Mise-en scene The literal translation of the word mise en scene means, "to put on stage" or "placing of a scene", and is used to describe those visual aspects that appear within a single shot. These definitions are derived from the terminology of the theatre; additional meanings have been added in recent years to apply the term in the cinema, the more open definition now also encompasses sound. Ira Konigsberg defines mise en scene, in "The complete film dictionary" as "Mise en scene, in discussions of film, refers to the composition of the individual film, the relation of objects, people and masses; the interplay of light and dark; the pattern of colour; the camera's position and angle of view, as well as the movement within the frame". The use of mise en scene in films is now often registered as the imprint that the director puts upon their cinematic vision, the totality of how the director designs and actuates given scenes. The many areas they fall into being: Setting is usually perceived as a signifier of authenticity, such as the place where the events are happening, they are a constructed setting for action. Often settings are invented, they do not exist, and are set in the future or space, films such as Star Wars or the Fifth Element. Locations can not only be recognised and help us to place the characters within a film, but can also through the film itself create their own space and meaning. Props are devices for conveying meaning which films are dependent upon. They are definers of genre, examples of which are weapons in action films. They can also however become unique signifiers of meaning in a particular film, while all scenes are constructed around numerous props, our attention is often attracted to a particular significant one by the use of close up or dialogue. This shows the significance of the objects, we know that thy will be important in the narrative. Costume and Make-up these are variants of props but are tightly
The Misfit is a complex character created by Flannery O’Connor. He is talked about first when the Grandmother reads his criminal background at the breakfast table. Right when the Misfit meets the family the Grandmother starts questioning his faith and past, and through the Grandmother’s persistent behavior that you find out the truth behind the Misfits hard exterior. The reader understands that the Misfit was brought up by parents who were the “finest people in the world” (O’Connor 1312). With this type of background, how can one expect the Misfit to be such a cold blooded killer? Because of his kind nature in the beginning of the story, it’s almost impossible to understand how he could just kill. Through deeper analysis one can characterize the Misfit with a heart of gold, but the mind of a villain. This characterization is true because somewhere along the line he was wrongly accused of murdering his father and was brutally punished and he was mistreated by the justice system. The Misfit knows he was innocent and neither Jesus nor the justice system could rid him of the punish he received. It’s not because he is an evil person, he says himself “I never was a bad boy that I remember of… but somewhere along the line I done something wrong and got sent to the penitentiary. I was buried alive” (1314). The Misfit states he was never the worst person, but he also says himself that he was never good either, so the reason behind the Misfit’s homicidal condition is not because he is an evil person but due to his distrust in Jesus Christ and the justice system.
When it comes to films most people think that the filmmakers just draft up the script, hires some actors, films and edits some scenes, then releases the next number one movie in America to the world (or select theaters near you). In actuality, there are a lot more details that go into film than that. Filmmakers are constantly making decisions in regards to a films narrative and cinematic style and making sure a film comes out as well as it can. One of those decisions fall under cinematic style and is called mise-en-scene. Mise-en-scene has four elements: lighting, costume/makeup, sets/props, and figure expression and movement. The three that will be focused on when analyzing the film Modern Times are costume/makeup, sets/props, and figure expression
Kidd, Dustin. 2014. “Not that There’s Anything Wrong with That: Sexuality Perspectives.” Pp. 129-163 in Pop Culture Freaks: Identity, Mass Media, and Society. Boulder: Westview Press.
My Mise-en-scene analysis is on American Beauty on page 217: number 1(The dinner scene). The frame itself is a very closed, tight shot; there is no way for the characters to escape and they're left with only confronting each other in this very little space. The shot of the camera isn't necessarily far away or close either. It's neutral, and we can see the full action of the family's dinner conversation happening right in front of us. My eyes were immediately attracted to the bright, white table and then my eyes focused on the faces of the family. The scene's texture is slightly fuzzy, and is not very detailed. But the character's faces are still recognizable. The foreground of this scene is the table with the man and woman sitting at each end; the middle is the girl-who is
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
The protagonist is the grandmother. She is a stubborn old lady who is annoying and persuasive. She convinces Bailey to take a detour to a house, but when she realizes the house is in Tennessee and not Georgia, she freaks out and causes the car to crash.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
Like to know that the first Star Wars came out in 1977 and the movie is so clean as in special effects that it would make any geek overfill with excitement and possibly rewatch the whole movie again it’s just a movie you will never get tired of.
