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modern architecture history
history of modern architecture
modern architecture history
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Heinrich Tessenow’s (1876 –1950) family house built in 1930’s in Germany consists of two floors and one basement, with a staircase that links all floors together as one. The house has one supporting pillar that is hidden away in the basement; the house comes with seven reasonable sized windows on all four walls of the building. The roof of the house is pitched up towards the sky, in the shape of a triangle on both sides of the building. The house is made of wood and bricks. (Fg.1)
The style and design of the house is classical and contemporary for its time. In terms that he uses traditional craftwork, for example wooden carved doors with the area around the entrance covered in wood including the triangular sides of the roof with the window panels carved out of wood as well. Classical components are seen all over the building from the simple and traditional window designs, door style and exterior pattern created by the bricks and wooden walls. The building dose not standout in the surrounding landscape an environment, because the colour of the wood in the exterior, is seen in the landscape, which helps the building blend in well with its environment. Contemporary in terms, that in its present day during the 20th century it was a commonly seen building style and design. (find evidence in sources to bck these statements)
The layout takes a basic and traditional design; with an entrance and lobby attached on to an open plan living room and dining room that has an entrance then into the kitchen and stairwell to the basement and second floor. The first floor is on ground level with the basement underground a second floor above ground level. The first floor has three main windows one large window in the living room facing south unt...
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...www.firstprinciplesjournal.com/articles.aspx?article=1326&theme=home&page=2&loc=b&type=ctbf
REFERENCES
- Wilson, Colin St. John, Architectural Reflections: Studies in the Philosophy and Practice of Architecture, [Manchester University Press, 2000], pg 36
- Alvar Aalto, Toward a Human Modernism, [Prestel, 1999], pg 52
- Le Corbusier, Toward an Architecture, [frances lincoln ltd, 2008], pg160
- Marvin J. Chomsky, (1982)"Inside the Third Reich (1982) (TV)" USA:ABC Circle Films
- (Fg.1) De Michelis, Marco, Heinrich Tessenow (1991) A section of Tessenow’s family house – Das Gesamtwerk Stuttgart: DVA
- (Fg.2) De Michelis, Marco, Heinrich Tessenow (1991) A plan of Tessenow’s family house – Das Gesamtwerk Stuttgart: DVA
- (Fg.3) Roger and Parry, Eric, Colin St John Wilson (2007) Interior of sandy Wilson’s spring house – Buildings and Projects, London: Black Dog.
Many of Frank Gehry’s early works reflect a refined manipulation of shapes and structures, whereby many of his buildings present distorted shapes or apparent structures. From the Guggenheim museum to the Walt Disney concert hall, Frank Gehry’s architecture is close to none. He cleverly plays with shapes and geometries. In this essay, I shall start with a brief analysis of Gehry’s house and the influences in the design of the house. I shall then analyze the extent to which Frank Lloyd Wright has inspired and influenced Gehry in the design of his house through a comparison with Frank Lloyd Wright’s Jacob’s house.
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
Heinz, Thomas A., Frank Lloyd Wright: Architectural Monographs No 18, St. Martin's Press, New York, 1992.
It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
Throughout this essay I will analyse Thomas Herzog’s House at Regensburg and explain the themes and principles behind different aspects of the houses in comparison to two other houses in extruded form.
Bayer, Herbert, Walter Gropius, and Ise Gropius. Bauhaus, 1919-1928. Boston: Charles T. Branford, 1952. Print.
Mies' well known theory of “less is more” is apparent by the spaciousness and functional quality of the Seagram building; everything serves a purpose, either for aesthetic appeal or functionality. “Less is more” is a concept used throughout the architectural world today. “Mies van der Rohe stands as a great moral force of the International Style. The essence of architecture, to Mies, lies in the expression of structure. And his precise, sophisticated, and consistent style of architecture sets an exam...
Q: Use St Peter’s basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vierzehnheiligen in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form.
Gehry’s additional design of the exterior has created an unconventional model form of house. The asymmetrical form characterizes the entire external side of the house. According to Goldstein, Gehry tried to slant the house roofline, create a false perspective and cause an absurd viewer’ perception or expectation (1979, 9). The complexity of the form might also produce a relationship with the house’s elements such as door, wall, and roof. For example, those elements, which linearly constructed, were hardly noticed since the distraction of geometric form around the exterior part of the house. It’s even barely hard to find the entrance of the house as a result of the salient angles of exterior.
Heurich wanted his residence to serve as a reflection of his distinguished business success and abundant contributions to his community. He stayed true to his humble beginnings and hired only German-Americans to build the home of his dreams. John Granville Meyers, a local expert in fireproof construction was hired to design and construct the immense mansion. Heurich’s personal experience with fires at his brewery unquestionably influenced his decision for implementing advanced building techniques in the construction of his home. Heurich’s 13,000 square foot mansion was the first fire proof structure built in the a...
In conclusion, Wright had successfully break through his vision of destructing a rigid boxy style of 19th century architecture and refined his idea of what a house should look like; to be in a harmony with nature. As been described earlier, with plenty of technical problems, he acknowledged young architects; even a house needs constant attentions (Stungo, N., 1999). Wright’s ideal of bringing human closer to the nature had inspired many architects until today, Wright to his students “Falling water is one of the great blessing to be experienced”. In point of fact, admirers of him never stop praised of his works; Cliff Hickman passionately said “I had never before seen anything so beautiful … Over and over I came back to look at the photograph of Fallingwater, the most illustrious of all Frank Lloyd Wright architectural masterpieces” (Hickman, C., n.d).
of their buildings. One of the basic questions that this paper will be seeking to answer is whether architects and critics accepted ...
The aim of this essay is to show that between Ancient Times and Modern Times the form of housing, as in a structure providing shelter, has not changed but the design and features aspect of housing has been changed by technology. The examples of Athens from 500BCE – 400BCE, Paris from 1850-1900 and Chicago from 1900-1930 have been chosen and a time period allocated to each geographical area which will give clarity to the argument and supporting evidence as there are a number of important technologies to be considered which impacted on the social, political and economic environments. In Athens I will pay particular attention to the study of houses within the polis, in Paris attention to tenement housing and in Chicago I will be looking at pre-fabricated houses. Using sources predominately from course...
Thesis: Gottfried Semper and Karl Friedrich Schinkel are two of the most notable names in architecture and architectural theory from the 19th Century. Both of these men practiced architecture during the 1800’s in Europe and both men held strong convictions regarding their personal answers to the question of what architecture is and should be. By critically examining the works and writings of these men, discerning the similarities and differences of beliefs and practices, delving into the historic contexts and reasoning behind their beliefs, we as architects gain a better understanding of the art of designing the built environment.