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The Modernist Movement
Criticism of modernism
T.S Eliot as a modern writer
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Modernism
Modernism is defined in Merriam-Webster's Dictionary as "a self-conscious break with the past and a search for new forms of expression." While this explanation does relate what modernism means, the intricacies of the term go much deeper. Modernism began around 1890 and waned around 1922. Virginia Wolf once wrote, "In or about December, 1910, human character changed." (Hurt and Wilkie 1443). D.H. Lawrence wrote a similar statement about 1915: "It was 1915 the old world ended." (Hurt and Wilkie 1444). The importance of the exact dates of the Modernist period are not so relevant as the fact that new ideas were implemented in the era. Ideas that had never before been approached in the world of literature suddenly began emerging in the works of many great authors. Two of the pioneer Modernist writers were Joseph Conrad and T.S. Eliot. The tendencies to question the incontestable beliefs embedded in all thinking and to focus on the inner self dominated. Old viewpoints were tossed aside to make way for the discovery of modern man's personal spirituality. Two works that are considered important forbears in the Modern period are T.S. Eliot's The Wasteland and Joseph Conrad's Heart of Darkness.
One attribute of Modernist writing is Experimentation. This called for using new techniques and disregarding the old. Previous writing was often even considered "stereotyped and inadequate" (Holcombe and Torres). Modern writers thrived on originality and honesty to themselves and their tenets. They wrote of things that had never been advanced before and their subjects were far from those of the past eras. It could be observed that the Modernist writing completely contradicted its predecessors. The past was rejected with vigor and...
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...hing, 1971. 37-66.
Conrad, Joseph. Heart of Darkness. New York: Dover Publications, 1990.
Cox, C.B. Joseph Conrad: The Modern Imagination. Totowa, NJ: Rowman and Littlefield, 1974.
Eliot, T.S. Collected Poems. New York: Harcourt Brace, 1936.
Holcomb, John, and Patricia Torres. "Modernism in Literature". 2002. LitLangs. 6 September 2003
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Hurt, James, and Brian Wilkie. Literature of the Western World Volume II Neoclassicism Through the Modern Period. Upper Saddle River, NJ: Prentice Hall, 2001.
Monroe, Harriet. "A Contrast". Poetry A Magazine of Verse XXI (1923): 325-330.
Rpt. in Studies in A Waste Land. Ed. Matthew Bruccoli and Joseph Katz. Columbus: Merrill Publishing, 1971. 19-22.
Smith, Grover JR. T.S. Eliot's Poetry and Plays. Chicago: University of Chicago Press,1956.
The modernist style of writing is one of disillusionment, frustration and loss of hope. The modernist writers did not try to point out silver linings or brighter futures, instead they explored the depths of the sorrows of life in the time of the great depression and the long road to recovery from it. Most of these writers blamed the modernization of America for the stock market crash that brought on the great depression. Likewise, modern politics drew America into not only one, but two world wars. At the same time, modern intellectual advancements challenged or usurped traditional beliefs and values.
Throughout the year we have read many different novels from many different time periods. We have read from the following five time periods Colonial, Revolutionary, Romanticism, Realism, and Modernism. All five of these time periods express the way of life in many different ways. By that I mean that throughout every time period the thought of life is very much so different. Each time period gives you a different perspective on life and also how much different we live now in comparison to any of these time periods with the exception of post modernism. Post modernism is the current way way of writing. These time periods range from 1607-current. We have read and learned the ways of writing from 400 years in the matter of nine months. We truly need more time to truly understand all of these ways of writing.
Considering how to define Modernism and PostModernism required looking at how worldviews today play a large part of our perspectives towards society, culture and religion. Modernism is a sociological movement that began in the last decade of the 19th century and first decades of the 20th century that rejected the customary or traditional worldview to a new and improved way by asserting a shift in power and authority into the providence of leaders in politics and universities and away from the church.
Modernistic work is a response to regional writers, shift of social mores, and or technology originating in the late 19th century early 20th century. It was also a response to World War I with the uses of allusiveness and deliberate shifts of social norms. Modernist writers looked to international interest outside of what was currently around them. This in turn was their way of not looking for acceptance of their work although they wanted it noticed.
Modernism is the term of deviating from the norm. In the early 1900s, modernism influenced women’s role in society by providing more opportunities, jobs, and role models for girls today, in society.
