the water. How could O’Brien imagine those ideas up without a base of what actually happened? I believe O’Brien switched the names of the soldiers but kept the stories. If he did the name switching it could emphasize on how the reader could focus on the ideas and situations, not the people. O’Brien would showcase how these situations can affect everyone. Another challenging aspect for me is if the stories are partly true why not honor those written about. Do the soldiers feel shame reading about their failures? O’Brien wrote his novel upon the hopes of helping his PTSD and it could have helped the veterans read and receive help. Along with help the vets it could supply the vets with the honor they
Tim O’Brien is a very gifted author, but he is also a veteran of the Vietnam War and fought with the United States in that controversial war. Tim O’Brien was drafted into the Vietnam War in 1968. He served as an infantryman, and obtained the rank of sergeant and won a Purple Heart after being wounded by shrapnel. He was discharged from the Vietnam War in 1970. I believe that O’Brien’s own images and past experiences he encountered in the Vietnam War gave him inspiration to write the story “The Things They Carried.” O’Brien tells the story in third person narrative form about Lt. Jimmy Cross and his platoon of young American men in the Vietnam War. In “The Things They Carried” we can see differences and similarities between the characters by the things they hold close to them.
In the book “The Things They Carried”, O’Brien uses imagery, figurative language and repetition to convey his message. O’Brien’s purpose for story telling, is to clear his conscience of war and to tell the stories of soldiers who were forgotten by society. Many young men were sent to war, despite opposing it. They believed it was “wrong” to be sent to their deaths. Sadly, no one realizes a person’s significance until they die. Only remembering how they lived rather than acknowledging their existence when they were alive.
O Brien 's point of view is an accurate one as he himself because he is a Vietnam veteran. The title of the short story is meaningful because it describes each soldier’s personality and how he handles conflict within the mind and outside of the body during times of strife. The title fits the life as a soldier perfectly because it shows the reality that war is more than just strategy and attacking of forces. O’Brien narrates the story from two points of view: as the author and the view of the characters. His style keeps the reader informed on both the background of things and the story itself at the same
Tim O’Brien is doing the best he can to stay true to the story for his fellow soldiers. Tim O’Brien believed that by writing the story of soldiers in war as he saw it brings some type of justice to soldiers in a war situation.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
In the novel The Things They Carried by Tim O'Brien the author tells about his experiences in the Vietnam war by telling various war stories. The quote, "It has been said of war that it is a world where the past has a strong grip on the present, where machines seemed sometimes to have more will power than me, where nice boys (girls) were attracted to them, where bodies ruptured and burned and stand, where the evil thing trying to kill you could look disconnecting human and where except in your imagination it was impossible to be heroic." relates to each of his stories.
As students we are brainwashed by ancient myths such as The Iliad, where war is extolled and the valorous warrior praised. Yet, modern novels such as Tim O'Brien's The Things They Carried (THINGS) challenge those very notions. Like The Iliad, THINGS is about war. It is about battles and soldiers, victory and survival, yet the message O'Brien gives us in THINGS runs almost contradictory to the traditional war story. Whereas traditional stories of war take place on battlefields where soldier battles soldier and the mettle of man is tested, O'Brien's battle occurs in the shadowy, private place of a soldier's mind. Like the Vietnam War itself, THINGS forces Americans to question the foundations of their beliefs and values because it calls attention to the inner conscience. More than a war story, O'Brien's The Things They Carried is an expose on personal courage. Gone are the brave and glorious warriors such as those found in the battle of Troy. In THINGS, they are replaced by young men who experience not glory or bravery, but fear, horror, and a personal sense of shame. As mythic courage clashes with the modern's experience of it, a battle is waged in THINGS that isn't confined to the rice-patties, jungles, and shit-fields of Vietnam. Carrying more than the typical soldier's wares, O'Brien's narrator is armed with an arsenal of feelings and words that slash away at an invisible enemy that is the myth of courage, on an invisible battlefield that is the Vietnam veteran's mind.
O’Brien explicitly asserts that “A thing may happen and be a total lie; another thing may not happen and be truer than the truth” (139). O’Brien, as demonstrated here, is not interested in the physical reality of what happens, rather he is writing from an emotional standpoint. He also directly states “I feel guilty sometimes. Forty-three years old and I’m still writing war stories” (61). Writing war stories and guilt are clearly related things in his mind and he writes in order to cope with this guilt. This entire work, every little story, every random detail, and every character is a direct reflection of O’Brien working through his guilt in the only way he knows how:
"Speaking of Courage" in Tim O'Brien's The Things They Carried, is more than a story about a soldier's personal experience of the Vietnam War. It is more than a story about his fight for his country, God, and fellow soldiers, and not to mention his return home. "Speaking of Courage" is not only an allegorical story about the disconnection between Vietnam and the rest of the world, but also an allegory about the disconnection between the soldiers and the life they once led.
The novel, “The Things They Carried”, is about the experiences of Tim O’Brian and his fellow platoon members during their time fighting in the Vietnam War. They face much adversity that can only be encountered in the horrors of fighting a war. The men experience death of friends, civilians, enemies and at points loss of their rationale. In turn, the soldiers use a spectrum of methods to cope with the hardships of war, dark humor, daydreaming, and violent actions all allow an escape from the horrors of Vietnam that they experience most days.
Several stories into the novel, in the section, “How to tell a true war story”, O’Brien begins to warn readers of the lies and exaggerations that may occur when veterans tell war stories.
Tim O’Brien, author of The Things They Carried, expresses his journey throughout the Vietnam War via a series of short stories. The novel uses storytelling to express the emotional toll the men encountered, as well as elucidate their intense experiences faced during the war. The literary theory, postmodernism, looks at these war experiences and questions their subjectivity, objectivity, and truth in a literary setting. It allows the reader to look through a lens that deepens the meaning of a work by looking past what is written and discovering the various truths. O’Brien used the storytelling process to illustrate the bleeding frame of truth. Through his unique writing style, he articulates the central idea of postmodernism to demonstrate the