Modern Japanese Architecture: The Kunio Maekawa House

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Kunio Maekawa is an architect who designed and built his own house, The Maekawa House, in 1941(Reynolds, 2001). Since the war was going on, he was only able to construct his home with limited materials (Reynolds, 2001). Nevertheless, he was still able to incorporate the traditional Japanese architecture with influences of the western style. The Maekawa House is considered to be modern because of the introduction it had of a different type of design in Japan (Reynolds, 2001). Maekawa obtained the traditional wood construction and spacious garden; he added the living/dining room in the center of the house. The bedroom was in the back corner of the house for privacy reasons, and the other rooms were design on both sides of the living room (Reynolds, 2001)., which was a western influence. Maekawa also preserved the sliding doors with rice paper to allow light into the house and had big openings to let air in. The sliding doors opened up to the garden in order to have a connection between the interior and exterior parts of the home (Reynolds, 2001). Maekawa was able to fuse both Japanese and Western styles of architecture and made modern Japanese architecture the rising trend of his time period. At first he was slightly hesitant to lose the identity of Japanese culture, but Maekawa managed to embrace this innovation.
Kunio Maekawa was born in 1905 in the city of Niigata, Japan (Maekawa, 1984). Maekawa’s parents were decedents of samurai origins, relatives from his mother’s side were retainers of the Tsugaru clan of Hirosaki (Maekawa, 1984). His father’s side of the family were retainers of the powerful Ii clan of Omi (Maekawa, 1984). In the beginning of the Meiji Restoration the samurai families had their earnings taken away and their...

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...ead of tatamis, and Maekawa also had western furniture (Reynolds, 2001).Then the Maekawa house was relocated to Edo-Tokyo Open Air Architectural Museum in Koganei City, Tokyo to commemorate Kunio Maekawa in 1945.
Maekawa’s journey with LeCorbusier helped him establish his architectural career (Maekawa, 1984). Whether or not he agreed with LeCorbusier’s ideas, he made his own modernism based on the needs of the country and what he thought was important to his later students and colleagues. He was one of many Japanese architects who worked out abroad right after graduating the university. He gained a lot of insight and fulfilled the European’s architectural trends and brought it back to Japan with him. On the later years he entered many competitions and was denied (Maekawa, 1984). His work seemed to be modern, with no Japanese tradition or history behind his design.

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