"Neoclassicism." A Guide to the Study of Literature: A Companion Text for Core Studies. Comp. English Department Brooklyn College. 6th ed. Landmarks of Literature. Brooklyn College. Web. 9 Dec. 2013. .
The Modernist Fiction period took place during the 1920’s and revolutionized the American way of life in literature, economically, and socially. There was a national vision of upward mobility during this time that represented the American Dream. The upward mobility was seen through the consumerism and materialism that dominated this decade economically. Popular novels of this time reflected the mass consumerism in the lives of those wrote them. During the American Modernist Fiction period, Americans became increasingly materialistic throughout the roaring twenties; therefore, the American Dream was to obtain upper class status through the possession of material goods, which was reflected in many of this period’s works.
In the time after World War One a new way of thinking became prominent. This new idea is what we call Modernism. After the war it was realized that many people had suffered absolute horrors, ones that they never could have imagined, or ever forget. The violence and pain witnessed by so many left them psychologically shell-shocked, and filled with disillusionment. These psychological effects would soon alter the world for years to come, and lead many to a loss in faith and questioning of everything they once believed true.
The modernist period was a time of change. After World War II many people found themselves unhappy, lonely, and depressed. With the groundbreaking influences of Karl Marx, Freud, and Nietzsche, many people began to question their own reality. What did it mean to exist? What was life, and what was death? The modernist author reflected this change, and confronted these questions with enthusiasm. Together modernist artists became the representative voice of the people. This voice transcended all forms of art, but was most successful in the written word. Through the experimentation of language and form, the modernist author managed to convey the meaninglessness felt by many, and created a light in the darkness of an uncertain world. Ernest Hemingway's short stories titled "A clean well-lighted Place", and F. Scott Fitzgerald's "Babylon Revisited" are two notable examples of literary art during the modernist period.
Hoover, Jeff. “Towards a Description of Modernism and Postmodernism in Literature.” Cedar Rapids: Coe College, Sept. 21, 1999.
Modernists portray a dull, gloomy and pessimistic picture of culture in America during this time period. This despair is often caused by an apparent boredom and the people’s feeling of uncertainty, of changes to come. Modernism uncovered has an anti-traditionalist theme instilled in it, because of the inevitability that changes will occur. “Modern” itself possesses the qualities, such as being simple and spontaneous along with an indefinite time frame to allow people’s acceptance of unknown. In many ways, this movement is difficult to define, but it can be generally applied to the work o...
The Modern Time Period started at the beginning of the 20th Century. Writing soon transitioned from Romantic and Victorian and adapted a new style known as modernism. Modernists did not care to write about nature or history, unlike the Romantic writers, but instead, modernists dealt more with exploration and independence of one's self. Literature, during the Modern Era, developed a sense of alienation and it dealt with the acknowledgement of the individual and one’s consciousness. Modern writing showed the deterioration and alienation of the individual rather than prosperity and development.
Throughout time, nations have attempted to become independent from one another by discovering means to help their citizens experience more fulfilling lives. The dilemma that troubled each of these countries is whether or not innovations, in technology and society, led to a higher quality of life. In the book, Rites of Spring, Modris Eksteins examines how innovation affected the citizens of Germany. Eksteins conveys that technological and industrial innovations paved the way for social transformations, throughout Germany. These social changes include a newfound appreciation for Art, tolerance of homosexuality, and a new approach towards warfare.
Joseph Conrad’s Heart of Darkness is a great example of a Modernist novel because of its general “darkness” portrayed throughout the entire novel. The language that is used to describe the setting and important scenes is very thick and unclear. The novel is jam packed with words such as: inconceivable, inscrutable, gloom, etc. Rather than defining characters in black and white terms, like good and bad, they entire novel is in different shades of gray. The unfolding of events takes the reader through many events that can be read as unclear and the action in the book and not just the language echoes tones of gray. In Modernist literature, much like painting, there is experimentation with form: narration style, tone, plot line. For example, instead of having Kurtz tell his story, or Marlow recite the tale of his journey, the actual narrator in the Heart of Darkness is an unknown passenger on the Nellie. The quality of the truth of the story gains much importance when characters are not well defined. This creates awareness for the reader to be wary and question the reality they are...
Michael Levenson said in The Cambridge Companion to Modernism that Modernism fiction was “involved in the radical modern departure, across all of the arts, from representational verisimilitudei”. It was stylistically and thematically focused on rebellion against the way art was presented in the past and what its main focus was.