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T.s. eliot’s “the love song of j. alfred prufrock
The dead by james joyce concepts
The dead by james joyce concepts
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Recommended: T.s. eliot’s “the love song of j. alfred prufrock
Modernism is by no means easy to define. In fact, no one is exactly sure if the movement has even ended yet. But that’s befitting of the period, as well as the pieces of literature that serve to define Modernism. Two pieces, T.S. Eliot’s “The Love Song of J. Alfred Prufrock” and James Joyce’s “The Dead”, are epitomes of this modernism. In both, the main characters are paralyzed by an inability to communicate, even while speaking. Whether through Prufrock’s musings concerning love life, or Gabriel’s inability to evoke certain feelings out of his wife, both men experience this effeminization of the intellect and communication. But where does this communicative castration begin? Most likely, in the bustling metropolises and dehumanizing philosophies that precipitate the Modernist movement. The modern man witnessed the killing of fifteen million people in the first Great War – bestial in the sheer amount of murder this war created. Meanwhile, modernity defined man’s character for him: Darwinism told him that he was the offspring of lesser animals, that man was, in essence, himself an animal. Also, Freudian psychoanalysis told man that his psyche was the product of his childhood and sexual instincts. Defined by that which he had no control over, or was too young to consciously alter, the modern man’s identity was no longer his to artifice, but society’s to manufacture at the behest of environment and upbringing. Which makes sense because, when we talk about personalities, sexualities and such today, we constantly hear the phrase “nature versus nurture”. What about “self”? Does the self have no control over these very crucial aspects of identity? Modernity has told these men “no”, that they do not form their own identities but that all ...
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...seem surprising that the men of the early twentieth century were devoid of identity. In fact, it may have been necessary to become identity-less, to recede back into something less than human. Or maybe to recede back into the very epitome human living. After all, the British Empire was on top of the world during both the Romantic and Victorian eras; therefore, it would make sense that English writers were idealistic at these times. But the Modernist era was the time of post-colonialism, where the English were no longer dominators but equals with the rest of the world – where they had once ruled, they now had to fend for themselves. So, is it possible that the modern era was not really a dehumanizing era, but a humanizing time period for the British? One cannot rightfully answer. Which, as the beginning of this paper states, is befitting of Modernism: it is unclear.
Modernism was the word of the era because it was the opposite of the last. People pined for new and exciting ways to make up for time lost to the war. This feeling of looking ahead through the ambiguity of the time permeated through all tiers of society from the working class to the elites. In Judith Walkowitz’s “A Jewish Night Out,” we find a dance hall catering to Jewish youth. One can rent a dance partner and learn how to dance well. It was suddenly important to be able to charm the opposite sex in talent, attitude, and appearance because sex wasn’t just for procreation anymore. Deborah Cohen’s Household Gods, she gives a look into architecture and material things. There’s a clear clash between the older and younger generations, and the younger ones enjoy modernism. “Advocates of the modern insisted that the new era required a new style. They deplored the vogue for reproductions, which, in the psychological language of the day, they analysed as evidence of an ‘inferiority complex’.” As well, stream of consciousness writing emerges from the depths of collegiate, middle class bohemia. The Bloomsburry Group were named after the London neighborhood they inhabited and were an artist collective, living life according to art and the new fragmentation of life after war. Virginia Woolf’s writing reflects the general feeling of the interwar period: confusing, ambiguous, hopeful, and moral-less. The Bohemians took the disassociation of the era and put it into new and modern art. All of these cultural ideas and forms of recreation were a result of the Great War because there was a generation of young people who were lost and needed a future meaningful to them, so they created
At the turn of the 19th century Americans faced a multitude of cultural changes, involving contraceptive acceptance, sexuality changes, and modernism acceptance. Contraceptives were illegal in the early 1900s and posed many relationship problems between married couples since they wanted to be intimate. New ideas about sexuality and affection changed the views on appropriate erotic practices to indulge in within single people typically around college age. Women and men didn’t wait until marriage before having some type of sexual relation, which caused family problems and government intervention because of the negative views of being promiscuous. Modernism ideals developed with the introduction of new sciences and the argument of evolution
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
‘The Image of the English Gentleman in Twentieth-Century Literature: Englishness and Nostalgia’ – Christine Berberich
Between World War I and World War II, England was a very different place than it had been in the past. Art and music were changing, and the country was filled with young, modern people, who began to go against the typical rules of society. Thinkers were emerging after the First World War, thinking of ways to keep something that large from ever happening again. Yet, while the country was experiencing so many new things, there were still a number of difficulties that hadn’t gone away. While many people were desperate to get rich, others were barely getting by. Evelyn Waugh, in his novel Vile Bodies, portrays a group of “Bright Young People,” who all place the value of wealth above everything else. On the opposite spectrum, George Orwell, in his book The Road to Wigan Pier, argues the reasons why England must do away with the class system.
