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Moral of Washington Irving's The Legend of Sleepy Hollow
In Washington Irving’s short story “The Legend of Sleepy Hollow,” the conflict between Enlightenment and Romantic ideals is narrativized. Irving’s story is an exploration of the conflict between these two schools of thought. Irving uses his setting, his characters, and his “moral” (or lack thereof) to critique the Enlightenment. At first reading, “Sleepy Hollow” may seem no more than a dreamy folk tale. But when read in the context of the emerging resistance to Enlightenment thinking, it reveals itself to be a striking denunciation of the ideals of the Enlightenment.
The Age of Enlightenment was characterized by the reign of reason. Enlightenment thinkers believed in the supremacy of reason above all other human faculties, and in the perfectibility of man and therefore society. Scientific understanding and the pursuit of knowledge were key pursuits in this time. Materialism was emphasized as an overt rejection of the superstition of the Middle Ages. The ideals of the Enlightenment were rationality, objectivism, and the “enlightened” society based on pragmatism.
In “The Legend of Sleepy Hollow,” Irving uses all of the tools at his disposal as a storyteller to illustrate his criticism of Enlightenment ideals. First of all, he creates an atmosphere and a setting where reason is at a loss. Also, he uses the character of Ichabod Crane to embody Enlightenment principles, and then has this character become a figure of ridicule. Additionally, Irving uses his conclusion to poke fun at the Enlightenment idea of literature as being necessarily didactic. All of these elements come together to provide a thorough indictment of the Enlightenment.
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...e. He then has the storyteller himself question the veracity of the story with his final line, “’I don’t believe one-half of it myself,’” which scorns not just the importance of a moral, but again questions the importance of truth and verifiability.
While Irving may poke fun at the idea of a simplistic moral, a clear maxim that one can easily digest, he nevertheless infuses his work with a message. If any “moral” could be taken from “The Legend of Sleepy Hollow,” it is that there are some places where reason cannot guide us. The possibility of a place where reason and rationality are no longer useful is a direct and sharp critique of the ideals of the Enlightenment. Through his “tools of the trade” as a storyteller, Irving effectively denounces the limits of Enlightenment thinking, and opens the door for the possibilities of Romanticism and the Gothic.
Throughout Irving’s story, he used characterization, irony, the dreams, and other literacy devices to bring The Legend of Sleepy Hollow to life for Irving’s audience.
In Washington Irving’s “Rip Van Winkle,” an allegorical reading can be seen. The genius of Irving shines through, in not only his representation in the story, but also in his ability to represent both sides of the hot political issues of the day. Because it was written during the revolutionary times, Irving had to cater to a mixed audience of Colonists and Tories. The reader’s political interest, whether British or Colonial, is mutually represented allegorically in “Rip Van Winkle,” depending on who is reading it. Irving uses Rip, Dame, and his setting to relate these allegorical images on both sides. Irving would achieve success in both England and America, in large part because his political satires had individual allegorical meanings.
Fifteen years separate Washington Irving’s short story “The Legend of Sleepy Hollow” with Nathaniel Hawthorne’s short story, “Young Goodman Brown.” The two share an eerie connection because of the trepidation the two protagonists endure throughout the story. The style of writing between the two is not similar because of the different literary elements they choose to exploit. Irving’s “Sleepy Hollow” chronicles Ichabod Crane’s failed courtship of Katrina Van Tassel as well as his obsession over the legend of the Headless Horseman. Hawthorne’s story follows the spiritual journey of the protagonist, Young Goodman Brown, through the woods of Puritan New England where he looses his religious faith. However, Hawthorne’s work with “Young Goodman Brown” is of higher quality than Irving’s “The Legend of Sleepy Hollow” because Hawthorne succeeds in exploiting symbols, developing characters, and incorporating worthwhile themes.
Over time the language of the original text of "The Legend of Sleepy Hollow" by Irving has been reworked to accommodate the change in audience. The Heath Anthology of American Literature has an unabridged version of the original wording (1354-1373). A complete copy of the original text of "The Legend of Sleepy Hollow" can be found in the young adolescent classic section of a bookstore or the juvenile section in the library. A juvenile edition of the text adapted by Arthur Rackham from 1928 was a replicate of the original it is filled with seven colored illustrations and numerous sketching. A young adolescent version adapted by Bryan Brown from 2001 has been abridged to accommodate the current young reader. The format is changed in Brownâs edition. The yo...
The Enlightenment was the time period that followed the Scientific Revolution and was characterized as the "Age of Reason". This was the time when man began to use his reason to discover the world around him rather than blindly follow what the previous authority, such as the Church and Classical Philosophers, stated to be true. The Enlightenment was a tremendously broad movement that dominated much of the European thinking during the 18th century, however, several core themes that epitomized the movement were the idea of progress, skepticism against the Church, and individualism.