American popular culture is quite serious because we find the “voices” that write, play, film, photograph, dance and explain our American history. George Lipitz notes that historians can learn a lot about the process of identity and memory in the past and present by deciphering the messages contained in popular culture forms such as films, television and music. As stated by George Lipsitz, people can either work for the economy and state, and against the population who take in the messages or they can work in a positive way as memories of the past and hopes for the future.
This paper will explore what it is about anime that makes it so appealing to even a Western audience, creating an international fan base. Although manga can be traced to American origins, the comics that the Americans brought over have been intensely modified to create essentially a new form of media. Manga and anime have become a significant component of Japanese culture, and often times they integrate Japanese culture and society. Yet, regardless of its Japanese origin, anime is still viewed on the other side of the planet. The question then becomes what is it that makes it so appealing to a foreign audience? This paper will rely heavily on Susan Napier’s book, From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the
	Bill Beattie once said, "The aim of education should be to teach us how to think rather than what to think – rather to improve our minds, so as to enable us to think for ourselves, than to load the memory with thoughts of other men." All too often, however, individual thoughts are crushed by the powerful weight of conformity. In the film Dead Poets Society, conformity exercises it’s influence and the results prove disastrous for some. For others, the effect of conformity compels them towards individual strength and the discovery of one’s true self.
The Glass Menagerie is a play written by Tennessee Williams in 1945. The play takes place in the Wingfield’s apartment in St. Louis. Tom is the protagonist in the play and he stays at home with his mother Amanda and his sister Laura. Tom’s Father left the family when he was younger leaving him as the man of the house. His mother Amanda expects him to do everything a man would do. This included working, paying bills, and taking care of herself and Laura. Laura is disabled and she doesn’t work therefore Tom is left providing for his whole family. Being abandoned by Mr. Wingfield left the family distraught. No one seemed to be able to cope with the fact that he was gone even though he left many years ago. Amanda is constantly treating Tom like a child. She tells him how to eat, when to eat, and what he should and should not wear. Tom eventually gets fed up with everything. He can’t stand his factory job, the responsibility of being the man or being treated like a child by his mother. Tom decides to follow in his father’s footsteps and leave the family. It seems as if Tom thinks that running away from his problems will make them go away but things didn’t turn out that way. Although the play was written many years ago, young adults in this day and age can relate to Tom and his actions. The main theme in the play is escape. All of the character use escape in some way. Laura runs to her glass menagerie or phonographs when she can’t handle a situation, Amanda seems to live in the past, and Tom constantly runs away when things aren’t going his way. Escape is a short term fix for a bigger problem. Running away may seem like the easiest thing to do, but in the end the problem is still there and it may be unforgettable. As time goes on esc...
“Marie Antoinette” (2006) directed by Sofia Coppola is a drama/comedy, that is centered on the life of the notorious Queen of France, in the years leading up to the French Revolution. Coppola’s film style was very modern avant garde. The film focuses on Antoinette point of view throughout all her adventures and difficulties. She was the character with whom the viewer identified with the most, her observation were the most important (aside from the audience). Therefore there were many close ups and high lighting on her. The film also invokes the lesson that luxuries is not everything that it will not make you completely happy, which makes the audience feel somewhat sympathetic towards the queen. Coppola successfully achieves to use beautiful and extravagant cinematography to tell the story of the late Marie Antoinette. The mise-en-scene of the film that will be discussed is setting, costume, lighting and figure behavior.
In order to study and understand pop culture we must first and foremost confront the
First of all, I would like to go over my expectations of movies in the future: