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Psychological analysis of sylvia plath poems
Sylvia plath style of poetry
What is the theme of mirror by sylvia plath
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“Mirror” and “Metaphors” by Sylvia Plath are two poems that address how events occur in the natural course of life. These two almost address opposite ends of the life cycle with the aging process being the focus in “Mirrors” and the creation of new life being the focus in “Metaphors”. The natural course of events in life can be both a challenge and a reward. The feelings of finality and desperation are evident in both poems. “Mirror”, published in 1963, was written towards the end of Sylvia Plath’s life and reflects her concern about growing old as well as losing her youthful beauty and “Metaphors”, published in 1960, was written when Plath was pregnant and not sure if she is happy to be having this baby and interrupting her well organized life. (journal pg 294) As life happens, people are confronted with obstacles and events that test their ability to overcome them and shape the kind of person they are or they wish to become.
The form of both poems is similar, yet different. Both use nine stanzas, “Mirror” having two sections of nine each while “Metaphors” has only one section of nine. “Metaphors” has nine syllables in each line, nine metaphors in the poem, and nine letters in the title (Stewart), which all represent the nine months of pregnancy. The poems are each written in first person narrative using “I”. In “Metaphors” the “I” refers to the person as a woman and the way she feels about her pregnancy. In “Mirror” the “I” refers to the mirror, an inanimate object, describing its existence in the life of a woman, the image that the woman sees when she looks in that mirror and the attitude the woman has about her reflection. Feelings of desperation and finality are each apparent in the poems. “Mirror” describes t...
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Axelrod, Steven Gould. “THE MIRROR AND THE SHADOW: PLATH’S POETICS OF SELF-DOUBT.” Contemporary Literature 26.3 (1985): 286. Academic Search premier. EBSCO Web. 27Mar. 2010.
Freedman, William. “The Monster In Plath’s Mirror’.” Papers on Language & Literature 29.2 (1993): 152. Academic Search Premier. EBSCO. Web. 27 Mar. 2010.
Kukil, Karen V. The unabridged journals of Sylvia Plath. New York: Anchor Books, 2000.
Plath, Sylvia. “Metaphors.” Literature: Reading, Reacting, Writing. Ed Laurie G. Kirszner and Stephen R. Mandell. 6th ed. Boston: Wadsworth, 2007. 772
Plath, Sylvia. “Mirror.” Literature: Reading, Reacting, Writing. Ed Laurie G. Kirszner and Stephen R. Mandell. 6th ed. Boston: Wadsworth, 2007. 993j
Stewart, Penny. “Plath’s METAPHORS.” Explicator 40.3 (1982): 60. Academic Search Premier. EBSCO. Web. 27 Mar. 2010.
Figurative language is used abundantly in the passage. Guterson uses metaphors such as Carl’s h...
Tripod Inc. "Figurative Language, Symbols, Themes." Figurative Language, Symbols, Themes. N.p., n.d. Web. 11 Mar. 2014. .
Guetti, James. "Absalom, Absalom!: The Extended Simile."The Limits of Metaphor: A Study of Melville, Conrad, and Faulkner. Ithaca: Cornell, 1967. 69-108.
164-69. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 341. Detroit: Gale, 2013.Artemis Literary Sources. Web. 5 May 2014.
Boyd, Fenice B., and Nancy M. Bailey. "Censorship In Three Metaphors." Journal Of Adolescent & Adult Literacy 52.8 (2009): 653-661. Academic Search Complete. Web. 19 Apr. 2014.
Jokinen, Anniina. "Luminarium: Anthology of English Literature." Luminarium: Anthology of English Literature. N.p., 1996. Web. 9 Nov. 2013. http://www.luminarium.org/
In this poem called “Creatures” by the author Billy Collins there is a literary device called a metaphor when the reader is reading this poem. A metaphor is a comparison of two unlike things without using the words like or as. In lines one (1) through...
Metaphors were previously seen as rhetoric tools but today they have been proven to be firmly linked to our existential experiences. Based on George Lakoff and Mark Johnson studies linguistic metaphors are rooted in bodily engagement, primordial images and basic human experiences. What this means in that as we experience a new phenomenon we try to understand it in relation to our previous experiences.
7. What form of figurative language does the author use in the last line 12 of page 212 and the first line of 213 to make
The author uses many similes and metaphors throughout the book to enrich the description. Examples include:
Lakoff & Johnson (1980) stated that our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature. That is to say, metaphor is pervasive in everyday life, not just in language but in thought and action. Metaphor plays an enormous role in shaping one’s everyday understanding of everyday event. To study metaphor is to be confronted with hidden aspects of one’s mind and one’s culture.
Lipking, Lawrence I, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume 1c. New York: W.W. Norton & Co, 2006. Print.
When Sylvia Plath was told her father died at the tender age of nine, she bitterly said, “I’ll never speak to God again.” In her brief but indispensable writing career, Plath distinguished herself in the poetical realm with her body of work that includes but is not limited to poems, short stories, and one semi-autobiographical novel. Her legacy lives on through her dark themes laden with powerful images such as the moon and skulls, while a father-type figure acts as a significant force either as a central antagonistic power or an influential shadow looming in the background. Brooding thoughts and despondent emotion overcome the reader when faced with one of Plath’s numerous works such as “Daddy,” “The Colossus,” and “Lady Lazarus.” Sometimes straightforward in understanding, Plath’s works contain intermittently placed, unique choices in diction like “mule bray, pig-grunt” throughout her works. On February 11, 1963, Plath was found with her head placed in her kitchen oven (death by carbon monoxide), yet she continues to resonate with people to this day; is it because we are able to relate to her melancholy and heartache? Or because of our sickening-interest in her suicide and the events that led to it? Maybe it is both. Because of her father’s death at a young age, Sylvia Plath’s poems underlies a theme regarding her suicidal demise and victimization at the hands of a patriarchal society, particularly from her husband, Ted Hughes, and late father, Otto Plath.
Works Cited Freedman, William. The. “The Monster in Plath’s ‘Mirror’.” Papers on Language & Literature 23.1 (1987): 152-169. Literary Reference Center.
McCann, Janet. “Sylvia Plath.” Magill’s Survey of American Literature. Ed. Frank N. Magill. Vol. 5. New York: Marshall Cavendish, 1991. 1626-39. Print.