...ntence. Some critics read the title of Faulkner's novel as a challenge to the reader, in that, as "a tale told by an idiot, signifying nothing," the book defies traditional literary understanding. Faulkner ends the novel with Benjy howling, fulfilling the line from "Macbeth," but after that has an image of order. The form of narrative, and not the content of life, is the only chance for order in the world. A new framing device of literary technique replaces the conventional teleological frame. The novel moves from Good Friday to Easter, from the innocence of Benjy's opening section to the omniscience of Faulkner's (or Dilsey's) concluding section. While Perry Mason and Benjy's howl seemingly signify nothing, the precision of authorial control reveals the deep material of the past in each novel from which we can attribute meaning.
The Enlightenment had its roots in the scientific and philosophical movements of the 17th century. It was, in large part, a rejection of the faith-based medieval world view for a way of thought based on structured inquiry and scientific understanding. It stressed individualism, and it rejected the church's control of the secular activities of men. Among the movement's luminaries were Descartes, Newton, and Locke. They, among others, stressed the individual's use of reason to explain and understand the world about himself in all of its aspects. Important principles of the Enlightenment included the use of science to examine all aspects of life (this was labeled "reason"),...
Washington Irving’s short story, “The Legend of Sleepy Hollow,” was adapted into a movie titled “Sleepy Hollow” directed by Tim Burton nearly two centuries after the original publication. When the story was adapted as a film, several extensive changes were made. A short story easily read in one sitting was turned into a nearly two-hour thriller, mystery, and horror movie by incorporating new details and modifying the original version of the story. The short story relates the failed courtship of Katrina Van Tassel by Ichabod Crane. His courtship is cut short by the classic romance antagonist-the bigger, stronger, and better looking Broom Bones. Ichabod wishes to marry Katrina because of her beauty but also because of the wealthy inheritance she will receive when her father, Baltus Van Tassel and stepmother, Lady Van Tassel die. However, the film tells the story of Ichabod Crane as an investigator who is sent to Sleepy Hollow to investigate the recent decapitations that are occurring. These modifications alter the original story entirely, thus failing to capture the Irving’s true interpretation of “The Legend of Sleepy Hollow.” The film and the original story have similarities and differences in the plot, characters, and setting.
Although at times it is easy to get carried away with the adventure of a story, noticing the elements a writer has put into his work is very important. In reading “Young Goodman Brown” and “The Legend of Sleepy Hollow” you can see both similarities as well as differences of how both Nathaniel Hawthorne and Washington Irving chose to illuminate their romantic writing styles. The writers both use a mystical woodsy setting with supernatural twists to draw in readers. Underlying you will find the differing romantic themes each writer used, as well as how each writer chose to end their work.
In Washington Irving’s work “Rip Van Winkle,” Irving demonstrates all characteristics of an American Mythology rather humorously. These characteristics affect the story attracting the attention of readers and impacting the reader’s experience of the story by relishing America’s unique attributes and values. In “Rip Van Winkle,” Irving incorporates attributes of American Mythology by setting the story in exciting pastimes, filling the story with strange and exaggerated characters, and featuring magical mysterious events.
Edith Wharton’s books are considered, by some, merely popular fiction of her time. But we must be careful not to equate popularity with the value of the fiction; i.e., we must not assume that if her books are popular, they are also primitive. Compared to the works of her contemporary and friend, Henry James, whose books may seem complex and sometimes bewildering; Wharton’s The Age of Innocence appears to be a simplistic, gossipy commentary of New York society during the last decade of the 19th century*. Instead, it is one man’s struggle with the questions of mortality and immortality. Wharton’s characters, settings and the minutiae of social rituals, manners, speech habits, dress and even flowers help her expose the mortal and immortal. But her adroit contrasts and comparisons with mythology elevate her fiction to the heights of sophistication.
The improbable plots and unlikely characterization showed how much they used creativity. According to a Romanticism article, “The Romantics tended to define and to present the imagination as our ultimate ‘shaping’ or creative power, the approximate human equivalent of the creative powers of nature or even deity” (“Romanticism”). They believe that imagination is an essential and amazing ability that humans possess. Romantic authors often included examples of imagination and creativity within their works. In the short story “The Legend of Sleepy Hollow,” the supernatural plot and improbable characters illustrate the imagination of Romanticism writers (Irving). Washington Irving must have used a significant amount of creativity to come up with a story that involves a headless ghost riding a horse. He thought outside of his reality and environment in order to create an impossible and fascinating character. The Romantics favored imagination and creativity because they realized how invaluable it truly
“Common Sense.” The American Tradition in Literature, 12th ed. New York: McGraw Hill , 2009. Print
The two stories that will be discussed in this paper are “The Tell-Tale Heart” and “The Black Cat,” which were both published in 1843 in T...
The Enlightenment was a period in European culture and thought characterized as the “Age of Reason” and marked by very significant revolutions in the fields of philosophy, science, politics, and society (Bristow; The Age of Enlightenment). Roughly covering the mid 17th century throughout the 18th century, the period was actually fueled by an intellectual movement of the same name to which many thinkers subscribed to during the 1700s and 1800s. The Enlightenment's influences on Western society, as reflected in the arts, were in accordance with its major themes of rationalism, empiricism, natural rights and natural law or their implications of freedom and social justice.