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Inca culture in meso america
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In the last 20 years, the Mochica (also known as Moche) of the Northern coast of Peru, has been the most popular field of research (Castillo & Uceda, 2007). The Mochica cultures left behind many magnificent ceramic artifacts that have been admired by travels from around the world for centuries. Historically there is nothing for sure about the Moche culture; the only source of information about the Mochica culture is through the decorative pottery left behind through out the Mochica temples and burial sites. Archeologist used the ceramic artifacts as clues to understand and interpreting the Mochica culture (Benson, 9). The Moche civilization developed some of the most amazing and elaborate images that they used to document events on ceramic pieces through narrative scenes (Jackson, 3). The Moche iconographic became the main source of information that helps tell us about their society. Through extensive research, archeologists have been able to establish a timeline of their history by evaluating the development of the Mochica artwork (Castillo & Ucedo, 2007). The Mochica had a variety of mediums they worked with but their ceramic work is the most popular and is among of the greatest ancient Peruvian artifacts (Jackson, 3). The Mochica civilization has prove to be very sophisticated and artistically well developed through their highly impressive techniques and “complex figural images” (Jackson, 3).
The Mochica civilization came into existence around 100 AD and is estimated to have been around until the late 800 AD (Castillo & Ucedo, 2007). They settled in the northern coast of Peru expanding around several valleys in “regions of La Libertacl, Lambayeque, Jeuetepeque, Chicoma, Moche, Vivu, Chao, Santa, and Nepera” (Castillo & Uce...
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...io stamps were mostly simple designs that were pressed into the vessels creating a shallow impressions of a design that could be repeated over and over again. They also had low relief stamp molds that would create a relief from the surface of the vessels when impressed (Jackson, 69). Many of the low-relief stamps were molds of faces, a lot more detailed than the intaglio stamps. The Moche also used color slips which was only a variety of 4 colors, white/cream and red/brown. They used these slips to paint very interact deigns depicting different scenes (Jackson, 55). There manufactured production allowed them to produce more ceramic pieces faster making this easier and quicker production.
There were nine basic vessel that were produced: ”stirrup-spout bottles, Neck Jars, Neckless Jars, Crucibles, Cups, Dippers, Flaring Bowls, Neck Bowls. And Bowls” (Bernier,2000-).
The article hypothesized that since the entrance of the cave had some fluvial action, there would no archaeological material that would have been preserved. The authors talked about the two natural contexts that is used by prehistoric mud glyph artists: alluvial mud bank and thin clay veneers. The authors claim that they understand the used and the preservations of the alluvia...
Maria Martinez?s pottery remains of major collecting interest in the art world due to its supreme sophistication. It dispels the myth that primitive people were incapable of sophistication which may stand the test of time, glow with a maturity and fluidity of design, and reflects the earth philosophy which paraphrases that we as humans are also basically clay vessels capable of great beauty (West).
In terms of agriculture, Moche and Mayan civilizations were similar in that they both had water management systems that would help them grow the crops more efficiently; however, since agricultural styles were dependent on the landscapes and the climate of the region, Moche and Mayan had different techniques of growing their crops, as well as irrigation system, which Moche had more complexed ones. Moche irrigation system was surely “complex...requiring constant maintenance, which funneled runoff from the Andes into fields,” since the Moche civilization contained thirteen river valleys and dynamic landscapes including the Andes mountains, that they required an extensive irrigation system. Rainfalls were extreme, that it occasionally brought drought and
The Aztec Calendar stone has become one Mexico’s national symbols. After decades of Latin American Art being degraded, underappreciated, forgotten, and abused, it has become one of Mexico’s most national treasures. After years of research from the Codex Mendoza, the Calendar, and documents by the Spanish conquistadors, it has gradually become clear as to how the Aztecs truly lived and how art played such a huge role in their society. It has not only given researchers insight to the Aztec culture and religion and has also given influence to modern and the mainstream media today such as fashion and graphic design.
This article explores the alpaca mummies and the rare, luxurious fabric that can be produced from the alpaca’s wool and Jane Wheeler’s study of the alpaca and llamas. The alpaca is a small, slender member of the camel family. The woolen fabric from the alpaca’s fleece was highly prized. In 1533, Francisco Pizarro laid plunder to Cuzco. He and his soldiers robbed the city of all the gold and silver that was available. The alpaca’s wool was important to the Inca empire. The alpaca’s wool had many purposes. It served as currency, gifts, and had sacrificial religious uses. The Inca were cloth makers who used cloth to produce a variety of objects in their society. They used the cloth to produce roofs and bridges. The cloth was also used as an aid in counting.
Debate started to arise when an archaeologist by the name of Thomas D. Dillehay found artifacts of people existing 14,600 years ago, before Clovis, in Monte Verde, a site in southern Chile. These people slept in hide tents, had access to seafood and potatoes, and shared similar characteristics to other artifacts found in North Ame...
Chavin de Huantar was located in Peru and developed around 900 B.C. late in the Initial Period. At an elevation of 3,150 m., Chavin de Huantar was situated at the bottom of Cordillera Blanca’s eastern slopes, approximately halfway between tropical forests and coastal plains. At the intersection of major routes, Chavin de Huantar was in the position to control the routes, increase their exchange with others, and receive goods that were not natural to their area. Chavin de Huantar was an agricultural society, home to a fairly large population.
My friends, after traveling through the Asian continent and Japan, I continued on to the Americas. The art in the Americas has three regions, North America, Central America, and South America. Each region has a very distinct aspect to their forms of art. All cultures have some kind of art. Being curious about art, I have collected samples from five different areas. The following works of art are very different from European art, but there are still some similarities. The similarities of the human spirit are evident in the following images.
Little is known about Pedro de Cieza de Leon’s youth. Historians have discovered that Pedro de Cieza de Leon was a Spaniard, a conquistador, and a writer of Peru’s history. Pedro de Cieza de Leon was not well educated and had only the most basic education from his local school parish (Atlantis). Although he did not have a superior education, his four part book is reliable because he wrote about what he observed as a conquistador. This document is full of interesting information for the reader to discover the Inca’s way of living.
Many of these vessels came in various shapes and forms over a long period of time. Some of the earliest vessels, dating to the ninth and eighth centuries B.C., were tripods, which are three-legged stands that supported large cauldrons; sometimes the two parts were made together in one piece. The cauldrons were originally used as cooking pots, but the tripods also were...
Around 1200 B. C. The Olmecs originated as a primitive people living and farming on the shores of Mexico (Stanton 91). Soon, however, they began to build cities such as San Lorenzo, La Venta, and Monte Alban. These “cities” were religious centers where people gathered to worship, and were not populated (Stanton 91). The first of these centers, San Lorenzo, was built c. 1150 B.C., on a flat topped, man-made mountain. It was mysteriously abandoned 200 years later (Stanton 92-93).
The Navajo Sand Paintings is an example of a sacred symbolic object commonly misinterpreted as nothing more than an artistic piece of primitive art. In actuality, the beauty is being overseen because Navajo sand paintings have more significance. This so called `piece of art' serves as a major device, but in a...
Patterson, Thomas C. "Tribes, Chiefdoms, and Kingdoms in the Inca Empire.” Power Relations and State Formation (1987): 1-15,117-127.
In conclusion, this research paper was all about the Nazca Lines and the Nazca Indians and also where they were located, how they lived, and why the Nazca Indians created the Nazca Lines. There is also many details about the theories on the Nazca Lines based on how they got there, and how the Nazca Indians created them. There are many more details about the Nazca Indians and what some of the lines form. Also, there are details about how they got water and how they grew the crops and what they ate to survive in the Peru desert for so long.
In modern society, Greek pottery is considered an art which is regarded as much for its aesthetic splendor as its historical significance. However, the role of pottery in ancient Greek culture was far more functional as its primary use was for the transportation and storage of such liquids as water and wine (Encyclopedia Britannica). Due to the durability of the fired clay material, Greek pottery is the only remaining art form that allows us to explore the evolution of this ancient culture. Through that examination, three distinct stylistic periods have been unveiled: Geometric, Orientalizing and Archaic. This analysis will detail these distinct periods as well as three design techniques prevalently used: black figure, red figure and white ground