The 20th Century stands out not merely as an age of growth or refinement, but one of absolute transcendent recreation. This new era, presenting the world with radical new ideas and invention, ushered in shocking changes and previously unheard of notions and theory over the views of man. This new phase of humanity brought about the conception and birth of Modernism. Joseph Conrad in particular rushed forward to slam a door on the Victorian Age and end the century of optimism, reproving the human race's ideologies on virtue and purity with the more skeptical realities of the bleakness of real human nature and the power of unfortunate circumstance. Conrad's novel Lord Jim cleaved into the supporting pillars raised by previous Victorian value and set a foundation for his notions of High Modernism; his characters and their reactions to irresolute situations, and even the situations themselves, present the absence of the divine and holy to take the skeptical stance that men, imperfect as they are, face an existential existence.
It is a period when traditional values start to change.This movement causes innovations in science,art,culture,ethics,philosophy and psychology.It intends to find new or hidden meanings in the human experience.It’s main aim is to deal with new ideas.It is a break with the tradition.Modernist Poetry occurs between the 1890 and 1970.It’s key elements can be experimentation,anti realism,individualism.Experimentation means searching constantly.Anti-realism means to be against realism and concreteness.Individualism means to be an intellectual and to be an individual who has a self-confidence.The stress is mainly on the human mind rather than emotions.Many Modernist poets are from Universities,they appreciate their work a lot.It is a movement which is complex and diversed.It takes some of the important aspects from the movements.Modernism supports that every aspect from industry to philosophy should be interrogated.In this way,culture’s elements could be replaced by the new ones.The Modernist English poets write against the rules that are put by Victorian Poetry.They never deny the past poets or past works.They see themselves as they are respecting the earlier periods and other cultures.Their poems seem to be in longer form i...
Chapman, Raymond. The Victorian Debate: English Literature and Society, 1832-1901. New York: Basic Books, Inc., Publishers, 1968.
Abrams and Greenblatt (2006) write that early Victorian writers responded to the social changes due to the shift from an agricultural to an industrial society and the decline of traditional religious beliefs. This era focused on artistic and creative literature. Authors scrutinized obstacles of forming a personal identity in a world in which traditional social structures were breaking down. Socia...
In Chapter 8, Taylor defines and outlines the change from pre-modern to modern societies. Previously, our world was ordered independently of us. Individuals looked for their identities by means of their social standing or religion. However, “modern freedom and autonomy center us on ourselves, and the ideal of authenticity requires that we discover and articulate our own identity” (Taylor 81). This change goes back to the end of the 18th century and is evident in art and poetry. In modern society, our feelings are coming from within. Our human feelings are our nature, which is deeply personal. Yet, Taylor reminds his readers that in modern poetry there is an
This essay aims to explore the contextual ideas behind the modern movement, how it influenced today’s artists and thinkers, and how ‘Modernization, Modernity, Modernism’ shaped the world we live in. Towards the end of the nineteenth century, around 1860 after man had considerably conquered the machine, a new reality became prevalent in the lives of the newly industrialised world. Modernism includes more than just art and literature. By now it includes almost the whole of what is truly alive in our culture”(Greenberg 1982:5). This quote can be applied to the earlier days of modernism when jobs had changed from agricultural based employment to corporate and menial based labour.
Michael Levenson said in The Cambridge Companion to Modernism that Modernism fiction was “involved in the radical modern departure, across all of the arts, from representational verisimilitudei”. It was stylistically and thematically focused on rebellion against the way art was presented in the past and what its main focus was.
The Modern Time Period started at the beginning of the 20th Century. Writing soon transitioned from Romantic and Victorian and adapted a new style known as modernism. Modernists did not care to write about nature or history, unlike the Romantic writers, but instead, modernists dealt more with exploration and independence of one's self. Literature, during the Modern Era, developed a sense of alienation and it dealt with the acknowledgement of the individual and one’s consciousness. Modern writing showed the deterioration and alienation of the individual rather than prosperity and development.
During Queen Victoria's reign in England, ideals and the very thought of going against the “current” was born and passed along, embellishing into our mainstream personal views on practically everything. Throughout her reign of 64 years, till her death in 1901, England saw changes that changed their own way of doing things, their own way of thinking and refining their views to the point where it represented their work and no one could disagree with them. It was during her successful reign in England that incomprehensible things took place that changed history within such fields and specialties as art, literature, music, philosophy, sciences, and modern inventions. It is because of this time period, known as the Victorian Era, we have many of the modern conveniences, ideas, philosophies, and knowledge that we enjoy, and take for granted, on a daily basis. This period bridged the gap from the dark and medieval ages to our present and productive day. Authors, playwrights, and philosophers documented the changes that society underwent during the Victorian era. Oscar Wilde’s The importance of being earnest and even Charles Dicken’s works have included these such changes in society. This would not have come about without the influence of the ideas and works of several people from Britain, living under
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.